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    Pick Five (Plus)

    Your weekly guide to Houston: Magic photos, a Green Gatsby, craft beer ladies &a doll's life

    Joel Luks
    Nov 17, 2011 | 10:58 am
    • Installation of My Life as a Doll at DiverseWorks ArtSpace
      Photos by Megan Batson
    • Doesn't this promo shot of Psophonia's New Pulse just begs one to check it out?
    • Urban Green gets retro in "The Green Gatsby," a young professionals social thatadvocates for more green space and helps Hermann Park Conservancy.
    • Da Camera presents Sharon Isbin and Mark O'Connor. The duo is unstoppable.
    • Musiqa's Loft Concerts at CAHM are the perfect opportunity to see what thecontemporary music nonprofit is up to.

    There's much to learn from visiting One Green Street. Call Sherry Eichberger the eco empresario as everything in the store is good for the earth, good for the wallet and good for the soul. From bullets found in African fields turned into jewelry to must-have men's facial systems, the retailer has lots to teach us about being good to mother nature.

    On Friday, vegans and foodie-curious folk flocked to the back where a demo was taking place.

    Christy Morgan, aka the Blissful Chef, was in the midst of preparing a cheesy raw kale salad using nutritional yeast, a bit of oil and a jigger of apple cider vinegar, while explaining her philosophies on seasonal ingredients and eating a minimally-processed whole foods diet. The discourse was certainly lively, ending in a signing of the cook's latest book Blissful Bites.

    Most interesting takeaway: When starting a food journey, focus on adding healthy edibles before taking culprits away.

    No longer do clarinets belong as bases for tacky table lamps. And coincidentally, they go very well with Pisco cocktails. Those were the lessons I learned at River Oaks Chamber Orchestra's first informal-ish recital at Gremillion & Co. Fine Art.

    While Pisco Portón was busy shaking those Lavender Pisco Sours and the orchestra's official drink, The Rocotini — that's Pisco, cranberry and lime juice — virtuoso clarinetist Nathan Williams, professor at University of Texas at Austin, was busy hitting notes way above the stratosphere. How his head didn't explode, I just don't know. He was joined by the fast fingers of pianist Colette Valentine and the sultry, vibrant playing of bassonist Kristin Wolfe Jensen, both also on faculty at UT.

    The place was packed.

    Other highlights from last week? Cinema Arts Festival came to a close with a premiere screening of Art Car: The Movie, Houston Beer Week's Monster of Beer was ginormous and Houston Symphony brought another guest conductor.

    On the menu this week? Read on.

    Musiqa's Loft Concert at Contemporary Arts Museum Houston "The Extravagant Vein"

    If you have ever wondered how contemporary music affects society, just ask Musiqa's Anthony Brandt. He'll answer swiftly and decisively, "I protect consciousness, what do you do?" It's this spirited, slightly sassy attitude that makes me tune in to what the fivesome — including Pierre Jalbert, Karim Al-Zand, Marcus Karl Maroney and Rob Smith — that leads the nonprofit is up to.

    The best way to do so is at these informal lofty musicales. The next one is Thursday at 6:30 p.m.

    Maybe you'll get a chair or stool to sit on, or get comfy cross-legged on a blanket. Whatever you do, get up close. It's a rare chance to see the art music of today in action. On the bill are works that link to Donald Moffett's The Extravagant Vein, currently on display at CAMH.

    Urban Green's "The Green Gatsby" at Miller Outdoor Theatre

    Have you noticed how lovely Hermann Park is? If you haven't, take a stroll down the trails, through the woods, up the bridges and around the lagoons. It's something to be proud of. But its green fabulousness doesn't just happen. It takes a village, an army, per se.

    That's where Urban Green comes in. As the young professional supporters cheering on Hermann Park Conservancy's efforts to keep Houston verdant, they are quite skilled at advocating for all things eco while having a grand ole time. For this Thursday evening social, Miller Outdoor Theatre is transformed into a scene from the Roaring '20s. Think speakeasy, music, food, drinks and a great silent auction. Bring your credit card, will you?

    Psophonia Dance Company presents New Pulse at Barnevelder Movement/Arts Complex

    How did Psophonia get its name? From the two founders: Sophia Torres and Sonia Noriega. Get it?

    Now that we have solved that mystery, we can discuss why the dynamic duo has captured a healthy fan base in Houston and Chicago. Their work balances a contemporary aesthetic with relatable gestures that somehow convey a strong sense of narrative, though it's not always conclusive or linear.

    In New Pulse, the dance company facilitates a forum for young and emerging choreographers to shine. Among them are Emily Bischoff, Kendall Kramer, Marielle Perrault, Patty Solórzano, Stephanie Beall, Jeanna Sneed Vance and Tapley Whaley. Head to Barnevelder on Friday or Saturday.

    Guitarist Sharon Isbin and violinist Mark O'Connor presented by Da Camera at Wortham Theater Center

    If five Grammy Awards aren't enough to whet your musical appetite, then you need to have your pulse checked. Both artists are stupefyingly superhuman in their own right. Sharon Isbin dabbles in both classical circles and more popular genres and always performs with a sense of passionate, musical finesse.

    Mark O'Connor is a freak of nature. He is able to fiddle away, then turn around and whip out jazzy and bluesy tunes.

    The pair is unstoppable. During one performance, I laughed out loud as a jerk reaction to technical feats performed flawlessly. Not my finest moment.

    At this concert, expect to hear some Spanish melodies, classical selections, plenty of jazz and a healthy dose of Americana. Friday night at Wortham.

    Radical Light Film Series at the Museum of Fine Arts, Houston in collaboration with Aurora Picture Show

    From the Golden Gate City comes the book Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945-2000. The publication chronicles the alternative film and media projects that emerged from the conversations of poets, visual artists, composers and technology innovators.

    The Radical Light series at MFAH includes the screening of two films: Procession of the Image Processors and Landscape as Expression. The former explores computer and video technology in the second half of the 20th century while the latter surveys architecture in urban environments. Introduced by Steve Seid, Scott Stark and Michael Sicinski, the screenings are Sunday at 2 and 5 p.m. respectively, with a reception and book signing in between.

    Arts and architecture savant and all around awesome guy Tyler Rudick's pick: Opening of Magical Realism in Photography at Houston Center for Photography

    Tyler says: "This Thursday, I'll be stopping by the Houston Center for Contemporary Photography for Magical Realism in Photography — a look at the visuals behind the movement popularized in the mid 20th century by Latin American literary giants Isabel Allende, Jorge Luis Borges and Gabriel Garcia Marquez.

    "With its roots in the Weimar Germany, Magical Realism employs vivid, almost hyper-real methods to describe surprising and bizarre situations. The HCP show will focus on sophisticated digitally-manipulated work as well as simple, unaltered images to explore magical realism in contemporary photography.

    "HCP hosts an opening reception at 6 p.m. Thursday, with remarks from the curator and participating artists beginning at 5:30."

    Arts smarty pants and beer loving lovable gal Nancy Wozny's pick: Tara Conley and Tria Wood's interactive installation My Life as a Doll at DiverseWorks

    Nancy says: "Plan to park for at least 20 minutes or longer in Tara Conley and Tria Wood's interactive installation My Life as a Doll, on view at DiverseWorks until Dec. 17. It's part book, part house and one really fun collaboration between a writer and sculptor that flies unapologetically close to the saccharine.

    "Read between the lines of this candy pink fantastical landscape and you will find some wonderfully subversive themes addressing gender identities and social pressures. I'm not kidding on the reading, there's several walls of clever text. Weird, dreamy and expertly crafted, My Life as a Doll is completely worth donning a pair of booties to see."

    Assistant editor and nightlife expert Caroline Gallay's pick: Ladies of Craft Beer's night at t'afia

    Caroline says: "My pick is Ladies of Craft Beer's night at t'afia Thursday as part of Houston Beer Week. The cocktail hour and dinner will feature brews by Blaco,Texas' Real Ale. You can buy tickets ($45 each) here."

    unspecified
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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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