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    a lone starlet

    From Texas to Broadway: a local star shines in her Color Purple homecoming

    Tarra Gaines
    Jan 8, 2018 | 8:35 am

    Never underestimate the power of a good ol Texas high school musical theater production. Adrianna Hicks, the star of the national touring The Color Purple revival, certainly doesn’t because growing up in McKinney, Texas, a school rendition of Guys and Dolls changed the course of her life.

    In The Color Purple musical, Hicks plays Celie, the abused but ultimate survivor female hero first brought to life in Alice Walker’s Pulitzer prize-winning novel. Whoopi Goldberg earned her first Oscar nomination in the Steven Spielberg directed film adaptation. The story was then turned into a musical, a Broadway hit back in 2005, but the 2015, John Doyle directed revival quickly became a critical darling, earning the Tony Award for best musical revival.

    As the national tour of the show heads to Houston, CultureMap caught up with Hicks by phone to learn more about this new version and how she feels coming back to her home state she left more than a decade ago on a journey to Broadway.

    Musical Calling
    As a girl, church choirs gave Hicks a passionate love of music and later she learned to play the flute and joined the school band.

    “I’m very thankful because it helped me to learn to read music, how to join with other instruments and to appreciate the art of classical music,” she explained of her early music experiences, yet only during her sophomore year at McKinney High did she have her theatrical epiphany.

    “Even today I have those images in my mind,” she described of that Guys and Dolls production, the first live musical she remembers seeing. And that show became her revelation that there existed a performing art where music, dance and acting melded into one form. At that moment, she knew: “This is what I want to do.”

    Hicks soon got herself up on that high school stage, playing the butler in Joseph and the Amazing Technicolor Dreamcoat.

    “I had my mini-solo that lasted a couple of bars, a couple of lines. That was it, but I’ll never forget being so nervous,” she confessed, going on to recount her next part, the Sour Kangaroo in Seussical, which she laughingly describes as her first meaty, “character role," and Alice in Big River. She still remembers the joy in having a beautiful solo number.

    In a rather wondrous coincidence, or perhaps performing arts destiny, her senior year also introduced Hicks to the show she now stars in, as the Thespian program at McKinney took seniors to New York for spring break. The final show they saw during the trip: The Color Purple, with the kids even participating in a talkback with some of the actors.

    Broadway Home
    Fast forward a decade to 2015 when Hicks had moved to New York and won a swing role in Broadway revival, playing an understudy for seven of the nine female parts in the show, including Celie, an experience that gave Hicks an intimate understanding of each of those characters’ perspectives.

    That year, a new group of Texas high school students with a love of musical theater came to Broadway for the same spring break program and this time it was Hicks who sat in front of them, giving them guidance and encouragement.

    “It was incredible. I told them: guys I was in your position ten years ago. It’s the show that just keeps on giving,” she said of that very special moment of her musical world coming full circle.

    The New Celie
    Even as she brings inspiration to the next generation of theater kids, she draws insight from the many extraordinary actresses to have played Celie. Still, Hicks believes each performer has added their own uniqueness to the role, and she can do no less.

    “There’s no way I can fill any of these women’s shoes. I’m so honored and humbled that they’ve called me to continue the journey of this character,” she said. “All I have to bring is myself and that’s exactly what they had. I look at that in the sense that all these women could only be true to the essence of who they were and that brought out a different element of Celie. We’re all intricately created beings.”

    This stripped-down production in particular calls on Hicks to bring much of herself. The show goes back to the emotional core of the story, relying on the words, music and performances to reveal the intricacies of the characters. This Color Purple has no elaborate sets, and gives the actors only minimal costume changes and makeup; meanwhile, Hicks must play Celie’s growth and change from an adolescent to middle aged woman.

    “It’s a challenge because in our production you can’t hide behind anything, the set, makeup, costume changes,” she describes, going on to praise director Doyle for helping them trust their bodies to do the work.

    A Journey Full Circle
    All that work earned her a home on Broadway, but now as the star of the touring production, she comes home to Texas.

    Though she must keep to a tight performance schedule through Houston, Dallas and San Antonio, she plans to visit friends and family, especially her mother. She also wants to go back to her high school, where her musical theater journey began, and visit with some of her old teachers.

    “That would be wonderful because they were the ones who helped me get to this point.”

    ---

    The Color Purple runs at the Hobby Center Tuesday, January 9, through Sunday, January 14, 2018.

    Adrianna Hicks and the cast of The Color Purple.

    Adrianna Hicks (Celie) and the North American tour cast of The Color Purple
    Photo by Matthew Murphy
    Adrianna Hicks and the cast of The Color Purple.
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    Best March Art

    9 new art museum and gallery exhibits opening in Houston this month

    Tarra Gaines
    Mar 9, 2026 | 6:00 pm
    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and
plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the
Caroline Wiess Law Accessions Endowment Fund
    © 2020 Ernesto Neto / photograph by Albert Sanchez
    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund

    As spring returns so does a flowering of biannual, annual, and biennial art festivals and events this month. Art blooms indoors in Houston's favorite museums but also on the city's streets, parks, and even waterways. Lots of immersive art invites viewers to journey into the picture.

    The Museum of Fine Arts, Houston gets contemplative, and the Menil Collection displays some rare recent gifts. If that’s not enough art for one month, FotoFest celebrates a big anniversary, and the yearly “Night Light” art party heads downtown.

    “Global Visions – FotoFest at 40” programming across Houston (March)
    Marking four decades of photographic arts and education programming in Houston, this 2026 FotoFest looks back on key works and themes from the 20 previous biennials between 1986 and 2024. With participating art galleries and museums around the city offering special photography exhibitions over the next several month, FotoFest will feature more than 450 artists from the United States and 58 countries. Curated by FotoFest co-founder and former artistic director Wendy Watriss and FotoFest executive director Steven Evans, with co-curators Annick Dekiouk and Madi Murphy, “Global Visions” will explore some of the previous festival themes including geography, identity, war, ecology, and social change, while also celebrating FotoFest’s global reach and impact. Look for auctions, tours, conversations, art walks, and workshops as part of the programming.

    “Buddha/Nature: Five Dialogues on a Shared World” at the Museum of Fine Arts, Houston (now through May 10)
    Ancient and contemporary art converse in this extraordinary new exhibition at the MFAH that explores key teachings of Buddhism centered on how we engage with the natural world. The exhibition is organized crossed five thematically focused galleries, including Samsara, Impermanence, Karma, Compassion, and Awakening. Each gallery features one of five ancient Buddhist sculptures from the Xuzhou Collection, a private collection of Buddhist masterpieces, along with works by international and Texas contemporary artists.

    “This exhibition brings ancient Buddhist sculptures into dynamic dialogue with contemporary art,” explains Hao Sheng, consulting curator to the MFAH and organizing curator of the exhibition. “These sacred objects take on new resonance when paired with modern works that explore fundamental questions about existence and harmony. As we witness shifts in our natural environment, we are invited to reflect on the impact of our collective choices in order to achieve a deeper understanding of our place within a changing world.”

    “Blooming Wonders: A Celebration of Spring” at Artechouse (now through May 31)
    The Houston venue that acts as a greenhouse for art, science, and technology to grow together, Artechouse, brings back this hit exhibition from last year.To explore themes of growth, renewal, and sustainability, “Bloom wonders” showcases several dynamic installations, including “PIXELBLOOM: Timeless Butterflies,” a 270 degrees projection space that puts visitors in the middle of a butterfly cloud. Audiences journey with a flock of butterflies into an immense garden of flowers. In another immersive space, “BloomFall: Through the Infinite” guests enter an mirrored infinity room full of shifting floral dimensions. The installation, “Akousmaflore et Lux” creates a very different type of garden where plants transform into musical instruments. “Clay Pillar” invites visitors to sculpt new forms using clay and a little help from an AI program.

    “Ernesto Neto: SunForceOceanLife” at the Museum of Fine Arts, Houston (now-September 7)
    Immersive art gets elevated as the MFAH brings back this commissioned installation that had museum goers walking on air. Looking something like a giant starfish or spiral galaxy from underneath, Ernesto Neto’s singular work floats above almost the entirety of Cullinan Hall in the Caroline Wiess Law Building. One of the largest crochet works to date by Neto, the sculpture consists of yellow, orange, and green materials hand-woven into a myriad of patterns and sewn together in a spiral formation. Visitors can enter this rising labyrinth and wander through different sections filled with soft, plastic balls underfoot that move with each step. Once they reach the center of work, they might pause to view the piece from within the art and reflect on their own journey through “SunForceOceanLife.”

    “Ernesto Neto created this site-specific piece as a tribute to the life-giving forces of the sun and the ocean. Inspired by crochet, which he learned from his grandmother, the piece transforms this traditional Brazilian craft into a massive, enveloping structure that engages the body and the mind,” remark Mari Carmen Ramírez, Wortham Curator of Latin American Art on the return of the monumental installation.

    True North 2026 along Heights Boulevard (now through December)
    Once again, art grows on the Height Boulevard esplanade with this annual outdoor sculpture exhibition sponsored and partnered by the nonprofit Houston Heights Association. The outdoor show features the latest work of some stellar Texas and Houston artists, including Hans Molzberger, Suzette Mouchaty, James D. Phillips, Roger Colombik, Mark Nelson, Robbie Barber, Jim Robertson, Keith Crane/Damon Thomas. Since the artists don’t always install their sculptures on the same days, True North is always an artful excuse to make time for a walk along the boulevard to see what new work has popped up. This beloved tradition is once again thanks to an all-volunteer team, along with the Houston Heights Association in cooperation with the City of Houston Parks and Recreation and Public Works Departments and the Houston Mayor’s Office of Cultural Affairs.

    "Rebel Girl" and “The Vanguard” at Houston Center for Photography (March 12-April 12)
    Just a few days after International Women’s Day, HCP continues their historic commitment to championing women’s photographic careers as they present two exhibition exploring the complexities of female identity. “Rebel Girl” exhibits the work of Luisa Dörr, Selina Román, and Jo Ann Chaus, artists whose work challenges convention while questioning stereotypes and illuminating the evolving roles and perceptions of women today. For “The Vanguard,” HCP executive director, Anne Leighton Massoni, went through their archives and selected the work of 20 trailblazing women who exhibited at HCP within its first 20 years. Taken together their work illustrate the diversity of women’s artistic visions and creativity.

    “The Gift of Drawing: Cy Twombly” at the Menil Collection (March 27-August 9)
    Perhaps as a nod to the Menil Collection being the home of the only permanent retrospective exhibition of 20th century pioneering artist, Cy Twombly’s, work, last year the Cy Twombly Foundation made an extraordinary gift of 121 of Twombly’s drawings to the institute. Now art lovers around the world will get to see some of that landmark gift, as the Menil Drawing Institute presents this exhibition featuring 30 of those works. Covering three decades of the artist’s activity, from the 1950s to the 1980s, the show will feature work created by Twombly’s use of a broad range of materials, from graphite to oil paint; techniques such as drawing and collage; and themes that are fundamental to his entire practice, such as classical antiquity, eroticism, and nature. Some highlight of the exhibition will be a series of lush and unrestrained landscapes from 1986 that verge on pure abstraction; two untitled works from 1970 that are related to the artist’s “blackboard paintings” on view in Cy Twombly Gallery; and Narcissus, 1975, a collage of paper, with oil, charcoal, and wax crayon on paper. None of these works have been exhibited in the U.S. before.

    “Night Light” at Allen’s Landing at Buffalo Bayou Park (March 28)
    The annual free festival of video art along Buffalo Bayou moves west this year from its usual setting along the industrial and residential landscapes of the Buffalo Bayou East trails to Allen’s Landing in downtown Houston. The concrete bridges and underbellies of the major city freeways that emerge from watery bayou depths become the canvases for three site-specific installations from some of Houston most innovative video and multidisciplinary artists. Co-presented by the Aurora Picture Show and Buffalo Bayou Partnership “Night Light” puts the spotlight on new works from artist, designer, and engineer, Corey De’Juan Sherrard Jr.; video, installation, and performance artist and Rice professor, Kenneth Tam; and award winning collaborative duo Hillerbrand+Magsamen. And it wouldn’t be an outdoor Houston event of any kind without food, so expect a lively night artisan market hosted by East End District and BLCK Market at East River featuring local vendors and food trucks plus tunes from DJ Gracie Chavez.

    Bayou City Art Festival Downtown at Sam Houston Park (March 28-29)
    Downtown Houston continues to sprout art everywhere, as the last weekend in March also heralds the biannual Bayou City Art Fest in Sam Houston Park. Showcasing art from 250 creators from around the country, the festival always brings a wide selection of paintings, prints, jewelry, sculptures, and functional art at all price levels. Fest goers also have the opportunity to meet the art makers and hear the stories behind the art. This year’s featured artists is Lijah Hanley, a digital photographer from Vancouver, WA who first found his place behind a camera lens when he was 13. Along with a day of art, a ticket includes live music all day long on two stages, roaming performers, exciting kids areas with interactive crafts, and culinary arts demonstrations.

    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and\nplastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the\nCaroline Wiess Law Accessions Endowment Fund
    © 2020 Ernesto Neto / photograph by Albert Sanchez
    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund
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