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    The next big scary thing

    Be afraid, be very afraid of a home too comfortable: A chilling tale of thewandering red chair

    Tarra Gaines
    Oct 28, 2011 | 5:06 pm
    • In photos, the red chair now moves around the world, as it holds beautiful femmefatales contemplating murder in exotic locations.
      Photo by Wade Livingston
    • My great-grandmother's favorite psychic den was Bottom of the Cup in NewOrleans, a staple back then, and still today, for palm, Tarot, and tea leafreading, and most bizarre, gourmet teas.
      Photo by Linda Gaines
    • Most of all, as the days grow short and the nights long, I look with paranoia atmy own red chair I inherited from my grandmother. Is it comfortable in its homeor does it feel stagnate?
      Photo by Tarra Gaines

    With Halloween upon us, it’s appropriate that CultureMap has spent October helping Houston explore “The Comforts of Home” because when it comes to what terrifies us, it appears vampires and zombies are creeping out and haunted homes are back in. With the success of movies like Paranormal Activity 3 and the buzz around American Horror Story, FX's show about a murderous yet kinky haunted house, the Zeitgeist seems to point to our homes as the next big scary thing.

    Whether it’s anxiety from the housing crisis leaking into the cultural psyche or merely that the cycle of spooky things has landed back on haunted houses, this Halloween we have nothing to fear but the things that go bump in our custom built kitchens.

    When it comes to the question of the existence of ghostly spirits refusing to pay their share of the mortgage, I’m usually an agnostic, but after learning new information about an old family spooky tale, I’ve come to wonder if it’s not ghosts but another type of spirit that might disturb the comforts our homes.

    GiGi and the New Orleans psychic

    The story begins long ago in New Orleans with my great grandmother, known as GiGi to her grandchildren. Though a beloved wife, mother, and grandmother, she did have one indulgence my great grandfather greatly disapproved of, her monthly visits to French Quarter fortune tellers. Her favorite psychic den was Bottom of the Cup, a staple back then, and still today, for palm, Tarot, and tea leaf reading, and most bizarre, gourmet teas.

    On usual visits, GiGi was told vague generalities about what the future held, but during one notable session that my mother, a teenager at the time, witnessed, GiGi’s fortune teller brought her strange news indeed. The seer gazed deep into GiGi’s tea cup, read the tea leaves once, then once more to be certain, before delivering this message from the future: “The red chair wants to move.”

    The seer gazed deep into GiGi’s tea cup, read the tea leaves once, then once more to be certain, before delivering this message from the future: “The red chair wants to move.”

    Neither my mother nor her grandmother could decipher what this meant. Was this psychic code? Was the red chair an omen for tragedy or triumph awaiting GiGi?

    But the psychic would not interpret this time. She would only repeat the spirits’ message, “The red chair wants to move.”

    And that should have been the end of that, except that night my mother received a hushed but frantic phone call from her grandmother. My great grandfather was never told about GiGi’s psychics, yet that evening as he sat reading his newspaper in the living room, without a word, he looked across the room at the low-standing, wood and red velvet chair. It sat in the same place for many years, existing more as an accent piece than a sitting chair.

    He put down his paper, got up, walked across the room, picked up the chair, and moved it three feet to the left.

    GiGi was so startled she was speechless for minutes, before finally inquiring, “Darling, why did you move that chair?”

    He had no answer. He simply felt compelled to move the red chair.

    So what did it mean? Was the chair haunted? Was the fortune teller a psychic decorator? Was my practical, Episcopalian great grandfather, a man who worked in insurance, hearing the call from some chair entity?

    As a child, when my mother told me this story, I never gave it much analysis, until recently, when we discovered what happened to the chair.

    A chair on the move

    When my great grandparents died — in their seventies of entirely natural and non-supernatural chair causes — the chair went on the move.

    First it traveled across town to my Great Aunt Ruth’s home. Then it crossed state lines to live with Ruth’s son Al in Clear Lake. Years later, it seemed to transfer its attention to Al’s in-laws as it was moved to Dallas and then it caught the professional photographer’s eye of Al’s brother-in-law, Wade Livingston. Perhaps this is the future the Bottom of the Cup psychic saw so long ago, because now the red chair has found a new career as a model. In photos, it moves around the world, as it holds beautiful femme fatales contemplating murder in exotic locations.

    As Halloween lurks upon us, I’ve come to realize what I should fear within my home is not demonic poltergeists or spirits of the death both tormented and tormenting. No, I now fear something far more heinous, that my furniture might be judging me.

    I no longer think the chair has a ghost clinging to it; instead, I wonder if the chair possesses a spirit of its own. If we believe that some landscapes and even structures have a feel or perhaps a spirit to them, can a thing have one as well?

    And as Halloween lurks upon us, I’ve come to realize what I should fear within my home is not demonic poltergeists or spirits of the death both tormented and tormenting. No, I now fear something far more heinous, that my furniture might be judging me.

    If GiGi’s red chair can know wanderlust, what’s to keep my mahogany chest of drawers that’s been in my father’s family for generations from seething with resentment when I stuff T-shirts into a drawer, instead of folding them neatly.

    Is my Ikea couch silently screaming at me to speak Swedish already? Is my beautiful glass lamp from Bali appalled at my taste in television shows? After years together in a co-dependent and occasionally abusive relationship, did my rocking chair ever plot the death of my cat?

    Most of all, as the days grow short and the nights long, I look with paranoia at my own red chair I inherited from my grandmother, GiGi’s daughter. Is it comfortable in its home or does it feel stagnate? Would it like to escape the confines of its existence and move a few feet, a few miles, or even to a new state or country? I wonder if I should find a psychic decorator to read its fortune, and then the most horrific thought of all occurs.

    If I do, will my red chair blab about my horrible decorating sense?

    unspecifiedseries568664006
    news/home-design
    series/comforts-of-home-2011

    MAI oh MAI

    Treasured Houston antiques collective adds 5 Round Top-worthy vendors

    Emily Cotton
    May 8, 2026 | 11:40 am
    Memorial Antiques and Interiors Laurier Blanc
    Photo by Andy Phan
    Laurier Blanc imports oil paintings and more from Belgium.

    Many Houstonians love a good stroll — or promenade, if you will — especially if that stroll includes a morning or afternoon meandering through collections of art, vintage, and antiques. As rising rents drive some of the city’s most beloved independent dealers exclusively into e-commerce, veteran collectives are holding the line on offering an in-person shopping experience.

    For 20 years, Memorial Antiques & Interiors, affectionately known as MAI, has remained a fixture of the interior design community. Don’t be intimidated by its location in the Houston Design Center. The more than 15,000-square-foot collection is completely open to the public, and it’s not uncommon to see fellow shoppers dressed for a Pilates class rather than a luxury boutique.

    Known for styled, magazine-worthy vignettes, MAI blends antiques with contemporary living and offers a fresh perspective on how to incorporate timeless pieces into today’s interiors. What’s not so well known, however, is that MAI is the off-season home to some of Round Top’s most illustrious dealers, with more joining the ranks every day.

    The spring refresh debuts five new faces to the lineup of over 45 dealers, offering curated pieces from across the US and Europe: “This season marks a defining shift at MAI,” MAI marketing director Meghan Horne tells CultureMap. “The vendor mix is exceptional, bringing together iconic dealers and a true trove of one-of-a-kind finds, all within a setting that offers unmatched access. Inventory is constantly evolving with new pieces arriving daily, and its proximity to Houston’s design community makes it an invaluable resource. If you love Round Top, this is that same energy, year-round.”

    Familiar faces from Round Top include Big Red Barn favorite Gracie’s Custom Interiors; Market Hill vendors Provence Antiques and Susan Horne Antiques (who recently doubled her space at MAI); and The Compound regular Laurier Blanc. Long time MAI vendor Tres Bien Antiques is a Blue Hills staple, while The Cargill Collective, The James Collected, and Zuniga & Co. all show under the tents at Marburger Farm. Zuniga & Co. shows at The Compound as well. The owner of Fickle Barn in Round Top also has a space a MAI.

    “MAI focuses on beautiful objects that are one of a kind, and we specialize not only for the trade, but for the public, and it’s a need and a necessity in Houston,” Horne says. “Specializing not only in antiques, but in fabulous oil paintings, lighting fixtures, bookcases, and all the small home decor accessories that you need, to say, impress your mother-in-law.”

    Joining longtime MAI favorites like Assemble Art & Advisory by photographer Kerry Kirk, BAYAT Rugs, and six-bay, 1,400-square-foot shop MK Rathmell Antiques and Interiors, these are the newest vendors to MAI:

    William Gardner Antiques
    W. Gardner brings his celebrated eye and decades of experience to Memorial Antiques & Interiors, marking his first expansion into a second location. Known as one of Houston’s most respected antique dealers, his collection reflects years of thoughtful curation, with pieces that feel both storied and relevant.

    Joseph Collins Antiques and Modern Design
    Palm Beach–based Joe Collins is on a mission to unearth undiscovered artists and artifacts, offering an extraordinary journey through time, culture, and the depths of human creativity. Now extending his footprint to Houston from Round Top’s Market Hill, he brings a fresh, globally-informed point of view to the city’s design landscape. We spotted an exceedingly rare, hand-signed Arthur Court humidor in the shape of a fox that will certainly not stay available for long.

    Memorial Antiques and Interiors Joseph Collins MAI newcomer Joseph Collins shops east coast estate sales for items like this rare, hand-signed humidor by Arthur Court.Photo by Emily Cotton

    Bug In The Box
    Bug in the Box offers handcrafted, museum-quality insect displays featuring rare specimens sourced from around the world and preserved with precision and artistry. Rooted in a background of entomology and design, each piece is ethically-sourced and thoughtfully-composed, resulting in striking, one-of-a-kind works that blur the line between natural history and decorative art. Through a special agreement with the Houston Museum of Natural Science, Bug in the Box preserves butterflies from the Cockrell Butterfly Center to be sold in the HMNS gift shop — in exchange for access to specimens to preserve for personal projects, giving them new life as curated works of art.

    Purveyor Tristan Erickson‘s sensitive and enthusiastic approach to specimen preservation allows his works to feel less like taxidermy and more like objets d’art. Butterflies centered around antique gilt pieces and placed beneath crystal clear cloches or in shadow boxes, perfectly-perched exotic birds, and brass candlesticks displaying ostrich and emu eggs are sure to catch the attention of the most discerning collectors.

    The James Collected
    The James Collected by Tara English offers a thoughtfully-curated mix of antiques, collectibles, and storied pieces chosen for their craftsmanship, character, and timeless appeal. With an eye for objects that bring warmth and depth to modern interiors, English sources pieces that feel both personal and enduring, grounding everyday spaces with a sense of history and charm.

    Photo by Christiana
    Photographer Christiana Reckling captures moments with a sense of honesty and vibrancy that feels both effortless and enduring, blending bold color, natural emotion, and a subtle sense of nostalgia to offer a fresh perspective on familiar scenes. Each photograph is produced as a signed, numbered edition on museum-grade archival paper, created with intention and an emphasis on quality over quantity, resulting in a collection designed to spark curiosity, inspire a sense of place, and bring a refined layer of color and life into everyday interiors.

    Coming Soon

    Lisa Gillette
    Lisa Gillette is a seasoned antiques dealer known for her refined selection of European furnishings and décor, sourced with a discerning eye for quality, provenance, and enduring design. Exhibiting at Market Hill in Round Top, she brings together pieces that balance history with livability, appealing to designers and collectors seeking character-driven interiors. Her approach favors authenticity, craftsmanship, and subtle sophistication, with each find selected for its ability to elevate a space while telling a story.

    ----

    Memorial Antiques & Interiors; 7026 Old Katy Road #166; Monday - Friday, 10 am-5 pm, Saturday, 11 am-4 pm.



    Memorial Antiques and Interiors Laurier Blanc

    Photo by Andy Phan

    Laurier Blanc imports oil paintings and more from Belgium.

    news/home-design
    series/comforts-of-home-2011

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