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    A Real Feast

    Uchi restaurant whiz puts on special $500-a-plate art dinners throughout Houston

    Deborah Elias
    Deborah Elias
    May 15, 2013 | 10:32 am

    Conceptual artist Mary Ellen Carroll — in partnership with Uchi culinary director Philip Speer — is just one in a series of artists to assist the University of Houston Blaffer Art Museum in defying the rules of charitable fundraising. At a recent $500 per person dinner, she incorporated Christmas trees, a black stallion and readings from the script of Giant as part of the museum's inspired fundraising effort titled "Feast: A Dinner Series."

    As Blaffer director Claudia Schmuckli explained, "With its focus on hospitality, the upcoming exhibition Feast: Radical Hospitality in Contemporary Art inspired us to forgo this year the large annual benefit gala and instead plan a series of intimate dinners that offer an excellent artistic and culinary experience that would stand out as unique and memorable." Five artists from the museum's Feast exhibition, opening in September, were invited to join Speer in creating unconventional art/culinary experiences.

    To say the menu selections were innovative is an understatement.

    The dinners, hosted in the private homes of Houston collectors, will accommodate no more than 30 guests for a multi-course meal with wine pairings provided by renowned sommelier David Keck, also of Uchi. The description of the dinner says to "prepare yourself to experience a partnership between food and art like never before." And, well, having experienced the first in the series, I couldn’t agree more.

    Drawing inspiration from the Spanish Mission style home of Jim McAlister, Carroll set out to parallel the oil-based history of Texas with the history of the oil-rich Blaffer family and a focus on origins. Thus, the Christmas trees and nativity scenes representing birth and the black horse representing the mystique of Texas. But then she added actors reading lines from Giant and brought in an authentic Scotsman (the Blaffers are of Scottish origin) to read from Robert Burns. Guests were moved, if not slightly unnerved.

    To say the menu selections were innovative is an understatement. Deconstructed presentations of palate pleasers like cauliflower soup with pickled romanesco, roasted artichoke and lemon miso, beef (bone marrow) served on rice paper dusted with kaffir lime, ramp foam with grilled ramp pickle, charred salsify, coriander citrus blossoms, green peppercorn powder and for dessert . . . well, you get the picture.

    Among those attending the seated dinner were Blaffer Art Museum board members and guests Jo and Jim Furr, Gracie and Bob Cavnar, William Goldberg, Michael Landrum and Philip Paratore, Miya Shay, Mamta and Dr. Raza Pasha, Tracy and Glen Larner and Garrett Hunter.

    Future Feast dinners on the calendar are scheduled for Saturday at the home of Mike Loya with artist Lynne McCabe (sold out), June 22 at the home of Leslie and Mark Hull with artist Miguel Amat, July 20 at the home of Jo and Jim Furr with The Art Guys and Aug. 17 at the home of Jim Petersen and Lindsey George with artist Gabriel Martinez.

    Individual tickets are available for $500 and can be purchased here. The series is co-sponsored by Texas Monthly and Whole Foods.

    Uchi's Phillip Speer, left, and Kaz Edwards, chef de cuisine, work on dishes at the Blaffer Art Museum fundraiser.

    23 Deborah Elias My Favorite Things May 2013 Uchi Director of Culinary Operations Phillip Speer and Chef de Cuisine, Kaz Edwards
    Courtesy photo
    Uchi's Phillip Speer, left, and Kaz Edwards, chef de cuisine, work on dishes at the Blaffer Art Museum fundraiser.
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    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    rodeohoustonconcert review
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