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    Shelby About Town

    It was a super lineup of parties on Super Bowl Sunday, opera fete included

    Shelby Hodge
    Feb 8, 2011 | 3:47 pm
    • The Loya home provided the perfect setting for an indoor/outdoor Super Bowlparty.
      Photo by Shelby Hodge
    • Mindy Hildebrand, from left, Lucinda Loya and Liz Glanville in a super closet onSuper Sunday.
      Photo by Shelby Hodge
    • The Super Bowl buffet spread was generous.
      Photo by Shelby Hodge
    • Joyce DiDonato, left, and Frederica von Stade put on happy faces at von Stade'sfarewell party.
      Photo by Priscilla Dickson
    • Milton Townsend, from left, Jake Heggie and Jackson Hicks joined forces tosalute von Stade.
      Photo by Priscilla Dickson
    • Lucinda and Javier Loya welcomed 125 guests to their home for Super Bowlviewing.
      Photo by Shelby Hodge
    • Thomas Dorsey and Tommy Dorsey at the Super Bowl party.
      Photo by Shelby Hodge
    • Ron and Sarah Simon perched in the summer kitchen at the Loya home.
      Photo by Shelby Hodge
    • Lorie Elizabeth, from left, Stephanie Perkins, Amy Lee and Greggory Burk wereamong the Super Bowl crowd.
      Photo by Shelby Hodge
    • Kara and Aaron Howes at the Loyas.
      Photo by Shelby Hodge
    • Greggory and Pat Burk at the Loyas.
      Photo by Shelby Hodge
    • Amy Lee, from left, Kimberly DeLape, Tom Glanville and Liz Glanville at theLoyas.
      Photo by Shelby Hodge

    By some weird quirk of nature, while football fans were sloshing through the melting snow in Dallas on Super Bowl Sunday, in Houston the weather was ideal for an indoor-outdoor party allowing hosts to take advantage of summer kitchens, outdoor fireplaces and fire troughs.

    No one handled the climate anomaly in finer style than Lucinda and Javier Loya, who entertained more than 100 football fan friends at their swank home in the Memorial area. They threw open the vast glass sliding doors, revved up the fireplaces both indoor and out and invited guests to make themselves at home.

    The house itself is a work of art, a modern baroque masterpiece envisioned by Lucinda, whose creative interior design talents have won her a heady coterie of clients from Los Angeles to New York to Aspen. Every space, enthusiastically and richly appointed, served as a vibrant framework for fans of both the Steelers (the Loyas) and the Packers (Kara and Ray Childress).

    In fact, the study served as football central where several TV screens in varying sizes carried the game. This is where the big board betting took place and where serious football fans gathered. The seating area in the summer kitchen with its large flat screen TV was another popular spot for catching the game and the ads. Sarah and Ron Simon, Meredith Cullen and Danielle White and Liz and Tom Glanville parked here for a while.

    The group included a mix of business associates (Javier is Choice Energy Services CEO), social celebs and even the Loyas' home builder Tommy Dorsey and his son, Thomas Dorsey. Choice senior energy broker John Elias, who has a penchant for cooking, manned the grills insuring that there was plenty of beef tenderloin and chicken to go with the bountiful buffet spread. Bartenders at two different locations kept the libations flowing.

    Taking a break from the game for a buffet run were Kara and Aaron Howes, Mindy and Jeff Hildebrand, Lisa and Michael Holthouse, Greggory and Pat Burk, Lorie Elizabeth James and Stephanie and Bill Perkins.

    The best seat in the house was actually outside of the house in the garden where the game was projected, in surprisingly good definition, on a second floor wall. As the night chilled, a few guests grabbed the seats at the foot of the swimming pool where a blazing fire trough provided warmth for game viewing. Kimberly and Frank DeLape, Sofia Adrogué and Sten Gustafson and even Lucinda found it a cozy perch as the night air chilled.

    Operatic farewell

    Not everyone was thinking Super Bowl on Sunday afternoon, particularly not famed mezzo-soprano Frederica von Stade. Her final performance in Houston Grand Opera's Dead Man Walking earlier in the day marked the end of a long and illustrious operatic stage career. It was no small honor for HGO to host von Stade as she concluded 40 years of performances in the world's great opera houses.

    At the end of her performance in Wortham Theater Center, HGO presented von Stade with the first Silver Rose Award, an honor to be given only rarely and solely to commemorate long associations and artistic achievement.

    In celebration of von Stade's great talent, her long-time friends Jackson Hicks and Milton Townsend opened their historic Montrose area home following the Sunday matinee for a "Farewell to Flicka" cocktail reception.

    The champagne flowed and, as one guest commented, "Of course, the food was out of this world."

    Following brief remarks by HGO general director Anthony Freud and HGO board president Glen Rosenbaum, the stars took over. Dead Man Walking composer Jake Heggie and mezzo-soprano Joyce DiDonato had written two songs in von Stade's honor and handed out lyrics to the 60-plus guests for all to sing a fun and fond farewell to "Flicka."

    Joining the musical rounds were John Turner and Jerry Fischer, Rudy Avelar, Gloria Portela and Dick Evans, Jim Crownover, Guyla Pirher, Greg Robertson, Phoebe and Bobby Tudor, Will McLendon, David Chambers and the cast of Dead Man Walking.

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    major menil changes

    Houston museum repurposes historic building for massive new installation

    Holly Beretto
    Jun 18, 2026 | 10:30 am
    Fresco Building exterior
    Photo courtesy of The Menil Collection
    The former Byzantine Fresco Chapel on the campus of The Menil Collection will open next year as an art installation space.

    A building on the campus of The Menil Collection is getting a new life, after being closed for nearly a decade. The organization announced this week that the Fresco Building, which shuttered in 2018, will be transformed into a space for semi-permanent, site-specific commissions.

    Brooklyn-based artist Teresita Fernández will open the first installation in 2027. She's creating a monumental immersive work that will debut as The Menil Collection celebrates its 40th anniversary.

    “The Menil Collection has programmed its 40th anniversary year with strong exhibitions that explore the museum’s past, present, and future,” said Rebecca Rabinow, director of The Menil Collection. “As one of the highlights, Teresita Fernández’s extraordinary installation at the Fresco Building will join the Menil’s other single-artist buildings, the Cy Twombly Gallery and the Dan Flavin Installation at Richmond Hall. In recognition of the Fresco Building’s origins, her ambitious, site-specific artwork will address themes of spirituality and the human condition.”

    The Fresco Building sits among residential bungalows and two neighboring institutions, the University of St. Thomas and the Rothko Chapel. It opened in 1997 as the Byzantine Fresco Chapel, under the auspices of the Byzantine Fresco Foundation, and originally housed two 13th-century frescoes that were restored and held on an extended loan from the Holy Archbishopric of Cyprus. Those frescos were returned to Cypress in 2012. The building was then decommissioned as a chapel and held a series of installations before closing in 2018.

    The re-purposing of the chapel and Fernández’s commission are in keeping with the Menil’s history of working with living artists who draw inspiration from the museum’s campus, collection, and archives. Menil founders, John and Dominique de Menil, were among Houston’s most-noted art collectors and philanthropists, championing emerging artists from around the globe. The Menil Collection’s main building opened in 1987, showcasing paintings, sculptures, drawings, and other works in the couple’s vast collection. As more buildings became part of the Menil campus, it has become a must-visit for art lovers in Houston and from around the world.

    “It is an immense honor to have been chosen to reimagine the Fresco Building within the prestigious context of the Menil’s campus,” said Fernández. “Creating an immersive, site-specific installation for this building is especially meaningful to me because of the Menil’s deep commitment to artists and the transformational power that contemplative art experiences can offer. For the last thirty years my practice has questioned how we construct notions of landscape and place; this project gives me a unique opportunity, on a monumental scale, to continue to unravel the intimacies between human beings and matter as well as the more numinous landscapes we carry within.”

    Once the new Fresco Building is open, Fernández’s installation will remain for five years.

    Fresco Building exterior

    Photo courtesy of The Menil Collection

    The former Byzantine Fresco Chapel on the campus of The Menil Collection will open next year as an art installation space.

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