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    a lone starlet

    From Texas to Broadway: a local star shines in her Color Purple homecoming

    Tarra Gaines
    Jan 8, 2018 | 8:35 am

    Never underestimate the power of a good ol Texas high school musical theater production. Adrianna Hicks, the star of the national touring The Color Purple revival, certainly doesn’t because growing up in McKinney, Texas, a school rendition of Guys and Dolls changed the course of her life.

    In The Color Purple musical, Hicks plays Celie, the abused but ultimate survivor female hero first brought to life in Alice Walker’s Pulitzer prize-winning novel. Whoopi Goldberg earned her first Oscar nomination in the Steven Spielberg directed film adaptation. The story was then turned into a musical, a Broadway hit back in 2005, but the 2015, John Doyle directed revival quickly became a critical darling, earning the Tony Award for best musical revival.

    As the national tour of the show heads to Houston, CultureMap caught up with Hicks by phone to learn more about this new version and how she feels coming back to her home state she left more than a decade ago on a journey to Broadway.

    Musical Calling
    As a girl, church choirs gave Hicks a passionate love of music and later she learned to play the flute and joined the school band.

    “I’m very thankful because it helped me to learn to read music, how to join with other instruments and to appreciate the art of classical music,” she explained of her early music experiences, yet only during her sophomore year at McKinney High did she have her theatrical epiphany.

    “Even today I have those images in my mind,” she described of that Guys and Dolls production, the first live musical she remembers seeing. And that show became her revelation that there existed a performing art where music, dance and acting melded into one form. At that moment, she knew: “This is what I want to do.”

    Hicks soon got herself up on that high school stage, playing the butler in Joseph and the Amazing Technicolor Dreamcoat.

    “I had my mini-solo that lasted a couple of bars, a couple of lines. That was it, but I’ll never forget being so nervous,” she confessed, going on to recount her next part, the Sour Kangaroo in Seussical, which she laughingly describes as her first meaty, “character role," and Alice in Big River. She still remembers the joy in having a beautiful solo number.

    In a rather wondrous coincidence, or perhaps performing arts destiny, her senior year also introduced Hicks to the show she now stars in, as the Thespian program at McKinney took seniors to New York for spring break. The final show they saw during the trip: The Color Purple, with the kids even participating in a talkback with some of the actors.

    Broadway Home
    Fast forward a decade to 2015 when Hicks had moved to New York and won a swing role in Broadway revival, playing an understudy for seven of the nine female parts in the show, including Celie, an experience that gave Hicks an intimate understanding of each of those characters’ perspectives.

    That year, a new group of Texas high school students with a love of musical theater came to Broadway for the same spring break program and this time it was Hicks who sat in front of them, giving them guidance and encouragement.

    “It was incredible. I told them: guys I was in your position ten years ago. It’s the show that just keeps on giving,” she said of that very special moment of her musical world coming full circle.

    The New Celie
    Even as she brings inspiration to the next generation of theater kids, she draws insight from the many extraordinary actresses to have played Celie. Still, Hicks believes each performer has added their own uniqueness to the role, and she can do no less.

    “There’s no way I can fill any of these women’s shoes. I’m so honored and humbled that they’ve called me to continue the journey of this character,” she said. “All I have to bring is myself and that’s exactly what they had. I look at that in the sense that all these women could only be true to the essence of who they were and that brought out a different element of Celie. We’re all intricately created beings.”

    This stripped-down production in particular calls on Hicks to bring much of herself. The show goes back to the emotional core of the story, relying on the words, music and performances to reveal the intricacies of the characters. This Color Purple has no elaborate sets, and gives the actors only minimal costume changes and makeup; meanwhile, Hicks must play Celie’s growth and change from an adolescent to middle aged woman.

    “It’s a challenge because in our production you can’t hide behind anything, the set, makeup, costume changes,” she describes, going on to praise director Doyle for helping them trust their bodies to do the work.

    A Journey Full Circle
    All that work earned her a home on Broadway, but now as the star of the touring production, she comes home to Texas.

    Though she must keep to a tight performance schedule through Houston, Dallas and San Antonio, she plans to visit friends and family, especially her mother. She also wants to go back to her high school, where her musical theater journey began, and visit with some of her old teachers.

    “That would be wonderful because they were the ones who helped me get to this point.”

    ---

    The Color Purple runs at the Hobby Center Tuesday, January 9, through Sunday, January 14, 2018.

    Adrianna Hicks and the cast of The Color Purple.

    Adrianna Hicks (Celie) and the North American tour cast of The Color Purple
    Photo by Matthew Murphy
    Adrianna Hicks and the cast of The Color Purple.
    theater
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    news/entertainment

    Best February Theater

    A Broadway legend and classic musicals star in Houston's best February shows

    Tarra Gaines
    Feb 5, 2026 | 3:00 pm
    Bernadette Peters
    Photo by Andrew Eccles
    The Hobby Center presents Beyond Broadway: An Evening with Bernadette Peters.

    From mythic marriages to small moments of friendship, love is in the air–in its many forms–across Houston stages. This Valentine’s month brings romance and heartbreak among gods and goddess, but Houston theater companies also showcase stories of profound human connections in ordinary spaces, on trains, in diners, and classrooms. If all those dramatic and comic relationships aren’t enough, Theatre Under the Stars invites us to one of history’s greatest jam session and the Hobby Center brings Broadway royalty to town.

    Grand Horizons from Mildred’s Umbrella (February 5-21)
    Mildred’s is the first of many companies this month picking contemporary and sometimes very recent Broadway plays and musicals as sources for their fresh, local productions. The company begins this heartfelt season with Bess Wohl’s comedy-drama about a mature marriage and the grand chaos of falling out of love. The show opens on an ordinary older couple, Bill and Nancy, having dinner at their home in the Grand Horizons retirement community.

    But after 50 years of marriage, they’re ready to call it quits and calmly announce their decision to divorce, sending shockwaves through their family. As their adult sons rush to make sense of the news, long-buried tensions and unspoken truths rise to the surface. With wit and warmth, Wohl explores love, commitment, and the messiness of family in this modern look at what it really means to grow old together or apart.

    Beyond Broadway: An Evening with Bernadette Peters presented by the Hobby Center (February 6)
    The Hobby Center continues to bring the biggest musicals and screen stars for electrifying one-night-only shows with their Beyond Broadway series. Next up, living legend Bernadette Peters – the critically acclaimed queen of stage, film, television and recordings–will present a magical and inspiring evening of songs from some of the greatest musical theater masters. The multi-award winner creates an intimate audience experience when she performs celebrated selections from Rodgers and Hammerstein, Stephen Sondheim, Jerry Herman, and others.

    The Coast Starlight at Main Street Theater (February 7-March 1)
    With its debut in New York a few years ago, Starlight garnered much critical acclaim for its story about passengers on a Pacific Coast train from L.A. to Seattle. These strangers meet on this 36 hour journey and slip into and out of each others lives, perhaps influencing the small and big choices they all need to make.

    At the center of this journey is T.J., a Navy medic with a difficult decision to make. With the help of his fellow travelers, all of whom are reckoning with their own life circumstances, T.J. has roughly 1,000 miles to figure out how he wants to live the rest of his life. As MST continues to celebrate its momentous 50th season, they note this show “illuminates our capacity for invention and re-invention when life goes off the rails.”

    Hadestown presented by Broadway at the Hobby Center (February 10-15)
    This multiple Tony-winning musical and Broadway smash returns to Houston after beguiling Hobby Center audiences in 2022. The road to Hell is full of some bad intentions but some heavenly music as the story entwines the ancient Greek love stories of Hades and Persephone and Orpheus and Eurydice into one epic, bluesy tale. As the first song, “Road to Hell” even spoils, don’t expect a happily-ever-after with these stories, but do lookout for modern, complex visions of these classic myths.

    Katy Perry Candy Darling Mary Magdalene from Catastrophic Theatre (February 13-March 7)
    In a season of mostly world premieres, Catastrophic once again breaks genres and definitions with this edgy musical about Sophia, the lead singer of an underground Houston band called Bird Murderer. Sophia is on a quest to write the perfect song, with the simple requirements that it must be personal, universal, and under three minutes. Most of all, it has to pay tribute to her favorite artist of all time: Katy Perry.

    Describing Katy Perry Candy as “a madcap musical romp” and “a psychedelic meditation on the intertwining dualities of religious faith and gender identity, a harrowing disco-punk psychodrama and a hot wet heavy metal nightmare,” Catastrophic once again is set to defy any expectations of what theater can and should be. Playwright Joe Folladori certainly can write from experience as a long time Catastrophic music contributor and founder of the indie pop collective The Mathletes.

    English at Alley Theatre (February 13-March 8)
    The Alley produces this Pulitzer Prize winning play that just recently became a critically-acclaimed hit on Broadway. The narrative couldn’t be more timely as it deals with themes of language, immigration, assimilation, and ever changing political landscapes.

    Set in Iran in 2008, the play follows four Farsi-speaking adults and their teacher in an English class to prepare for the TOEFL (Test of English as a Foreign Language). They each have different reasons for learning English, from job prospects in English-speaking countries to strengthening family connections to gaining bilingual power. Over the course of six weeks, they reveal their unique life stories as well as their relationships with their motherland and identity. They might even forge friendships all the while speaking a foreign tongue.

    Million Dollar Quartet from Theatre Under the Stars (February 17-March 1)
    While the real 1956 impromptu jam and hangout session between Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash at Sun Record Studios in Memphis remains one of the most iconic and influential moments in music history, this musical depiction of that meeting is relatively new. The hit show made its Broadway debut in 2010 and went on to earn numerous Tony Awards nominations and later a national tour. Now TUTS brings their own rocking production to the Hobby Center.

    Along with depicting the real life backstage drama, including the clashing talent and big personalities, the show delivers fiery live performances of billion dollar hits, like “Blue Suede Shoes,” “Fever,” “Walk the Line,” “Great Balls of Fire,” “Hound Dog,” “Folsom Prison Blues,” and several beloved gospel standards.

    The Counter from 4th Wall Theatre (February 19-March 16)
    A small town diner sets the scene and pace for this recent Off-Broadway hit about an unlikely friendship between a regular customer and a waitress. Paul is a retired firefighter, and Katie serves him coffee daily. After months of small talk and hints at their complicated pasts, Paul reaches out for friendship, and Katie agrees, sensing his need.

    Through shared secrets, they begin to rediscover hope and joy in human connection. But when Paul makes an unusual request, will their new bond deepen or break completely? With a small, three person cast of some of our favorite Houston actors and the intimacy of 4th Wall’s Studio 101 space, look for the type of poignant experience only live theater can bring.

    Sylvia from Houston Ballet (February 26-March 8)
    Along with Hadestown, this month brings a second return of a 2022 production of Greek and Roman love myths. Houston Ballet brings back this audience favorite created by artistic director Stanton Welch about the legendary tale of the huntress Sylvia and her love for a mortal shepherd. Look for the whole HB company dancing as gods, goddess, nymphs, huntresses, fauns, and the odd naiad.

    Though perhaps not as well known to dance lovers as other story ballets, this depiction of the Sylvia myth, set to music by Léo Delibes, has created faun fans for almost a 150 years. In 2019, Welch put his own mark on the tale, and then HB delivered an epic encore in 2022. It’s no wonder Sylvia leaps into the Wortham Center once more, as the stunning costumes and set designs scenic by world-renowned ballet and opera designer Jerome Kaplan, with lighting design by Lisa J. Pinkham and myth building projections from Wendall K. Harrington, all have made this ballet a favorite for HB audiences.

    Venus in Fur from Dirt Dogs Theatre (February 26-March 14)
    Dirt Dogs brings a very different kind of romance to the stage for Valentine's season. This dark, sizzling drama from acclaimed playwright David Ives plays on ideas about sexual relationships but also on creative collaborations. Thomas is a playwright searching for the perfect actress to portray Vanda for in his stage adaptation of Leopold Sacher-Masoch’s infamous novella Venus in Furs.

    On a dark, stormy night of fruitless auditions, a mysterious and unconventional woman calling herself Vanda arrives to read for the part. Not only is she late, she also appears far from the ideal candidate Thomas had in mind. As the audition unfolds, Vanda’s performance takes an unexpected turn, blurring the lines between script and reality. Masks slips and identities transform, leaving the audience to perhaps wonder who’s really directing and who is acting. As the sexual and psychological tension builds, Thomas and Vanda must confront the complexities of their desires and the darker sides of human nature.

    The Chinese Lady at Stages (February 27-March 22)
    Last year, Stages had a quiet hit with award-winning playwright Lloyd Suh’s The Heart Sellers, a touching drama about friendship between young immigrants in the 70s. This winter they’re back with another of Suh’s plays, this one inspired by the true story of the first Chinese woman to arrive in the United States. This Lady begins her journey in the early 1800s as a 14-year-old girl brought to America by promoters and toured across the country as a living curiosity. As Afong Moy travels across America over the decades, with her translator her only constant companion, the Chinese Lady shares her witty, poignant, and occasionally heartbreaking observations of a young nation. Balancing Moy’s sharply funny observations with the historical realities of her circumstances, the play touches on themes of identity, exploitation, and racism.

    Bernadette Peters
    Photo by Andrew Eccles

    The Hobby Center presents Beyond Broadway: An Evening with Bernadette Peters.

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