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    Last Chance

    Digging in the dirt: Grave sites and memory mined in Lawndale's arrestingProspectors show

    Tyler Rudick
    Jun 12, 2012 | 12:49 pm
    • Seth Mittag, We're Still Here..., 2011, Wood, foam, Polyureathane plastic, latexon canvas. 12' x 14' x 8'
      Photo by Karen Burd
    • Anne J. Regan, Billie's Fridge, 2012, Everything from Billie Holiday's grocerylist at the Alexander Hamilton Hotel, San Francisco, 1946. Refrigerator,groceries
      Photo by Karen Burd
    • Seth Mittag, Dad and "Mad" Bern, 2012, Silicon, fabric, Polyureathane, 14"puppets
      Photo by Karen Burd
    • David Politzer, HDL: Hyper Democratic Landscapes, 2012, (left) Harsh, Rugged,Barren (center) Biggest, Tallest, Highest (right) Sublime, Heavenly, Inspiring.3-channel video installation with 3 custom screens 7' x 21' x 4'
      Photo by Karen Burd
    • Seth Mittag, Not too bad for now, hell it even has a satellite!, 2012, Wood,foam, brass, latex on canvas. 7' x 10' x 3'
      Photo by Karen Burd
    • Anne J. Regan, I'll Meet You On That Other Shore, 2012, Letters written tovarious musicians, photographs
      Photo by Karen Burd
    • Anne J. Regan, Wall of Sound (Silent Painting Series), 2010-2012, Beeswaxencaustic on MDF exposed at concerts to soak up energy from the performance. 20,5"x7" panels
      Photo by Karen Burd
    • Seth Mittag, Hurricane Allen Newscast (3 minute stop motion animation), 2012,Wood, Plexi-glass, video projector, audio from 1980 channel 5 San AntonioNewscast. 24"x 36"x 18"
      Photo by Karen Burd
    • David Politzer, Surfside, 2012, Single Channel Video, TRT: 7:39 min.
      Photo by Karen Burd

    For each of the past six years, the Lawndale Art Center has equipped three talented Gulf Coast artists with 24-hour studio space, a $500 monthly stipend, $1500 worth of materials . . . and then watches what happens.

    Dedicated to fostering the creation of contemporary art throughout the region, the organization's Artist Studio Program places a particular emphasis on emerging practices. Well, the 2011-12 trio of residents certainly lived up to the challenge, offering up an exhibit that employs materials as varied as a vintage record player covered in dirt, a collection of molded plastic figurines and a triptych of disorienting video landscapes.

    Titled Prospectors, this year's show has viewers entering the Lawndale's first-floor gallery looking for clues as to what the artist-residents have been mining in their private studios on the third floor of the art space.

    This year's exhibit employs mat erials as varied as a vintage record player covered in dirt, a collection of molded plastic figurines and a triptych of disorienting video landscapes.

    In a series of music-related works situated at the entrance of the exhibit, Anne J. Regan culls her own affinity for rock and jazz as a means to explore notions of memory and fandom.

    For two pieces, the artist quite literally dug through the dirt around graves of Gulf Coast legends Lightnin' Hopkins and Sun Ra. Another work uses a grid of letters the artist unsuccessfully attempted to mail to deceased music icons like Woody Guthrie, Joey Ramone and Etta James.

    With the short film Hurricane Allen Newscast, Seth Mittag delves into his own childhood memories of an emergency trip to San Antonio in 1980 during one of the strongest storms in recorded history. Placed around the Main Street side of the gallery are props, images and plastic characters from the video.

    "I remember evacuating as a kid and was lucky enough to find these old news reports on YouTube," Mittag told CultureMap in a recent interview. "From there I just took the audio and made claymation around it. In a way, it's an experiment to see if people could form a narrative for themselves all from this one film and these props."

    In a collection of video and photos from his series When You're Out There, David Politzer digs through the age-old traditions and tropes of landscape art to locate the role of contemporary art making in the eternal order of nature. Stuffed animals and artificial rocks clash with their real-life counterparts.

    In Surfside, a high-definition television plays a video of a high-definition television on a beach . . . which shows a film of a beach.

    Catch it while you can. Prospectors is on view at the Lawndale Art Center this week from 10 a.m. to 5 p.m. with its final public showing from noon to 5 p.m. on Saturday.

    Also be sure to check out Jack Eriksson's take on the economic downturn with a series of work in the second floor gallery as well as Leslie Mutchler's community-driven piece TrendFACTORY on level three.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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