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    the music of the night

    Houston dancer comes home for elegant swan song in revamped Phantom of the Opera

    Tarra Gaines
    Nov 1, 2018 | 9:07 am

    When misunderstood-monster musical The Phantom of the Opera chandelier-crashes into town once more this month, it will deliver a very special homecoming for one of its stars, Katy native Emily Ramirez. The dancer turned theater actress Ramirez, who plays the young ballerina Meg Giry, has made an epic real life journey from Houston to ballet to musical theater, and now she comes back home to make her final Phantom bow.

    After several years on tour with the show, Ramirez was ready to take a break and go back to her husband and life in Chicago in October, but seeing Texas on the touring schedule she knew she wanted to sing on as Meg until she could get to Houston.

    “When I saw that the tour was going to my home city, I asked the production company to allow me to do two weeks there,” Ramirez explains to CultureMap. “They were very kind and obliged me. I’ll be performing for every show in Houston and I’ll be finishing off my time in my hometown with my family. I couldn’t be more excited about it.”

    A Houston dance journey
    While Ramirez’s story might not quite be as dramatic as the show she stars in, it has almost as many twists and turns. Growing up in Katy, she began dancing at an early age, and later enrolled in HISD’s renowned High School for the Performing and Visual Art. Though a commute from Katy, she says her very supportive father would make the drive everyday to get her the best dance and arts education possible. That time on the road and in the studio certainly paid off because after graduation she was accepted into the Houston Ballet Academy.

    Ramirez says her Houston arts roots made her the performer she is today, exposing her to the larger world of dance and arts.

    “To have access to these dancers and this education, I’m so lucky. I imagine if I grew up even 30 or 45 minutes outside of Houston, I don’t think I would have the life I have now.”

    As a part of Houston Ballet II, Ramirez performed in the Nutcracker and Sleeping Beauty, but she also first took to the Hobby Center stage she now returns to in Phantom, as she was part of the inaugural performance at the Hobby Center’s opening.

    “This is my first time performing there since I first opened it. It’s so crazy.”

    A ballet life
    She began her full professional dance career at Ballet Met in Ohio, but this move too was influenced by her Houston roots. Her final year in HBII, artistic director Stanton Welch encouraged Ramirez’s arabesque onward.

    “He was a big supporter of my dancing and was the one who suggested and recommended me to Ballet Met. He said: ’I know you’re going to want to be in a smaller company and be busy all the time.’ He was absolutely right.”

    From Ballet Met she went to Charlotte Ballet in North Carolina and that’s when her whole performing life changed after a dance injury. During her recovery time, she wondered if she would every dance again, but thought maybe she could still take to the stage another way.

    “My body is an instrument that I can’t really use right now,” she told herself. “But what’s another instrument that I can work on as an artist, that I can build? So I started taking vocal lessons while I was still on crutches.”

    This was also around the time she had her first encounter with the beguiling Phantom of the Opera on tour.

    “I was four months out of my second ACL reconstruction surgery on my knee when I sat down to watch that show. At the time, I was still up in the air about whether I would have a dance career again. But I loved the show. I thought: I would love to do something like this.”

    Back on her feet and pursuing vocal and acting training, she began auditioning with some of her teachers telling her she would make a great Meg, a part she would eventually win in this monumental touring production.

    Phantom re-imagined
    While this newest version of Phantom has some spectacular set and design treats for audiences, Ramirez says that there’s also some subtle differences in the directing too.

    “This acting style is a little more Americanized, a little bit more current. I think the women in the cast are allowed a little bit more strength than they have had in other interpretations of it.”

    Of course Meg’s life as a 19th-century French ballerina is very different from Ramirez’s experiences in the dance world, but still she does find connections to the character.

    “The version of Meg in this iteration of Phantom, she’s a little feisty. She’s a little wily and mischievous. She has a strong personality that’s very much in line with who I am in real life. It’s not necessarily a typical personality type in a classical ballerina because I think the culture tends to be a little bit more refined and demure.”

    Comic Leap

    From ballet to musical theater, Ramirez has grown used to make big performing arts leaps and after-Phantom might be her biggest one yet. She says instead of looking for her next Broadway show, she might try standup comedy. After taking improv and sketch writing workshops in Chicago and continuing to write, she's produced enough material to start a double life rivaling the Phantom’s. Occasionally on the road she finds a local comedy club to hone her routine.

    With Houston her last stop as Meg, she won’t say if she’ll hit the local clubs here, but comedy seems the next path on her journey: “I just want to be able to make a living being a creative person and bringing people joy.”

    ---

    Mischer Neurosciences Broadway at the Hobby Center presents The Phantom of the Opera November 7-18.

    Native Houstonian Emily Ramirez plays Meg Giry in Phantom of the Opera.

    Phantom of the Opera: Emily Ramirez
    Photo by Matthew Murphy
    Native Houstonian Emily Ramirez plays Meg Giry in Phantom of the Opera.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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