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    Aftershocks

    Cat fights do break for the holidays: Camille Grammer & Kyle Richards kiss andboogie up

    Theodore Bale
    Joseph Campana
    Dec 24, 2010 | 6:25 pm

    It’s the season for giving. But this week The Real Housewives of Beverly Hills showed us who has a lump of coal right where her heart should be.

    Don’t let the sun fool you. It began as grim morning in Beverly Hills. Everyone dissected Camille Grammer's chainsaw-massacre dinner party, complete with an electronic cigarette-smoking psychic. The aftershocks were profound, and there were more social events to come. What else could happen? A lot of selfishness, readers, and three Grinches emerged early on.

    As Lisa VanderPump diligently prepared Villa Blanca for a fundraiser, she realized there was something missing: her live-in gay Cedric. It seems the holiday spirit wasn’t quite enough to rouse him from the no doubt hyper-luxurious nest that Lisa provided and feathered for him.

    When Cedric rolls in late to help with arrangements, Lisa tears him a new one. This seemed fitting given the noticeable hole in the “seat” of his jeans, which he struggled to cover with his T-shirt. What were you up to last night, Cedric?

    Did we forget to mention that the fundraiser benefited a burn victim? According to Lisa, the poor woman was set on fire by a would-be wooer. Kind of makes whatever rave, grab, or tumble Cedric was up to seem a tad less important.

    Cedric was not the biggest Grinch, however. He was just late. Kim Richards and Camille Grammer were total no-shows for the burn victim’s benefit.

    It was quickly clear that Camille was a grade-A Grinch. She may not have time to raise money for a burn victim, but Bravo makes sure we see that she has plenty of time to ride her “husband’s buddy” Nick. Or rather, we mean ride with Nick. On his motorcycle.

    As they suit-up to disappear into the horizon, Camille jokes that Kelsey has a big Harley. Really, Camille? We’re guessing Nick’s got a bigger bike. Even if he doesn’t, we guess he’s much handier behind the handlebars than poor ol’ Kelsey, who seems to prefer the friendly skies to the open roads.

    As if that’s not bad enough, Camille makes a digital drive-by at the fundraiser and drops a bomb on Kyle Richards. The text informs Kyle that her dreamy husband, real estate agent Mauricio, will no longer work for Camille and Kelsey. For a moment, we thought we were back in New Jersey as Danielle “Garbage” Staub, eyes flashing, tried to steal the spotlight at a fundraiser for a baby with a blastoma.

    We think Taylor said it best when she, too, was dismayed by Camille’s absence: “There are people with real problems,” she says.

    Camille’s absence spoke volumes, and in a different way, so did Kim’s. The mostly depressed and anxious blonde spends much of this episode alone and ruminating about how she can’t get along with the others.

    She does take time out to get a manicure with Taylor, even if they quarreled at Camille’s party from hell. They meet at The Painted Nail, where a sign stating “Cash Tips Only” hangs over the register. In a confused dialogue, they sort of make up after ordering “the ice-cream manicure.” Taylor leaves thinking that she just can’t figure the woman out, and perhaps Kim should have a superhero costume painted with a big question mark. Wait, isn’t that the Riddler, from Batman?

    Later Kim mopes about her crappy house, strutting and fretting over daughter Whitney’s impending trip to Houston. Kim ascends a narrow stairway with two hastily-prepared tuna sandwiches flanked by limp Kosher spears. It’s a lonely last supper with her girl, who is more hopeful that Kim will fold the clothes she’s packing than provide companionship. Kim wouldn’t dream of forsaking their “last night” together to attend Taylor’s Roaring Twenties party, but Whitney says she doesn’t care if Kim goes.

    And the other women don’t seem to mind, either, since it’s all fake smiles and air-kisses at Comme Ça, where Taylor holds court, looking positively fabulous in her flapper costume.

    “If you want to keep pace in Beverly Hills, you have to throw parties that people will talk about,” she admits in her video diary. But compared to the fête she threw for her daughter’s fourth birthday, this is a mere get-together.

    By now it seems that Lisa and Cedric have made up, and they decide to trade outfits and both go the party in drag. Cedric stumbles in high heels and clutches a bright red fur stole around his biceps and triceps. Lisa has painted in a mustache and looks a bit like an older Charlie Chaplin.

    Kyle, who is usually stunning, looks both old and fat in her Louise Brooks get-up, but her husband Mauricio is dashing in a white dinner jacket. He shows off his vintage jewelry to Camille, after giving her a big kiss, and she and Kyle glare at each other. Adrienne is wearing something blue, and her husband Paul looks enormous in a bright red gangster suit. Mauricio does an impromptu tango with Cedric, “dipping” him dramatically in front of the guests, and Cedric’s resemblance to Kyle is creepy. Even Kyle admits they look like twins.

    There’s something in the air, and this time it’s positive. No vindictive behavior, no name calling, no bitter walk-outs. Perhaps it’s the “grapefruit-driven” cocktails, or maybe the water is spiked with Ecstasy. We couldn’t believe how well everyone was getting along, and then without warning, Camille and Kyle make up.

    It’s like Group Therapy for Dummies. The former enemies decide to “start from scratch.” Taylor applauds and immediately mingles, telling the other guests that the pair has reconciled. But there’s something entirely fake about Kyle and Camille’s spontaneous Charleston in the final scenes. We’re wondering how long this interruption of our regularly scheduled cat fight will last.

    Tune in next week for Beverly Hills Fight Club. We’ll bring the popcorn.

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    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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