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The next big scary thing

Be afraid, be very afraid of a home too comfortable: A chilling tale of thewandering red chair

Tarra Gaines
Oct 28, 2011 | 5:06 pm
  • In photos, the red chair now moves around the world, as it holds beautiful femmefatales contemplating murder in exotic locations.
    Photo by Wade Livingston
  • My great-grandmother's favorite psychic den was Bottom of the Cup in NewOrleans, a staple back then, and still today, for palm, Tarot, and tea leafreading, and most bizarre, gourmet teas.
    Photo by Linda Gaines
  • Most of all, as the days grow short and the nights long, I look with paranoia atmy own red chair I inherited from my grandmother. Is it comfortable in its homeor does it feel stagnate?
    Photo by Tarra Gaines

With Halloween upon us, it’s appropriate that CultureMap has spent October helping Houston explore “The Comforts of Home” because when it comes to what terrifies us, it appears vampires and zombies are creeping out and haunted homes are back in. With the success of movies like Paranormal Activity 3 and the buzz around American Horror Story, FX's show about a murderous yet kinky haunted house, the Zeitgeist seems to point to our homes as the next big scary thing.

Whether it’s anxiety from the housing crisis leaking into the cultural psyche or merely that the cycle of spooky things has landed back on haunted houses, this Halloween we have nothing to fear but the things that go bump in our custom built kitchens.

When it comes to the question of the existence of ghostly spirits refusing to pay their share of the mortgage, I’m usually an agnostic, but after learning new information about an old family spooky tale, I’ve come to wonder if it’s not ghosts but another type of spirit that might disturb the comforts our homes.

GiGi and the New Orleans psychic

The story begins long ago in New Orleans with my great grandmother, known as GiGi to her grandchildren. Though a beloved wife, mother, and grandmother, she did have one indulgence my great grandfather greatly disapproved of, her monthly visits to French Quarter fortune tellers. Her favorite psychic den was Bottom of the Cup, a staple back then, and still today, for palm, Tarot, and tea leaf reading, and most bizarre, gourmet teas.

On usual visits, GiGi was told vague generalities about what the future held, but during one notable session that my mother, a teenager at the time, witnessed, GiGi’s fortune teller brought her strange news indeed. The seer gazed deep into GiGi’s tea cup, read the tea leaves once, then once more to be certain, before delivering this message from the future: “The red chair wants to move.”

The seer gazed deep into GiGi’s tea cup, read the tea leaves once, then once more to be certain, before delivering this message from the future: “The red chair wants to move.”

Neither my mother nor her grandmother could decipher what this meant. Was this psychic code? Was the red chair an omen for tragedy or triumph awaiting GiGi?

But the psychic would not interpret this time. She would only repeat the spirits’ message, “The red chair wants to move.”

And that should have been the end of that, except that night my mother received a hushed but frantic phone call from her grandmother. My great grandfather was never told about GiGi’s psychics, yet that evening as he sat reading his newspaper in the living room, without a word, he looked across the room at the low-standing, wood and red velvet chair. It sat in the same place for many years, existing more as an accent piece than a sitting chair.

He put down his paper, got up, walked across the room, picked up the chair, and moved it three feet to the left.

GiGi was so startled she was speechless for minutes, before finally inquiring, “Darling, why did you move that chair?”

He had no answer. He simply felt compelled to move the red chair.

So what did it mean? Was the chair haunted? Was the fortune teller a psychic decorator? Was my practical, Episcopalian great grandfather, a man who worked in insurance, hearing the call from some chair entity?

As a child, when my mother told me this story, I never gave it much analysis, until recently, when we discovered what happened to the chair.

A chair on the move

When my great grandparents died — in their seventies of entirely natural and non-supernatural chair causes — the chair went on the move.

First it traveled across town to my Great Aunt Ruth’s home. Then it crossed state lines to live with Ruth’s son Al in Clear Lake. Years later, it seemed to transfer its attention to Al’s in-laws as it was moved to Dallas and then it caught the professional photographer’s eye of Al’s brother-in-law, Wade Livingston. Perhaps this is the future the Bottom of the Cup psychic saw so long ago, because now the red chair has found a new career as a model. In photos, it moves around the world, as it holds beautiful femme fatales contemplating murder in exotic locations.

As Halloween lurks upon us, I’ve come to realize what I should fear within my home is not demonic poltergeists or spirits of the death both tormented and tormenting. No, I now fear something far more heinous, that my furniture might be judging me.

I no longer think the chair has a ghost clinging to it; instead, I wonder if the chair possesses a spirit of its own. If we believe that some landscapes and even structures have a feel or perhaps a spirit to them, can a thing have one as well?

And as Halloween lurks upon us, I’ve come to realize what I should fear within my home is not demonic poltergeists or spirits of the death both tormented and tormenting. No, I now fear something far more heinous, that my furniture might be judging me.

If GiGi’s red chair can know wanderlust, what’s to keep my mahogany chest of drawers that’s been in my father’s family for generations from seething with resentment when I stuff T-shirts into a drawer, instead of folding them neatly.

Is my Ikea couch silently screaming at me to speak Swedish already? Is my beautiful glass lamp from Bali appalled at my taste in television shows? After years together in a co-dependent and occasionally abusive relationship, did my rocking chair ever plot the death of my cat?

Most of all, as the days grow short and the nights long, I look with paranoia at my own red chair I inherited from my grandmother, GiGi’s daughter. Is it comfortable in its home or does it feel stagnate? Would it like to escape the confines of its existence and move a few feet, a few miles, or even to a new state or country? I wonder if I should find a psychic decorator to read its fortune, and then the most horrific thought of all occurs.

If I do, will my red chair blab about my horrible decorating sense?

unspecified series568664006
news/home-design
series/comforts-of-home-2011

A cut above

How vintage finds shaped the look of Houston’s nostalgic new steakhouse

Emily Cotton
Jul 10, 2026 | 11:30 am
Star Rover interior
Courtesy of Rocket Farm Restaurants
“Buffalo Bill” and friends were collected from various antiques stores.

Houston is not a city short on steakhouses. From old guard icons to sparkling new concepts, there has always been something for nearly every vibe. The addition of restaurateur Ford Fry’s new Heights steakhouse Star Rover to the Houston food scene fills a gap few Houstonians were aware was missing — good ol’ fashioned nostalgia.

Inspired by classic 1970s steak joints, Star Rover is reminiscent of the era along with the kitschy interior quirks that come along with them. Red and white checkered tablecloths, spindleback tavern chairs, animal mounts, and even a steak-eating challenge not unlike the one John Candy’s “Chet Riply” takes on in The Great Outdoors converge under dimly-lit milk glass chandeliers and mysterious vintage portraits.

As gaggles of Houstonians have flocked to Star Rover since its opening in February, the question that pops up time and again seems to be: where did they find all this stuff? From the resplendent Marfa-inspired patio to the delightfully-campy interior spaces, Rocket Farm Restaurants’ design director Rose Hanson and assistant design director Erika Askew shared the backstory on Star Rover’s most-photographed vignettes, their inspiration, and where to shop the look.

“A lot of Ford’s inspiration that he shares with us comes from Marfa, TX, and we really tried to conjure up some of that ‘Marfa,’ but a little more whimsical and not so serious for the exterior,” explains Hanson. “We sourced a lot of that in Round Top, which is a lot of fun.”

Indeed, their haul of vintage iron patio sets, funky lounge chairs, patinated tables, and umbrellas decked out in pink and white stripes, playful florals, and bullion fringe could have been plucked straight out of Marfa’s El Cosmico. Quite a feat, as Hanson and Askew were tasked with sourcing the exterior furniture with little more than 24 hours and a box truck. The rest, along with some interior items, came from their favorite — and the oldest — Houston antiques store August Antiques on Heights Boulevard.

“These are things that feel very different or out of place in the landscape, but it all connects to one another and perfectly fits there,” says Askew. “When we were thinking through this Marfa feel, it was really ‘what would a Marfa person do?’ Which is a little gathered and mismatched, but quirky and still Texas.”

From the patio, it may take a moment for eyes to adjust to the moody lighting glowing inside. Diners are greeted by a hefty hostess stand repurposed from an authentic saloon bar, found in an Atlanta Facebook marketplace listing of all places. “We ‘follow the stuff,’ and what we see,” says Hanson. “And that becomes our inspiration most of the time.”

The bar, located to the right of the entry, is a menagerie of vintage bar memorabilia. Retired brand mascots populate the shelf spaces between liquor bottles, and a floor-to-ceiling collection of rare beer mirrors fits together like puzzle pieces. It took the design duo six months and seven states to source them all. In the end, they only had a surplus of two. Surprisingly, the “mural” behind the bar is actually a landscape painting sourced during the trip to Round Top which perfectly aligned with the buildout.

“Once the project gets some momentum and we’re feeling the vibe, then we’ve really got a clear direction and we know it when we see it,” explains Hanson. “We get really excited about cowboy hats and those types of things — it’s hard to stop buying them now.”

On the subject of cowboy hats, the vaulted ceiling in the bar is nearly covered in them. The approximately 160 hats were sourced everywhere from vintage stores to eBay over the span of four months. While the goal was for the collection to look “intentionally unintentional,” assembling the carefully-curated installation took an entire day.

The main dining rooms are where things get really interesting. Lowered ceilings and warm lighting set an intimate scene, while the addition of heavy velvet draperies in deep burgundy serve to separate seating areas, dampen noise, and bring some mystique to the otherwise-casual atmosphere. Pushing the limit on what one may consider an inspired interior and what is merely cheesy theater, Star Rover lands perfectly within the realm of “camp.” It’s thoughtful, it’s quirky, and it’s a heck of a lot of fun.

“We definitely had the challenge of trying to create some of that nostalgia and authenticity without it being too conjured up or curated to make it feel staged,” says Hanson. “We tried to get it to the point where we brought in a lot of drama. Our restaurants integrate with other people’s lives and become a good memory for them. More than anything, we want to leave people with a warm feeling and a warm belly.”

The main dining area is mostly table seating, plus a hardwood-canopied bank of three booths. The antique milk glass chandeliers that hang within were sourced — for just $150 a pop — from local salvage shop Saltaire Architectural Antiques just outside of Lazybrook, as were the metal lampposts that serve as decorative columns throughout the space.

“You can’t create age on something,” says Askew of incorporating architectural salvage. “The charm of a space that’s been there forever is knowing it has been there forever. We wanted it to be like a living, breathing design that didn’t feel too perfect and allowed the age itself to happen and take over the space over time on its own. So it has a sense of nostalgia, but has so much room to grow into a place that’s been around forever.”

The pink-and-red-striped wallpaper is quickly becoming a guest favorite for Instagram posts. The pattern, with rows of whimsically-drawn turnips sprouting bouquets of flowers, also serves as a backdrop to one of the many vignettes of vintage collections. Taxidermy populates Star Rover as a whole, but guests find one grouping of particular interest, as the unfortunate former animals have taken on personalities of their own.

Names like Phil the pheasant, Douglas the deer, two ducks — aptly named Donald and Donna — and a gold-chain-wearing DJ Squirrel have garnered the unlikely squad a fandom all their own. Not to mention Buffalo Bill, the water buffalo that has taken up residence amongst the many mounts on the far back wall. One deer hoof holding out a fan of playing cards continuously receives a chuckle.

“We find ourselves having to create a lot of collections. Like the beer mirrors, the hats, the taxidermy, and some of the portraits,” explains Askew. “We strategically placed pieces of art and little cheeky items around so that every time a guest comes back in, they can kind of discover something new that maybe they didn’t notice before. Every time a guest comes back they feel a little rewarded by the design because they get to see a pop of something different.”

The antique portrait gallery and additional portraits placed throughout the spaces are of particular interest to new customers. The little blonde boy was the first in what would become a string of portrait purchases. With absolutely zero provenance to speak of, the designers chose to name the portrait “Baby Ford,” after proprietor Ford Fry, and go from there. Each new acquisition became a long lost family member with expressions and personalities to match, and with a growing fondness for them from the team.

“That little cheekiness and kind of laughing about this portrait of someone we didn’t know, and turning it into someone we do know kind of led to the rest of the findings,” explains Askew. “These were ideas we had, but that one piece opened the path for us for when we would find the other pieces. We found him and then we followed the next trail to a fun portrait, and then it became this portrait wall with a life of its own. What would it feel like to look at them when you’re in there? Even though we didn’t know who they are, we still knew them.”

Even the restrooms at Star Rover are a vintage design experience. More portraits and framed needlepoint works decorate the walls, while a graphic geometric wallpaper pattern is repeated on the fabric vanity aprons. The vanities themselves are — believe it or not — vintage replicas. The wide-bodied lime green sinks that perfectly imitate Bakelite, as well as the European-style brass vanity stands are none other than…Home Depot?

“We aren’t above or below going to Home Depot or to the fanciest store in town — if it’s the right thing, it’s the right thing,” says Askew. “Again, it was that feeling we got that we couldn’t deny and we knew that feeling would pass along to the guests when they enter the space.”

Clearly an important lesson in “high-low” design, Star Rover has something for everyone. From the nostalgic food and cocktail menus, to the comfy aesthetics of the 70s, and even the two vintage Skee-Ball machines tucked away near the patio, no detail has been overlooked.

“It’s an experience that each person gets to have individually when they walk in. It’s definitely going to take you back, not in an overdramatized way, but it will invoke the feeling of the places you’d go to with your parents as a kid, and now you’re bringing your kids,” shares Askew. “The nostalgia is there that makes people feel comforted; you don’t feel like you have to try hard. It’s always going to have a comfortable feel at whatever level you enjoy it at: drinks on the patio, snacks at the bar, dinner in the restaurant. It’s perfectly welcoming no matter what.”

As for their fellow vintage fans, Hanson weighs in on the question that’s usually on every thrifter’s mind during a hunt: “Is this cool, or is this garbage? Sometimes that line is a little blurry, and we aren’t afraid to ride that a bit.”

Star Rover interior

Courtesy of Rocket Farm Restaurants

“Buffalo Bill” and friends were collected from various antiques stores.

design interior design interview news-you-can-eat the-heights star rover
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