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    The Land Of Fantastic Hair

    Enough with the gratuitous breast exams & incest: Game of Thrones needs morefighting action

    Tarra Gaines
    Apr 19, 2011 | 3:37 pm
    • Emilia Clarke's fate on "Game of Thrones" is being married off to a barbarian.
    • But at least, Khal Drogo has great hair.
    • "Game of Thrones" is getting plenty of HBO promotion.

    If you were surfing your television channels last weekend and found you magically acquired HBO, you might thank Game of Thrones, a monster of a fantasy series the cable giant has been promoting for months. Many cable and satellite companies across the country, including many in Houston, were offering a free weekend, perhaps not-so-coincidently the weekend Thrones premiered.

    Game of Thrones is based on George R.R. Martin’s fantasy novel series A Song of Ice and Fire, and while the tomes have a devoted following the question is: Will a television series be intimidating for those unfamiliar to the books and their cast of thousands?

    (So far the early returns are good, 2.2 million viewers turned into the first episode Sunday night and HBO immediately ordered a second season).

    I have never read the books but I do have fan-girl credentials. I can tell you what a Buffy, TARDIS, and Louisiana Sookie are, though I know nothing of the New Jersey breed of Snookies. So I should be HBO’s ideal novice watcher. Let’s see how much I comprehended.

    The first episode begins with three men on horseback entering a long, dark tunnel, lit only by the torches they carry. Don’t bother to worry about their names because they won’t last very long. After ages of tunnel wandering, they reach a large, medieval garage door that opens to allow them out onto the snowy light. As they exit, we get an amazing “We’re going to need a bigger TV” shot of an enormous ice wall.

    The three riders travel into the woods to a find a slaughtered nomadic tribe, the Wildings, whose bodies have been artfully arranged into (I’m guessing) some mystical symbol. Just a few minutes later the riders encounter a dark, giant figure with glowing blue eyes — and their own decapitation.

    That took care of the awesome first nine minutes of the episode. The remaining 52 minutes became magical medieval soap opera.

    Game of Thrones throws a huge amount of genealogy and geography at the viewer this first episode. Those unfamiliar with the books will probably need the HBO website, which provides family trees, character back stories, and fantasy realm Google maps. I wish they’d also include a meteorological report as well as a GPS tracker for all the characters.

    One of the many things I struggled to keep up with is the weather that changed dramatically from scene to scene, made worse by characters seeming to travel quickly from one extreme climate to the next.

    After viewing the episode a few times and immersing myself in the online guide I’ve deciphered this much: There are many family houses holding power in Westeros and the first episode introduced viewers to four. House Stark is led by Eddard “Ned” Stark, who is played by Sean “I’ve never meet a sword-wielding costume drama I didn’t signup for” Bean. Ned Stark has a lot of kids and, as of the first episode, none of them appear to be evil, and two of them, bastard Jon Snow and athletic Arya, quickly became my favorites.

    Ned helped put Robert Baratheon of House Baratheon on the throne of Westeros after the Targaryen king went mad and his heir kidnapped Ned Stark’s sister, Baratheon’s fiancee. That last bit I only learned after studying the HBO Game of Thrones family tree for an hour.

    Baratheon is married to Cersei of House Lannister. These are the things I discovered about Queen Cersei after one episode. She has pretty blond hair, and she is screwing her twin brother Jaime. Jaime also has pretty hair. They have another brother, Tyrion, played by Peter Dinklage. He too has nice blond hair but does not appear to be having sex with a sibling, though he is having sex with many whores.

    Meanwhile on the coast of a nearby landmass (island? continent?), the last of the Targaryen heirs are plotting to take back the Westeros throne. Well, one of the heirs, Viserys, is plotting to take back his kingdom. His sister, Daenerys, is staring worriedly, yet vacantly, into the distance, no doubt contemplating her imminent arranged marriage to a barbarian warlord, who has promised to provide the suitable raging hordes Viserys will need to conquer Westeros.

    I should at this point mention that these siblings have quite lovely blond hair as well, and though they do not appear to be having sex, Viserys does helpfully give Daenerys a pre-marriage breast exam.

    By the end of the episode Daenerys will marry her barbarian horselord, Khal Drogo. Though they come from distinctly different cultures, this might be a good match since by the looks of him Drogo takes considerable me-time out from raping and pillaging to groom his own long, dark locks and get regular chest waxings.

    So besides a mass introduction to all these characters, what actually happened in episode one? Daenerys got married. Ned Stark got a political appointment to the capitol. All the legitimate and illegitimate Stark offspring got dire wolf puppies, and that’s about it.

    What do these warring clans, political machinations and puppies have to do with the glowing-eyed White Walker people running around decapitating people in the snow at the beginning of the episode? Unless they’re invading Westeros for the land’s superior hair-care products, I have absolutely no idea.

    Ginia Bellafante’s New York Times review of Thrones accuses the series of being “boy fiction” that’s tossed in illicit sex and soap opera plots for the girls. While I do love the description “quasi-medieval somewhereland” I think I’m going to have to turn in my lady credentials because most of the arranged and forced marriages, kidnapped fiancees and conniving, incestuous siblings left me longing to go back to the giant ice wall and scary White Walkers.

    Yet, me and my lady brain plan on turning in next week, mostly for Dinklage’s Tyrion and the Stark children. A short scene between a drunken Tyrion and angry Jon Snow where they discussed the socioeconomic and familial placement of bastards vs. dwarfs in Westeros society was the best non-decapitation scene of the hour.

    I’ll be back for them, the puppies and, hopefully, some hair-care tips.

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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