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    Hipster Christian Housewife

    Epiphany at the Villa: How a serene retreat of silence turned into a terrifying encounter with God

    Cameron Dezen Hammon
    May 18, 2013 | 2:30 pm

    In honor of Mother's Day last Sunday, I elected to spend a day with some unusual mothers last week. It was a day of silence, actually, which, again is different for mothers. My mom friends and I are chatty, and why shouldn't we be? There is always so much going on, so much to do, so much to plan, it seems like we mothers can hardly catch our breath.

    But these mothers I visited have no lack of quiet time, and they exude peace. Their calm, serene expressions and easy, kind smiles suggest that they know something I do not.

    When I first came to Houston, I was a part of the Vineyard Church, and our worship leader at the time told me about a magical place south of downtown called Villa De Matel.

    It's a Catholic convent that houses the Sisters of Charity of the Incarnate Word — 60 or so aging nuns who have dedicated their lives to prayer and hospitality, and whose main ministry is a silent retreat center called "Ruah Elohim,"or "Breath of God."

    The Ruah Center invites road-weary spiritual seekers into its peaceful rooms and offers them the opportunity to spend time — some extended, some not — in pure silence. Silence, they say, is God's first language, and if we are to hear from the Spirit, we first have to stop talking.

    Drowning out the noise

    For the last 11 years I've done a lot of talking. In fact, I've talked about going to see the nuns. I've joked about it, I've threatened it, but I've never actually done it.

    During those eleven years I was building a tidy life and career for myself inside the evangelical church, and I never got to a point where I felt I needed something so radical as to spend a day in silence with nuns.

    I've talked about going to see the nuns. I've joked about it, I've threatened it, but I've never actually done it.

    I was doing just fine, thank you, living the life of a professional Christian, doing, saying and being what I felt I needed to do and say and be to fit into that life.

    Giving out, pouring out, rushing around — living the life of service I believed God was calling me to.

    As I walked the halls of the Villa for the first time last week, I was deeply tired.

    My tidy life has taken some decidedly un-tidy turns, and frankly, I've been wondering if I haven't somehow drifted dangerously from the path I believed God called me to nearly 10 years ago when I first brought my music to the church.

    I'm physically and emotionally tired, but I'm spiritually tired too. Somewhere along this path where I've been giving out — musically, spiritually and emotionally — I've failed to learn how to "take in."

    A thin place

    When I arrived at the Villa I immediately knew it was a special place — what some people call a thin place, a place where heaven and earth brush against each other like rustling curtains in a sea breeze. The scent of jasmine and gardenia hung heavy in the air, bird song rang through the trees and the silence was deafening.

    Laura was assigned to be my spiritual director for the day — I had made my appointment with her over the phone — and when I arrived she led me on a tour of the grounds.

    She showed me where the Sisters eat, pray and rest and indicated that there were certain places I was not permitted to go, simply because the Villa is the Sisters' "Mother House," their home.

    I was nervous — I'm not sure I know how to be silent. To be honest, I'm a bit of a nervous talker.

    I understood. I wouldn't much like it either if strangers wandered around my house all day. I vowed to stay out of their way.

    She also graciously showed me where I could go, which included the entire multi-acre forested property, as well as the Sisters private cemetery where generations of Holy Mothers are buried.

    Throughout the building I encountered posted signs reminding me to maintain silence, even in the dining hall. I was nervous — I'm not sure I know how to be silent. To be honest, I'm a bit of a nervous talker. But I was coming here for help, so I vowed to follow that rule, too.

    Before Laura turned me loose for my three hours of silence, she took some time to get to know me, and inquired as to what brought me to the Villa. Her melodic voice, and relaxed manner immediately put me at ease.

    The truest truth

    She lit a candle and we began our session together with, you guessed it, silence. She showed me a diagram of a house with four rooms — emotional, physical, spiritual, mental — and invited me to close my eyes and walk through those rooms in my own house.

    I immediately remembered something I'd read about a Spanish mystic and author called St. Theresa of Avila. In her most famous work, El Castillo Interior, she details a vision she received from God in which the spiritual journey is likened to a walk through a castle with many rooms, the last room symbolizing mystical unity with God through prayer.

    After our minute of silence Laura asked me to summarize my last ten years in one sentence.

    After our minute of silence Laura asked me to summarize my last ten years in one sentence.

    No problem. After a moment of weighing my words I said, "I traded terrifying intimacy with God, for a socially acceptable marriage with the Church."

    Boom. I'm not sure where that came from, but it was true. It was the truest truth I've allowed myself to speak in some time.

    "You've given God just a part of yourself," Laura said. "And he wants more. He wants all of you."

    The question is, was I willing to give that much? After I spent 20 minutes attempting to pray a "centering prayer," a style of prayer Laura bravely tried to teach me, I ventured out into the woods.

    As a native New Yorker, nature if not my usual go-to. For anything. But I found myself drawn into the woods and as I sat on a bench and closed my eyes, I felt the breeze lift the papers from my lap, lift my hair up off my shoulders, fill my lungs with oxygen and my nose with the clean smell of fresh cut grass.

    And I felt it. Nearness. Immediacy. Intimacy. And it was a little terrifying. It was as if God was saying, "Here I am. I am always here, always available, always interested."

    Later, as I sat on another bench in the neatly kept cemetery, I had an epiphany.

    For ten years I've been praying for protection. I've been through a lot of loss, a lot of shock and heartbreak, and I've learned to protect myself from it — or so I thought — by squeezing my eyes tightly shut and begging God to protect me.

    Sitting on that bench, I realized I'd been asking God to protect me not only from life, but also from Him.

    And just like that, this idea of giving God more of myself seemed less terrifying. It was as if I realized that the re-charging I was so desperately in need of was right there waiting for me all the time. Like a roaring aurora just behind my line of sight — something great and beautiful and massive — available to me at all times, if I only just turn my head to look.

    To find it, all I had to do was sit, close my eyes and breathe.

    unspecified
    news/city-life

    bowled over

    Houston artist dishes on Food Bank fundraiser happening this weekend

    Holly Beretto
    May 11, 2026 | 10:00 am
    Picture of several artists at a table with a bunch of handmade ceramic bowls.
    Photo courtesy Paula Murphy
    Ceramics professor Cori Cryer and her students from Lone Star College Kingwood and the bowls they donated to the 20th Empty Bowls fundraiser

    On Saturday, May 16, shoppers have an opportunity to feed those in need by purchasing unique, handcrafted items. The 20th Empty Bowls event takes place at Silver Street Studios at Sawyer Yards from 10 am to 3 pm. A preview party takes place on Friday, May 15 from 6-8 pm (buy tickets here).

    The fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Silver Street Studios.

    Shoppers can purchase one-of-a-kind bowls for $25 each (larger bowls are priced accordingly). A simple lunch from Salata, a sweet treat from Ben & Jerry’s, and iced coffee from Katz Coffee is served until it runs out. Every dollar of the purchases goes to the Houston Food Bank, which estimates that for every dollar donated, it’s able to provide three meals to Houstonians in need. Since its inception, Empty Bowls Houston has raised $1,208,959 for the Houston Food Bank, which equates to more than 3.6 million meals.

    The event also includes live music and art demos. More than 2,000 bowls will be available for purchase, donated by area artists.

    Empty Bowls began as a grassroots effort started many years ago at a high school in Michigan and is now held all over the world. Nearly everything for Empty Bowls events, from the food served to the venues hosting events and the bowls for sale are donated.

    Cori Cryer, a professor of ceramics at Lone Star College Kingwood, is one of those who, along with her students, donated bowls for the fundraiser. She’s been involved with the effort for all of its 20 years in Houston, and before that in other cities.

    “When I started donating, I didn't have a whole lot of money,” Cryer tells CultureMap. “I was a graduate student, and so this was a way for me to give back to the local community. And I think my students today kind of recognize that same feel. You know, they may not have money to send a check off to someone, [but this is] an easy way for them to be able to contribute to the community.”

    Cryer teaches Ceramics I and Ceramics II to a variety of dual-credit high school students, college students, and continuing education students. Those in her Ceramics II classes are required to create five bowls to donate to Empty Bowls. But her students in her introductory class often end up donating as well. This year, she and her students provided approximately 150 bowls for the event.

    Cryer said that the style of bowls for sale range from something as small as a condiment bowl to much larger serving bowls As each bowl is an individual work, they represent a variety of styles and themes. One of her students this year designed a glazed, ceramic leaf-shaped bowl with ceramic insects on it.

    “There's a ladybug and a caterpillar and a spider,” she says, each created out of clay and positioned around the bowl.

    Cryer loves seeing how the artists use their imaginations and abilities.

    “Most of my students do throw their bowls on the pottery wheel, but that's not required,” she says. “They can hand-build them. It’s completely up to them what kind of construction technique they use.”

    Cryer loves knowing that this event is a way for students to see that their artistic efforts can have lasting impact on the community around them. In addition to being able to support the Houston Food Bank, the bowls her class donates, she knows, take on special meaning for those who purchase them.

    “I tell my students there is a pot for every person and a person for every pot,” she says.

    In fact, one of her personal favorite bowls is one she purchased from an Empty Bowls sale.

    “It's a very small bowl, maybe like three inches in diameter, and two inches tall, and it's a little pink pig that I think an elementary student made,” she said. “He has no tail, and he has no ears, but he has a snout, and it is definitely a pig. And I love that little bowl. I have it sitting on my desk at home.”

    Cryer knows shoppers attending the Empty Bowls sale will find similar, soon-to-be-beloved items.

    The Saturday event is free. Those wishing to attend the preview party on Friday, May 15 from 6-8 pm, which offers light bites, beer and wine, and the first chance to purchase bowls, can purchase a $50 ticket online. In addition, Archway Gallery is hosting an exhibition of 30 one-of-a-kind bowls that can be purchased as part of the Empty Bowls fundraiser. The exhibit runs through May 30.

    news/city-life
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