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    Lifting the curtain

    Peek inside Houston's River Oaks Theatre ahead of its grand reopening

    Craig D. Lindsey
    Oct 2, 2024 | 3:23 pm

    After several years of will-they-won’t-they, Houston's iconic River Oaks Theatre will officially open on Thursday, October 3.

    An opening-night screening of Joker: Folie a Deux has already sold out. (Another screening at 10:30 pm still has tickets available, as of press time.) According to a release, the first 800 people who show up on opening night will receive a commemorative gold coin, a throwback to the old days of early 20th-century movie palaces.

    “In the early 1900s, movie theaters used to give out a gift of gold to the very first guests who would walk through the building,” says River Oaks Theatre artistic director Robert Saucedo. “And the tradition was that this gift would give the theater prosperity and luck for years to come. And, so, we wanted to take that and do a little twist on it.”

    Located at 2009 West Gray, the River Oaks Theatre is Houston’s longest-running cinema. Opening in 1939, it was last managed by the Landmark company as an arthouse theater. It closed in 2021 and was threatened with demolition until Culinary Khancepts purchased the lease in 2022. The company also operates Star Cinema Grill, State Fare, and Liberty Kitchen. It will open Leo's River Oaks, a fine dining steakhouse, next to the theater.

    River Oaks Theatre marqueeAfter a two-year restoration, the River Oaks Theatre is ready to make its grand debut.Photo courtesy of River Oaks Theatre

    The River Oaks will reopen with three refurbished theaters, updated lighting and seating, and other amenities. Not only will it continue to show movies, but also host live shows, music, comedians, and other performances as a community hub.

    Thanks to a two-year, multi-million dollar restoration, the River Oaks returns architecturally to its 1939 Art Deco roots, but with luxurious modern upgrades. Key historical elements, including the iconic marquee, terrazzo flooring, and statues that grace the main auditorium, have been preserved.

    River Oaks Theatre

    Photo by Jason Ostrow

    The River Oaks' main auditorium now has plush recliner seats.

    "The team worked meticulously to maintain the venue’s vintage charm while enhancing the overall aesthetic with bold geometric patterns, opulent materials, and modern conveniences," the release says.

    Now, plush seats with personal dining tables cover the main auditorium and two auditoriums upstairs. The main auditorium now seats 237 guests and is equipped with a state-of-the-art Barco laser projector, a custom Danley sound system, and full live theatrical lighting and sound systems powered by Q-Sys. Upstairs, the twin auditoriums seat 50 guests each, while a newly added Private Theatre Lounge accommodates 20 guests.

    Lavish bars sit on both floors, ready to serve audiences wine, beer, and movie-inspired cocktails. As for food, chef Tim Reading of the forthcoming Leo’s River Oaks has created an elevated menu featuring dishes like Free Range Popcorn Chicken, Veal and Pork Fried Meatballs, The Lobster Roll, Ora King Salmon Grain Bowl, the Luv Ya Blu Burger, Tarte Au Chocolate, and Strawberry Mascarpone Cheesecake. All will be available to order via QR code on each dining table, and food can be delivered to seats.

    River Oaks Theatre barThe lavish new upstairs bar.Photo by Jack Opatrny

    Along with screening first-run theatrical films — especially art-house cinema that the theater was already known for — River Oaks will have repertory film programs that will play everything from beloved popcorn flicks to cult classics. And, of course, The Royal Mystic Order of CHAOS will be back to host monthly midnight-movie screenings of The Rocky Horror Picture Show. But River Oaks will also include live music and comedy events on its main stage.

    River Oaks started getting film lovers hyped for the opening by holding invitation-only screenings of such films as Star Wars: Episode IV, Urban Cowboy, The Goonies, and The Royal Tenenbaums.

    Regular moviegoers will be glad to know the theater will soon be launching the "Cinema Savant" subscription program, providing unlimited access to films for just $20 per month.

    Even though the owners say they still have some work to do to fine-tune the theater, the River Oaks is ready to get back in the movie-showing business.

    “The good thing about us is we put a lot of heart and soul into this business,” says Culinary Khancepts vice president Jason Ostrow. “We’re local business owners. It’s not like we’re some big company out of New York or LA — we’re here. So we take a lot of pride in what we do. So we won’t stop kind of tweaking and playing with it until it’s exactly what it needs to be. But, at some point, you've got to open.”

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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