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    Cutting Edge New Restaurant

    Ground-breaking new museum restaurant opens with cutting-edge style

    Eric Sandler
    Sep 30, 2014 | 5:04 pm

    For chef Greg Martin of Bistro Menil — the new restaurant near the The Menil Collection which will open to the public full time on Wednesday — the motivation to bid on the project to bring a restaurant to one of Houston's most celebrated institutions was obvious.

    "Like everybody else, I love the Menil," Martin tells CultureMap. "I love the campus. I love the setting."

    Martin travels regularly to Europe and throughout America. He's noticed that museums are getting serious about food by adding destination restaurants. The days of, say, having a McDonald's at a science museum (ahem) just doesn't cut it in 2014.

    "I’ve had some people complain that it’s a little austere in here, but I like that it has a really clean, sharp look."

    "I think people don’t want to just go to a museum. They want to have an experience," Martin says. "Your mom and dad are in town. You come over to see The Menil Collection and have brunch. It’s kind of the perfect world."

    The restaurant delivers that experience in a straight-forward, very clean room that's sole adornments consist of a chandelier and chalkboards that list the beer and wine selections. Martin's husband Paul Garcia built the tables, chalkboards and wine racks.

    "I’ve had some people complain that it’s a little austere in here, but I like that it has a really clean, sharp look. People are here to eat the food and drink the wine or beer. Really, the view is why people are coming to this setting," Martin says.

    Additionally, the chef expects to receive LEED certification for the space, which uses a geothermal heat exchange built into the parking lot to cool the building. The restaurant uses filtered water rather than bottled, and beverage director Sean Essex is serving cask wines and keg beer to further enhance the restaurant's environmental mindfulness.

    First Taste of Bistro Menil

    In the kitchen, Martin brings the experiences gained during his many years working for the Schiller Del Grande Group at Cafe Annie, Taco Milagro and Cafe Express to the helm. He's working in a state of the art kitchen equipped with a couple of trick ovens that use both microwaves and forced air to deliver two kinds of heat.

    The chef cites his quiche as one dish that benefits from the ovens' unique abilities. It's inspired by one he's eaten at Bread and Roses in Paris. "We’d go in there and try to take pictures of them making it, and they’d run me out," Martin recalls with a laugh. "It’s behind a counter, and I’m there with my iPhone."

    This oven allows Martin to recreate the experience of tasting a freshly made quiche without making diners wait through the entire baking process. "You want microwaves to re-thermalize the custard, and you want hot, forced air to re-thermalize the puff pastry on the outside. You can’t do it with a microwave, and you can’t do it with an oven. But if you have both simultaneously, you have the most beautiful, perfect thing."

    Those sort of high standards will be necessary, as Martin expects to serve educated, well-traveled customers whose first taste of Houston might be at Bistro Menil. Whether it's risotto in Italy or quiche in France, Martin assumes his diners have had those dishes in their native countries.

    "We didn’t want to be the restaurant with foam and challenge you and look how cool I am I can do this. We wanted to be very accessible."

    "My job is to get them as close to that experience as I can here, in this setting. I think our menu really did morph out of that," he says.

    Pizzas and flatbreads are another component of the restaurant's menu. They also take a global influence, as in a Spanish-inspired pie of brava sauce and Jamon ham. "I think in 2014 if you’re building a new restaurant and you don’t put a pizza oven in, you’re an idiot. People love pizza," Martin notes.

    Sampling dishes in an empty restaurant isn't much of way to evaluate its ability to serve a full dining room, but everything Martin presented during a tasting embodied the sort of well-executed, crowd pleasing fare that will be required at a restaurant with such a diverse audience. Roasted salmon in dill sauce, inspired by celebrity chef Eric Ripert's recipe in Avec Eric, arrived nicely medium rare with a lift from the fresh herbs. The previously mentioned Spanish pizza featured a crispy crust, and lamb chops over a tangy Greek yogurt demonstrated why the dish is such a classic combination.

    Martin cites a tart he and Garcia ate at The Modern, the restaurant connected to New York's Museum of Modern Art, as the inspiration for a flatbread of caramelized onion, bacon and creme fraiche. Even the tenderloin has a story; instead of Del Grande's signature coffee rub, Martin is using cocoa nibs.

    If the cuisine isn't as avant garde as the Menil's art, well, that's sort of the point.

    "We didn’t want to be the restaurant with foam and challenge you and look how cool I am I can do this. We wanted to be very accessible," Martin says.

    "We built what I believe is a concept that has a compelling reason for people to come. It has a beautiful setting. There’s ample parking. It’s in a great location in the city, and the food’s very accessible: Easy to get, easy to understand."

    Bistro Menil is open Wednesdays through Saturdays from 10 a.m. to 10 p.m. and Sundays from 10 a.m. to 9 p.m. It's closed Mondays and Tuesdays.

    The new Bistro Menil restaurant is changing Houston's food scene — and museum dining — with inventive oven use. Here's the cocoa nib & black peppercorn beef filet with roasted beach mushrooms, French fries and Menil salad.

    First taste at Bistro Menil September 2014 steak closeup
    Photo by Eric Sandler
    The new Bistro Menil restaurant is changing Houston's food scene — and museum dining — with inventive oven use. Here's the cocoa nib & black peppercorn beef filet with roasted beach mushrooms, French fries and Menil salad.
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    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

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