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    Average stay 28 days

    Going inside Gabrielle Giffords' new Houston home: The secrets of TIRR

    Sarah Rufca
    Jan 20, 2011 | 7:15 pm
    • TIRR Memorial Houston
    • Gabrielle Giffords and husband Mark Kelly
    • Houston oilman Oscar Wyatt, shown here with wife Lynn at the 2010 Houston GrandOpera Ball, was an outpatient at TIRR after suffering a stroke in late November2009.
      Photo by Gary Fountain
    • In his final game in 1997, Detroit Lions linebacker Reggie Brown suffered aspinal cord contusion, and after surgery and then rehab at TIRR, Brown recoveredand today is mobile and active. Pictured are Brown, from left, Daniel Huffmanand Clarinda Brueck as 2000 Gene Autry Courage Awards recipients.
    • Buffalo Bills tight end and special teams player Kevin Everett being transferredfrom an ambulance to Memorial Hermann-TIRR in September 2007 after a"life-threatening" football accident. In December that same year, Everett walkedin public for the first time at Ralph Wilson Stadium before the home finale.
      Photo by David J. Phillip/AP Photo

    A chalkboard at the cafeteria entrance inside The Institute for Rehabilitation and Research Memorial Hermann is emblazoned with a quote from basketball great Michael Jordan: "I can accept failure, but I can't accept not trying."

    TIRR has provided care for many notables — most famously Buffalo Bills tight end Kevin Everett following a life-threatening spinal injury, Houston Astros slugger Jeff Bagwell following shoulder surgery and Houston oil tycoon Oscar Wyatt following a stroke. But now the renowned hospital is preparing for its most high-profile patient yet.

    Rep. Gabrielle Giffords, is scheduled to be transferred to TIRR on Friday from Tucson's University Medical Center to begin rehabilitation work from the affects of a gunshot wound to the head.

    Founded in 1959 by Dr. William Spencer, TIRR was originally intended to address the lack of clinical attention to the quality of life for patients with polio and cystic fibrosis. Through the years its specialties have changed and broadened with the time, and today approximately two-thirds of patients admitted are recovering from brain injuries including stroke, Parkinson's disease and traumatic brain injury, according to TIRR CEO Carl Josehart, with another 20 to 25 percent suffering from spinal cord injuries.

    Giffords will first complete a brief stay at the Memorial Hermann Hospital's Level One Trauma Center, and upon transferring to TIRR will receive a comprehensive evaluation that can take up to 72 hours. The evaluation will set a detailed treatment plan and can include a rehabilitation assessment, a psycho-social assessment, a physical therapy assessment, speech therapy assessment, occupational therapy assessment and even a spiritual needs assessment.

    TIRR is notable as one of 16 hospitals nationwide recognized as a Traumatic Brain Injury Model System and one of 13 named a National Spinal Cord Injury Model System by the National Institute on Disability and Rehabilitation Research. As such, it is a national center for data collection and sharing, conducting local multi-center research.

    "From the standpoint of a patient, they can expect collaboration and the latest science informing clinical care," says Dr. Mark Sherer, the director of research and neuropsychology.

    Though doctors declined to speculate on Giffords' potential diagnosis or time to be spent in the facility ("Patients with the same medical diagnosis can often present concerns that vary widely," says Josehart) the average in-patient stay at TIRR is 28 days, followed by a much lengthier out-patient program of physical therapy without the full-time medical supervision, either at TIRR or a facility closer to home.

    "The circumstances around any injury are one factor in recovery, but a bigger factor is social and family support," says Sherer. Giffords' husband Mark Kelly is a NASA commander based in Houston and has stated the proximity to family and a support system was a factor in the selection of TIRR.

    Peeking into one of the TIRR gym facilities (the center has five of different sizes and specialties, as well as a therapeutic pool), the space is busy with about two dozen patients of varying abilities working with physical therapists and occupational therapists.

    There are body-weight-assisted treadmills for retraining patients to walk with a harness bearing some of their weight and preventing a fall or an injury; mats for stretching; a small staircase and ramp to practice climbing skills in a controlled environment; cardio machines to promote upper-body strength; and functional electrical stimulation cycles to reverse muscle atrophy, increase local circulation and improve range of motion.

    Josehart describes TIRR's goals with any patient as achieving a "new normal."

    "Not everyone gets to 100 percent recovery," says Josehart, but the hospital strives to reintegrate patients to "the parts that make life meaningful," including sports, school and work. TIRR has a wheelchair basketball team, a wheelchair hockey team and a gardening program, and offers vocational counseling and training in activities from getting in and out of a car to getting through security at the airport.

    "What sets TIRR apart is having a medical system around us that includes Life Flight, trauma care, neurosurgery, recovery and home care," Josehart says. "Not every rehabilitation facility is furnished with a system that takes care of people from birth to geriatric care. It allows us to take patients with more complex injuries due to our relationships with medical school — UT and Baylor — and those with medical specialties."

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    news/city-life

    a bright flame

    Houston's game-changing free arts academy breaks ground in the East End

    Holly Beretto
    Oct 15, 2026 | 9:00 am
    Frank Liu Jr. Academy for Music and Arts (FLAMA) exterior
    Rendering courtesy of OMA
    A rendering of the exterior of the Frank Liu Jr. Academy for Music and Arts (FLAMA)'s exterior. The new school broke ground in the East End last week.

    Houston’s newest school for arts and music broke ground last week in the city’s historic East End. The Frank Liu Jr. Academy for Music and Arts (FLAMA), a tuition-free charter school, will welcome students in pre-K through 8th grade next August.

    Members of the Liu family, the school’s founding board members, elected officials, and East End community partners gathered at Buffalo Bayou Partnership’s historic Turkey Bend development for the official groundbreaking ceremony on October 8, which kicked off with a performance by the Kinder High School for the Performing and Visual Arts’ Mariachi group.

    The new school is on a portion of the former Folgers Coffee Plant, located at 235 N. Norwood St. OMA, an international architectural firm known for its approach to urbanism, cultural projects, and adaptive reuse, is transforming the 1930s plant into a state-of-the-art educational facility.

    “We’re excited to celebrate this milestone for FLAMA and look forward to seeing the transformation of the historic Folgers plant into a new home for music and arts education,” said Jason Long, one of the firm’s partners. “Like fine-tuning an instrument, our design recalibrates the existing industrial structure into an open, connected, and expressive environment for learning. FLAMA will be a new learning environment that builds on the character of the existing building while giving it new life for the community.”

    Unfolding across three stories, the school draws inspiration from Montessori education principles, which prioritize openness, independence, and collective learning through shared “neighborhoods.”

    It all begins when students, families and guests enter through a private courtyard. The welcoming space will change the building’s original industrial facade into a brightly colored, kid-friendly spot, complete with yellow and green blocks spelling out the school’s name. The original windows will be restored to preserve the building’s historic character and upgraded to meet contemporary energy standards. Similarly, all of the school’s classrooms are located around the building’s perimeter, providing an abundance of natural light.

    Inside, FLAMA’s three stories are divided so that younger students will find their classrooms at the school’s base, and they will move upward through the school as they progress through grade levels. The ground level has a common area for younger kids that could host drum circles, movement classes or “breakout play.”

    Children in first and second grade have their own, larger open space, with an eye-catching staircase, that's inspired by the curve of a French horn. The space lends itself to everything from small gatherings to performances by the school’s early musicians.

    As students progress through grades three and higher, they’ll find FLAMA’s upper floors created to meet their growing artistic and intellectual needs. One example is the open library, a shared spot for students in third through fifth grades. It has flexible furniture that can transform the space into a place for group study and project work, as well as one that can host after-school activities. Directly above this library is a second common room for middle schoolers where students in sixth, seventh, and eighth grades can study.

    These two libraries are connected by an F-shaped floor opening that references both the F-hole of a string instrument and the forte symbol. Musicians know this curly f as a note indicating them to play a passage with strength. That could easily be a metaphor for the school itself, which will combine high-quality education with rigorous academics. This visual cue emphasizes FLAMA’s desire for music and art instruction to amplify learning across reading, writing, math, and science.

    “This will be a place where children can discover their talents, families can find opportunities close to home, and music and art can open the doors to a stronger education,” said Congresswoman Sylvia Garcia, who attended the groundbreaking. “I know how much it matters when someone brings opportunity within the reach of a child.”

    Dr. R. Scott Allen, FLAMA’s founding superintendent and former principal of Kinder HSPVA, spoke about the school’s vision to pair a rigorous, engaging academic opportunity with deep immersion in music and visual arts.

    Congressman Christian Menefee, State Senator Carol Alvarado, and Houston City Councilmember Mario Castillo also delivered remarks at the ceremony, speaking about the school’s power to not only transform Houston’s Second, Third, and Fifth Ward communities, but also bring incredible education opportunities to students. Former Mayor Annise Parker, former State Board of Education Member Staci Childs, State Representative Christina Morales, and Houston City Councilmembers Joaquin Martinez and Sallie Alcorn also attended the event.

    “In this city, known for our undeniable contributions to music and arts, the gap has never been ability or talent; it has always been opportunity, and opportunity can be built,” said Kirby Liu, who spoke at the groundbreaking, memorializing his late brother’s vision of arts education for the youngest Houstonians. “When it comes to opportunity being foreclosed on our children, we will try like hell to bust those damned doors down.”

    The Frank Liu Jr. Foundation has pledged $20 million in financial support during FLAMA’s first years of operation.

    Applications are now open for kindergarten and first-grade students for the 2027-2028 school year.

    Frank Liu Jr. Academy for Music and Arts (FLAMA) exterior

    Rendering courtesy of OMA

    A rendering of the exterior of the Frank Liu Jr. Academy for Music and Arts (FLAMA)'s exterior. The new school broke ground in the East End last week.

    flamafrank liu jr academy for music and artseast endperforming-artseducationanderson
    news/city-life

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