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    Having it all

    The Lean In backlash: Why do so many women hate Facebook exec Sheryl Sandberg's message?

    Amanda Brady
    By Amanda Brady
    Mar 10, 2013 | 12:39 pm

    It’s happening again. Another successful woman executive is skewered (mostly by other women) for having the gall to try to have it all.

    Facebook COO Sheryl Sandberg's book, Lean In: Women, Work, and the Will to Lead, is causing quite a stir in the print and online media. As I read the many articles and blog posts commenting on a book that most authors have not actually read, I can’t help but wonder why there is such a backlash against this woman.

    Why can’t a wealthy, successful, working woman with a nanny and a 7,000 square foot home have something of value to offer other working women?

    Why can’t a wealthy, successful, working woman with a nanny and a 7,000 square foot home have something of value to offer other working women?

    Here’s the approach I took as I tried to sort through the vicious commentary. Maybe this approach will help you, also, as you’ll be hearing and seeing even more press with the official launch of Sandberg’s Lean In.

    Is her message relevant?

    Sandberg appears to be trying to address a persistent problem that just doesn’t seem to go away, that women are not in as many leadership positions as they should be. As of the end of 2012, there were 21 women CEOs in the Fortune 500; that’s 4.2 percent, up from 16 (3.2 percent) at the end of 2011. Gains are being made, though not at an impressive rate.

    Assuming a proactive stance

    While women may still have a long way to go for equity, what impresses me is that Sandberg isn’t pointing the finger at men or at society in general and simply demanding the universe to “make it right,” but instead offers suggestions on how to overcome the inequities despite the challenge.

    Amazon’s book description reads, “In Lean In, Sheryl Sandberg examines why women’s progress in achieving leadership roles has stalled, explains the root causes, and offers compelling, commonsense solutions that can empower women to achieve their full potential.”

    OK, tell me more.

    Coming from a place of knowledge

    Sandberg wasn’t born the COO of Facebook. She had to work her way up a ladder, which I suspect entailed many long days and late nights at the office.

    Perhaps if Sandberg were lunching with the ladies each day instead of leading a Fortune 500 organization in a competitive business climate, I would discount her words.

    So while her current situation might seem a bit out of touch with the daily realities of most working women (“I am fully aware that most women are not focused on changing social norms for the next generation but simply trying to get through each day,” she writes), and these days she leaves the office at 5:30, one might assume that lessons learned as her career progressed have some relevance to those trying to figure out how best to pursue successful, demanding careers while still having a life outside the office.

    Take the café approach: Take what you want and leave the rest

    Sandberg has some good suggestions in her book that sound like lessons learned rather than idealist motivational speaker hoopla (from “Career tips from Sheryl Sandberg’s ‘Lean In’” in Businessweek/AP):

    • Sit at the table. Raise your hand. Men do.
    • When negotiating, “Think personally, act communally.” Use “we” instead of “I.”
    • Don’t sacrifice being liked for being successful. A lesson learned from Facebook CEO Mark Zuckerberg.
    • Take risks. Step up. Look for stretch assignments. Even when you aren’t sure you’re ready.
    • Make your partner a real partner. I.e., men are parents, too.

    Assume sincerity

    Sandberg didn’t write the book for the money. Her income far surpasses whatever proceeds might come from publishing the book.

    And taken in context with her other social ventures – starting a women’s professional support group at Google and the launch last week of the “Lean In” organization, “a global community committed to offering women the encouragement and support to lean in to their ambitions” – it would appear that she simply wants to offer advice.

    While it remains to be seen whether the Lean In organization is a success, Sandberg has at least created a potential revenue support stream as all book proceeds go to the organization.

    Read first, attack later

    As the New Yorker article suggested, “Maybe you should read the book: The Sheryl Sandberg backlash." Enough said.

    Perhaps if Sandberg were lunching with the ladies each day instead of leading a Fortune 500 organization in a competitive business climate, I would discount her words. But I know she lives with the daily stresses of being an executive and making difficult, bet the company decisions every day. No one gets to the top or stays at the top without being willing to do so.

    But you know, game changers are always controversial. Hopefully Sandberg can take the heat. And, hopefully, she can help change the game.

    Full disclosure: I didn’t qualify for an advance copy of Lean In but mine should arrive by March 14.

    Amanda Brady is director of The Alexander Group, a national executive search firm headquartered in Houston.

    Lean In by Sheryl Sandberg

    Sheryl Sandberg, Lean In, Facebook COO, book
    Amazon.com
    Lean In by Sheryl Sandberg
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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