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    Can't Stop the Feeling!

    Justin Timberlake triumphantly takes over Houston's Toyota Center with Man of the Woods tour

    Johnston Farrow
    Johnston Farrow
    May 24, 2018 | 9:05 am

    Justin Timberlake, the most successful solo performer of the post-boy band era, rolled into Toyota Center on Wednesday, May 23 with The Man of the Woods tour and quickly made it his own, rocking a party rarely seen in an arena-sized venue. He led the more-than-receptive audience through approximately two hours of hits, utilizing his multiple talents and inordinate charisma to put on an excellent show.

    The night’s crowd consisted of 85 percent women, ranging from mid-thirties and above, with 15 percent supportive boyfriends and husbands along for the ride as their ladies screamed and danced for another man. Then again, that man is more talented than almost every other on the planet when it comes to performing pop music, and JT’s long career as a performer shined throughout the night, giving the women in the crowd (and their fellas) everything they came to see.

    He brought with him a 15-piece entourage, replete with a full band, team of dancers, back-up singers, and brass section (shout out to the tuba/trombone player). But it was the production that was most impressive, the stage itself a twisting, river-like structure that covered almost the entire length of the arena floor, with multiple points serving as places to execute expertly choreographed numbers, giving each part of the venue a chance to see the performers up close. Being the Man of the Woods tour, two sets of trees adorned certain points of the stage and even a patch of grass(!) decorating the far end of the set-up. The stage featured impressive lighting rig and three sets of screens hung from the ceiling that allowed great views from anywhere in the house, not an easy thing in a venue that seats nearly 20,000 fans.

    Timberlake, requisitely decked out in a denim jacket, kicked off the evening with the slow-build of “Filthy,” the first single from the tour’s namesake album. Any negative reviews of that album were washed away with his ultra-tight, professional backing band elevating the material. The biggest screams early came with the one-two punch of FutureSex/LoveSounds tracks “LoveStoned” and “SexyBack” — that album’s songs would get the biggest response throughout.

    The first, and longest, third of the set’s highlights included an expert dance breakdown during “Suit & Tie” from the night’s most underrepresented double album, The 20/20 Experience, and an impressive version of still-great “Cry Me a River” from JT’s first solo album, 2002’s Justified. It was simply hard to fathom how much work went into planning and executing the extensive song and dance numbers of the 27-song concert - the professionalism on display was mind-boggling.

    Any criticism from the show came during the “Campfire” mid-section of the show, when members of Timberlake’s backing band convened around an actual campfire at the far end of the stage, complete with log benches, acoustic guitars, and blankets. This section included a series of covers, almost exclusively sung by his backup vocalists, including Fleetwood Mac’s “Dreams,” and Lauryn Hill’s “Ex-Factor.” A cover of John Denver’s “Thank God I’m a Country Boy” was a little too on the nose.

    The middle section may have slowed the momentum and intensity of the opening third of the show, but it was purposeful, as there was no way anyone’s voice or body could sustain the energy of the earlier numbers. Thankfully, the mini-set was largely abbreviated and it quickly morphed into the final third of the act when Timberlake built back the earlier energy levels.

    Highlights from the final third included a rousing, uplifting version of “Say Something” from Man of the Woods; “Rock Your Body,” replete with a dance number on lit up diso floor that recalled the heights of popularity of MTV’s Total Request Live; and the exclamation point of a finale in the Oscar-nominated track, “Can’t Stop the Feeling,” from the universally adored Trolls movie.

    During this part of the show, JT sported a Santa Fe Strong shirt, calling out his support of the high school that recently suffered the country’s latest mass shooting. A final dedication to the students of Sante Fe added a classy, personalized touch that ended the show on a poignant high note.

    As for the openers, The Shadowboxers did a serviceable job in getting the crowd warmed up with tunes that were right in the Timberlake wheelhouse with Bee Gees inflected, harmonized pop songs. A cover of Michael Jackson’s “Remember the Time,” was a highlight.

    Before and after The Shadowboxers, DJ Freestyle Steve was a fantastic hype man, raising the temperature of the Toyota Center to boiling point with well selected, old school hip-hop tracks. One of the best received moments of the night came when he invited former Texan wide-receiver Andre Johnson for some much deserved, hometown love.

    Much like his musical output, the show was a sometimes a little bloated, but overall, the production, stage set-up, and Timberlake’s tremendous charisma as a performer won the night. Thankfully, for those on the fence about purchasing tickets, there are still a few left for May 25’s show. After witnessing Wednesday night’s triumphant performance, this concert is worth the price of admission for both casual and diehard Timberlake fans alike. Don't miss out.

    Setlist
    "Filthy"
    "Midnight Summer Jam"
    "LoveStoned"
    "SexyBack"
    "Man of the Woods:
    "Higher Higher"
    "Señorita"
    "Suit and Tie"
    "My Love"
    "Cry Me a River"
    "Mirrors"
    "Drink You Away"
    ---
    "Campfire"
    "Flannel"
    "Until the End of Time"
    "Dreams" (Fleetwood Mac cover)
    "Ex-Factor" (Lauryn Hill cover)
    "Come Together" (The Beatles cover)
    "Thank God I'm a Country Boy" (John Denver cover)
    ---
    "Morning Light"
    "What Goes Around...Comes Around"
    "Say Something"
    "Montana"
    "Summer Love"
    "Rock Your Body"
    "Supplies"
    "Like I Love You"
    "Can't Stop the Feeling!"

    Justin Timberlake performs at the Toyota Center on Wednesday night as part of The Man of the Woods tour.

    Houston Justin Timberlake Toyota Center May 23
    Photo by Jacob Power
    Justin Timberlake performs at the Toyota Center on Wednesday night as part of The Man of the Woods tour.
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    Movie Review

    Star-filled pickleball comedy The Dink aces on Apple TV+

    Alex Bentley
    Jul 27, 2026 | 9:15 am
    Mary Steenburgen and Jake Johnson in The Dink
    Photo courtesy of Apple TV+
    Mary Steenburgen and Jake Johnson in The Dink.

    While the sport of pickleball was invented way back in the 1960s, it has exploded in popularity in the 2020s. It was only a matter of time before someone figured out a way to make a movie about the craze, and a comedy like the new Apple TV film The Dink provides the best way to honor and make fun of the divisive sport at the same time.

    Dusty Boyd (Jake Johnson), aka The Hammer, is a former tennis phenom who’s now working as an instructor at a club owned by his dad, Chuck (Ed Harris). While the two don’t always see eye-to-eye, they have a mutual hatred for pickleball, which they have begrudgingly allowed on the property by giving it the worst court.

    Dusty is hoping to stop all future pickleball expansion by winning a one-on-one grudge match, but when he injures his wrist, he’s given a prescription of pickleball as a form of rehab. Older women like Candace (Mary Steenburgen) are the only people he can find to play with, and despite his disdain for the sport, he soon falls prey to its low-key charms.

    Directed by Josh Greenbaum (Will & Harper) and written by Sean Clements, the film is probably the best advertisement pickleball will ever have. Dusty’s introduction to the sport serves as a lighthearted tutorial for the uninitiated while still getting in some nice digs at its expense. The other players — Candace, Gail (Cleo King), and Judy (Lynn Marie Stewart) — are equally welcoming and critical of Dusty, who initially has trouble adjusting to the game’s different rules.

    The film’s approach to the story is silly but never stupid. Dusty is a blowhard, but he’s also able to admit when he’s wrong, especially when Candace introduces him to multiple things he had never considered before. A long-standing feud between Dusty and Andy Roddick provides more than just a goofy cameo for the real-life tennis star. The film also pushes right to the edge of being over-the-top before pulling back, allowing it to keep a semblance of reality to it.

    Clements’ story follows a tried-and-true formula, making the film very predictable but enjoyably so. Where it earns its comedy credentials is in its finer details, like Dusty’s love for his 1999 Buick LeSabre with under 200,000 miles on it, his trunk full of old VHS tapes, or his interactions with his assistant PJ (Aaron Chen), who manages to be the comic relief in an already funny film.

    Johnson, probably best known for starring in the sitcom New Girl in the 2010s, has the right amount of smarm and niceness to pull off the role, letting viewers laugh at and root for him at the same time. The film is full of comedy all-stars in small roles like Oswalt, Chris Parnell, and Ben Stiller, but Harris steals everyone’s thunder. The line readings by the four-time Oscar nominee give an extra punch to his character’s jokes, especially one that hints at the sordid history of the tennis club.

    It’s a shame that The Dink is only playing on a streaming service as there’s a dearth of good comedies like this in movie theaters. With a solid joke-telling approach, a respect for its subject matter, and a cast who all play off each other well, this is a film that deserves to be seen by more than just those with an Apple TV subscription.

    ---

    The Dink is now streaming on Apple TV.

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