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    Danielle finds a checkbook

    Aftershocks: Pesky parole restrictions rob America of another Real Housewives'table flip

    Joseph Campana
    Theodore Bale
    Jun 1, 2010 | 1:32 am
    • It's tough being the good Housewife. Jacqueline keeps trying to change herimage.
    • The girls are taking the fighting slow this season.

    Tick-tock, tick-tock. At last everything seemed ready to explode as the moment we’ve been waiting for arrived on this week’s holiday episode of The Real Housewives of New Jersey.

    Danielle, determined to help that little baby with cancer, was heading with her self-proclaimed entourage to a benefit at the Brownstone, the Manzo’s banquet business and “second home.” With promos last week featuring ex-felons and petty threats galore, we were waiting for all hell to break loose, or at the least a few tables to get flipped.

    And waiting, and waiting.

    What had been billed as nearly the culmination of the ancient struggle between good and evil in Franklin Lakes, New Jersey, got off to a sluggish start. There was the anti-climactic drive home from the hospital for Teresa and newborn Audriana, who sported a massive rose hat bigger than her tiny head, a fluffy tutu, and pink booties that read “Princess.”

    “They’re gonna have to make a bigger Cadillac for us,” Joe observes knowingly. But Teresa isn’t having any of it — or any more children. “Will you go get snipped?” she asks. Joe suggests they “have to make a couple more.” He’s got room on his bulging biceps for more tattoos of the names of his little girls.

    Meanwhile Danielle meets Kim “G’ at The Endless Vine, a local watering hole. She explains that she can't help baby Emanuela financially, but she knows Kim is well-respected in the community. Jacqueline has a different spin in her video diary: “Danielle manipulates people. She always goes after people who have power or money.”

    As the camera pans back to yet another shot of the half-moon, Danielle and Kim seal the deal, and Kim agrees to escort her to the benefit at the Brownstone. We thought that Danielle had her bases covered with ex-cons Danny and John, but it seems she needs the added protection of the aging Kim and perhaps her checkbook as well.

    Jacqueline is turning out to be the most thrill-seeking of all the housewives. It must be tiring to be the good girl all the time. Last week, it was guns and bullets after wine with husband Chris. This week, it was more wine with Jaeme, mother of Ashley’s beau Derrick. The two get sloppier and sloppier as they celebrate Ashley’s apparent industry and abstinence—at least from alcohol.

    “This wine is dee-lish,” quips the guzzling Jamee as the two pretend to peel grapes for one another.

    Teresa sets out to prove that she “raises divas not tomboys” with an over-the-top party for Gia’s ninth birthday. There were chocolate-scented facials and manicures for Gia and pals.

    The only thing more chaotic than a Barbie-pink limo chock full of 9-year olds was the plot of the anticipated showdown between Danielle and the Manzos. What a letdown that only the Manzo men were present, and only because they had to work.

    Kim G arrives with her Bentley at Danielle’s home to take her to the fundraiser. She’s been enlisted to “protect” Danielle and asks naively, “Do you really think anyone is going to interfere with an event for a baby?”

    Little does Kim G know that ex-con buddy turned bodyguard Danny was coming over. Like any proper housewife, she seems remarkably unruffled in spite of the small talk: “I can’t drink yet, but I only have six days until I can,” Danny admits. Kim G’s eyes widen a little when she learns he’s waiting for his parole to expire.

    Misperception was the mainstay. As Caroline’s son Christopher greets all-gussied-up Danielle and Kim G in the parking lot, he warns them that they’ll be “in for a big surprise.” He just means they’re overdressed. The fundraiser is run by a hunting club, dress is casual, and the grand prize of the “Soft-Shell” raffle is a shotgun.

    But Danielle convinces herself — and Kim G — of well-nigh murderous intentions in young Christopher. When the hunting club planners haven’t planned for Danielle’s entourage, there’s hell to pay. Literally, since Danielle counts a Hell’s Angels member among her party.

    With no tables at the banquet to spare, Danny gets increasingly crazy as Danielle poses for pictures with checkbook-wielding Kim G. Danielle tells a nearby table full of indifferent children that everyone is out to get her. The proof is all around. She’s so busy finding it she doesn’t notice the slides of sick baby Emanuela floating over the ballroom.

    Danny can only be restrained only by the threat of his upcoming parole hearing, “How much you going to disrespect us before we f*cking wreck the joint?” he asks nobody in particular.

    Meanwhile, as the Manzo’s labor to set up extra tables, the organizers tire of Danielle’s drama and prefer that she leaves. Danielle then does the least dramatic thing of the night, She leaves of her own accord and for no apparent reason. “I think I’ve made my point,” she says. Clearly, there was to be no meeting of the minds that night.

    Jacqueline: “She’s not a victim, she’s a nut-job.”

    Danielle: “I have a good grasp on reality.”

    Sure you do, Danielle.

    unspecified
    news/entertainment

    Movie Review

    Rose Byrne and star-laden cast try to beat the system in new movie Tow

    Alex Bentley
    Mar 23, 2026 | 3:00 pm
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast — both Spencer and DeBose are Oscar winners — makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

    moviesfilm
    news/entertainment

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