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    Married to Medicine Houston

    Married to Medicine Houston Recap Episode 3: Crawfish drama and other cheesy moments

    Kaitlin Steinberg
    Nov 18, 2016 | 9:01 pm

    Say what you will about Southerners, we are nothing if not hospitable. Which is why we start this week’s episode of Married to Medicine Houston with a “Sorry Supper” prepared by Rachel as penance for showing up to Elly’s fabulous Persian New Year celebration looking like a Holi ghost. Take note, aspiring socialites: You may attend elegant events in wellies, dog wash water and dyed corn starch if, and only if, you are prepared to cook short ribs in a frilly pink Barbie apron on national television afterwards.

    Wait. Wait a minute. Are you telling me Rachel is wearing that apron because she wants to, not as an attempt at self-flagellation for her transgressions? Oh. My bad. Moving on.

    So Rachel sets out on her apology dinner tour with Mama Maribel and Dr. Ashandra, but Maribel is quick to point out that Dr. Sato and Dr. Monica aren’t on the guest list. Rachel says they didn’t think they had anything to apologize for and shrugs it off. “If they want to apologize, they can apologize on their own.”

    Somehow I don’t see that happening.

    As Dr. Elly and her sister, Pegah, head toward Rachel’s house, they still seem to be having a really hard time letting go of their friends’ fashion faux pas. The two agree to remain positive, which will be difficult in the face of such adversity, but props to them for being so strong.

    Meanwhile, Dr. Monica and her man-child boyfriend Imad head to Hugo’s for dinner with Dr. Sato and her hubs, Derek. This scene seems to serve two purposes: give Imad a pedestal upon which to display his misogyny and advertise Hugo’s by going into much more detail than usual about the food. Last week, the ladies hit up Backstreet Café, and this week they’re at another Hugo Ortega/Tracy Vaught establishment. Good for you, Hugo and Tracy!

    Erika shows up to dinner straight off a shift in scrubs and no makeup, which is a brave move for a thirty-something woman on Bravo. It’s awesome that she keeps it so real. Less awesome, though, are the next words that come out of her mouth: “I literally have blood on me.” Um, isn’t that, like, a biohazard?

    Over cocktails and barbacoa, Erika and Monica wonder if they’re now the “bad guys” because they didn’t apologize. Monica maintains they have nothing to apologize for because they showed up. Congrats, you have met the minimum required standards for being an acquaintance.

    Anyway, Hugo’s queso flameado looks delicious, as usual, but the cheesiest moment of this meal comes from Imad. When Erika and Derek reveal their plans to freeze some eggs and use a surrogate to have a baby, Imad becomes a chauvinist pig straight out of Mad Men. “If you can do it, you have to do it,” he says to Erika. “What I heard is ‘I work too much, so I can’t carry the baby.’ Screw that.” Bro, screw you.

    As usual, Erika is unfazed. Girl, you are going to have to react to something at some point. Don’t you know you can’t be on a Bravo show unless you demonstrate a willingness to throw a drink in someone’s face at the slightest provocation?

    Back at the Sorry Supper

    Back at the Rachel Suliburk Sorry Supper©, Elly is making the ladies work for her forgiveness. Ashandra, seemingly taking a page out of Monica’s excuse book, notes that they did what they were supposed to: show up. Apparently you have to be very specific when you invite these women to events. “Dear friend, please come to my party. Preferably on time. Preferably not wet. Maybe wear something clean.”

    Fortunately, the Sorry Supper© seems to be working, because Elly accepts the apologies and promises to get over it. Rachel is thrilled, and notes that “everyone smiles in the same language.” The syrupy aphorism makes everyone vomit. Just kidding, that was only me.

    Rachel then invites the ladies to a crawfish boil at her friend’s house near Beaumont, promising a nice, “drama free” event. Damnit, Rachel. You done jinxed it.

    Next, we get the only scene of Ashandra and Ricky’s family life for this week, which is disappointing, because I think I could watch an entire hour of them being goofy. Ricky isn’t sure if he can make it to the crawfish boil, insinuating that if he does make the effort, Dr. A owes him in the bedroom, if you know what I mean. Then, he incites a veritable riot with the children demanding dinner, and yes, I still think he’s a caveman, but he’s such an endearing caveman. You win, Ricky. You win.

    While everyone prepares to head out to the ranch, we learn a little bit more about Imad. He’s Lebanese and was raised Muslim. He’s a car dealer in San Antonio. He has a son from a previous relationship, but he’s afraid of commitment with Monica. He’s an asshole. Sorry, I’m editorializing.

    The importance of crawfish

    Rachel arrives at a beautiful ranch owned by her friend Ashley, and shortly thereafter, Elly, Pegah and Ashandra join the party. Then Ashandra treats us to a short sermon about the importance of crawfish season to Houstonians, and I firmly believe her words should be printed on a billboard at all entrances to the city. Also, it’s kind of unfair that this is airing when it’s not crawfish season, because now I am craving mudbugs something fierce.

    When Monica and Imad show up, Elly congratulates her (to the camera) on arriving not looking like “a drowned rat” and Monica makes comments (to the camera) about Elly not being a real doctor.

    And now, if I may, some words about audiologists, because I am getting sick of this "is-she-or-isn’t-she?" crap. According to the American Speech-Language-Hearing Association, to become a practicing audiologist and work with patients, one does not have to go to medical school, but one does need to get a doctoral degree, which can be an Au.D. (doctor of audiology) or a Ph.D. Dr. Elly is, therefore, a doctor. We all clear now? Great. Let’s never bring this up again.

    So the crawfish boil begins, and Monica and Erika are sitting in a corner not eating crawfish because they are skeeved out by the diminutive crustaceans. Look, ladies, I liked you all right before, but I don’t trust people who don’t eat crawfish. It’s un-Texan.

    As dinner winds down, the conversation among the group turns to the potential of Monica and Imad perhaps one day marrying, which, sorry kids, I really don’t see happening. Monica desperately wants a traditional marriage and family, so Imad, clever asshole that he is, says, “Let’s do it now!” and then refuses to let the joke die, even when Monica becomes visibly upset. (But she is not crying. For the record. NOT CRYING.)

    “Did I say anything wrong?” Imad asks the group, laughing. Goddamnit, Imad. YES.

    He and Monica try to hash it out, but the dude won’t listen to her concerns at all. Finally, they agree to forget it and return to the party, because forgetting problems is always the way to solve them!

    "White girl wasted"

    Cut to dusk. Ricky has arrived (thank the sweet baby Jesus), while Rachel is clearly “white girl wasted” (Elly’s words, not mine, though I would have chosen the same descriptor) and getting increasingly shrill. She gathers the cast — the owners of the ranch are nowhere to be seen — around a fire to make S’mores and play a rousing game of “Two Truths and a Lie,” which, even in my drunkest college days, I never deigned to play.

    Why? Because it’s boring. Erika knows. She’s sitting on Derek’s lap, whispering sweet nothings in his ear. And by “sweet nothings,” I mean they’re talking some shit, because Erika has better things to do than drink and play silly games. Of course, Drunk Rachel (that’s her new name) notices, and implores Erika and Derek to “Check yourself before you wreck yourself.” Oh, honey.

    In an aside, Erika theorizes that Drunk Rachel’s insecurities come out when she drinks because she’s surrounded by women with advanced degrees and careers. Erika’s revelations are harsh, but I kinda think she might be right. Drunk Rachel is actively bolstering Erika’s argument by telling everyone she’s super smart while slurring her words and acting like a middle school mean girl. It’s not a great look.

    Erika and Derek (have I mentioned yet he’s dressed like a 12-year-old going as a frat guy for Halloween?) make a swift exit to avoid any drama, which is admirable, but not the way to score a second season on a Bravo reality show. It was nice to meet you, Erika. Byeeeeeee.

    And then, of course, the moment we’ve all been waiting for. Remember last week when Monica mentioned that Elly wasn’t a “real” doctor or some such nonsense? Of course you do. I implored us never to bring up #doctorgate again, but here we are.

    Drunk Rachel informs Elly that Monica was talking smack, saying, “I guess they’re just giving away doctor degrees!” I didn’t hear that, so either it was said off camera, or Drunk Rachel is straight making stuff up. The message was, essentially, the same, though.

    Sidenote: Does Elly sleep in all that makeup? What do her pillowcases look like?

    At the thought of her education and career being discounted by Monica, Elly starts crying, then vows to not say anything right now. “At some point, when I feel like the time is right, I’ll address it,” she says heroically, but with a hint of foreboding.

    I, for one, cannot wait.

    Stay tuned next week for the return of Cindi Rose. From the preview, it looks like she’s wearing a pink beret, so I’m pumped.

    ----------

    Previous recaps:

    Here's everything that happened on the first episode of Married to Medicine Houston

    Married to Medicine Houston Recap Episode 2: Holi Moley, pole dancing, and a visit to the dog wash

    The women of Married to Medicine Houston act up at a "Sorry Supper."

    Married to Medicine Houston episode 3 recap
    Photo courtesy of Bravo
    The women of Married to Medicine Houston act up at a "Sorry Supper."
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    weekend event planner

    Here are the top 14 things to do in Houston this weekend

    Craig Lindsey
    Jan 21, 2026 | 6:30 pm
    Phil Rosenthal
    Photo courtesy of Phil Rosenthal/ Facebook
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    There are a lot of lovely events that you can check out this weekend, from a chef-driven dining event to a two-day wellness weekend to an art gallery’s 35th anniversary show to the start of an annual, Iranian film festival.

    The question is, will that arctic blast that’s supposed to happen keep people leaving their houses? Here’s hoping things aren’t cold enough to keep Houstonians from having a good time.

    Phil Rosenthal
    Photo courtesy of Phil Rosenthal/ Facebook

    Phil Rosenthal of Somebody Feed Phil will appear this Saturday at 713 Music Hall.

    Thursday, January 22

    Lucille’s Hospitality Group presents The LHG Experience Dinner
    This one-night, chef-driven dining event offers a five-course tasting menu with curated wine pairings that highlights the collective creativity behind Lucille’s Hospitality Group. The evening brings together chefs Chris Williams (Lucille’s), Sergio Hidalgo (Late August), and Jaden Gaines (Rado Market) for a collaborative menu that weaves together flavors, techniques, and cultural influences from each concept. 7 pm.

    Improv Houston presents Timmy No Brakes
    If there is one reason to watch/listen to that insufferable Kill Tony podcast/comedy show, it’s Timmy No Brakes. This guy is comedy’s most unhinged rising star (think Andrew Dice Clay if his toxic-masculinity shtick was actually self-parody). A Kill Tony viral menace and Golden Ticket winner, Timmy’s live shows are a collision of heterosexual character work, high-octane rants, and pure, uncut stupidity delivered with deranged confidence. 7:30 pm.

    Performing Arts Houston presents Chris Thile
    Four-time Grammy-winning mandolinist and songwriter Chris Thile has released eight albums in his career, most recently Laysongs in 2021. A founding member of the bands Punch Brothers and Nickel Creek, he’s also collaborated with artists ranging from Yo-Yo Ma to Fiona Apple to Brad Mehldau. For four years, he also hosted public radio favorite Live from Here with Chris Thile (formerly known as A Prairie Home Companion). This weekend, he’ll be in town sharing music from his career. 7:30 pm.

    Friday, January 23

    Sandbox VR Grand Opening
    Sandbox VR, the world's premier venue for virtual reality experiences, is set to open its newest location in Houston’s lively CityCentre district. Customers can choose from 10 different VR experiences, including the new Stranger Things experience, created in partnership with Netflix. Stranger Things: Catalyst allows fans to step inside the global phenomenon in an all-new immersive chapter that puts them at the heart of Hawkins’ darkest secrets. 10 am.

    Public Art of the University of Houston System presents Collage for a Cause
    Public Art of the University of Houston System, in partnership with Art for All Homes, will present Collage for a Cause, an evening of artmaking and giving back. Attendees can enjoy refreshments and create their very own collage based on a work in the Public Art collection. The collages will go to a meaningful cause, Art for All Homes, a nonprofit organization that collects donated artwork to distribute to individuals and families to create beauty in their homes. 5:30 pm.

    Houston Symphony presents "Marin Alsop Conducts Brahms 2"
    Conducting legend Marin Alsop unlocks the luminous jewel case that is Brahms’s Symphony No. 2. Overflowing with gorgeous melodies that melt the heart, it ends with a triumphant burst of pure joy. Love is the unifying thread in Bernstein’s Serenade (After Plato’s “Symposium”), performed with virtuosity by Concertmaster Yoonshin Song. An all-American first half opens with Barber’s heartfelt Second Essay for Orchestra. 7:30 pm (2 pm Sunday).

    Alley Theatre presents Real Women Have Curves
    Real Women Have Curves, a vivacious comedy which inspired the hit 2002 film starring a pre-Ugly Betty America Ferrera, follows five Latina women navigating the pressures of body image, immigration, and cultural expectations. As they work to meet an impossible deadline, the women reveal their hopes and struggles. Audiences can experience the warmth and laughter in the beauty of embracing who you are. Through Sunday, February 15. 8 pm (2 and 7 pm Sunday).

    Saturday, January 24

    Hotel Lucine presents Wellness Weekend
    Galveston’s beachside retreat Hotel Lucine is bringing a fresh dose of wellness-focused hospitality to the Gulf Coast with a rejuvenating weekend that invites both locals and hotel guests to unwind, recharge, and reconnect. Over two days, the boutique hotel will offer a series of seven curated sessions featuring yoga, pilates, breathwork, palm readings, and sound baths. With five sessions offered on the first day and two on the second, guests can dive into a single class or enjoy the entire lineup. 10 am.

    The Bridal Extravaganza Show
    Since 1983, the Bridal Extravaganza Show has been bringing brides and bridal businesses together. Catering exclusively to brides, grooms, and their families, the two-day festivities (held at downtown's George R. Brown Convention Center) is a one-stop-shop bringing Houston’s wedding vendors together in one location. Taste cakes, eat food, drink cocktails, shake hands with your photographer, DJ, and caterer. Plus, it’s a great way to find those unique details that steal the show at a reception. 11 am.

    Gallery Sonja Roesch presents 35th Anniversary Show
    Gallery Sonja Roesch will have a special show celebrating its 35th anniversary, showcasing works from various contemporary reductive and concept-based artists. The exhibition highlights the gallery's enduring vision and commitment to showcasing minimalist aesthetics since it was founded in Germany in 1991 and subsequently relocated to Houston in 1996. The show will feature a curated selection of artists whose work embodies the minimalist aesthetic the gallery has championed for over three decades. 6 pm.

    An Evening with Phil Rosenthal of Somebody Feed Phil
    Phil Rosenthal is the creator and executive producer of Netflix’s Somebody Feed Phil and the Emmy-winning Everybody Loves Raymond, as well as a New York Times bestselling author. Rosenthal will be in a moderated conversation, telling all the funny and true stories of his life, his television career, food, travel, friends, and family. The conversation will be followed by an audience Q&A. 7 pm.

    Sunday, January 25

    Nan and Company Properties presents Mats & Micheladas
    Wellness/lifestyle event Mats & Micheladas features a free pilates class led by Gustavo Matta, head coach at the Core Lab (participants should bring their own mats), along with complimentary micheladas for the first 25 attendees from Micheladas El Güero. Treats will also be available for purchase from Strawberry King. The event is open to the public and designed to create a welcoming, community-focused experience — especially for first-time homebuyers and the Latino community, though all are encouraged to attend. 10 am.

    Color Factory presents “New Year, New Hue” Night
    Interactive art experience Color Factory invites visitors to experience the joy of color, welcomes Houstonians to start off the new year with new energy and a fresh new hue. The location will feature a live aura reader immersed in the Factory’s colorful installations. Along with the Color Factory experience, attendees will receive complimentary aura photography to help them discover the unique energy they’re bringing into 2026. 4 pm.

    The Museum of Fine Arts, Houston presents It Was Just an Accident
    The 33rd annual Festival of Films from Iran kicks off with the latest from acclaimed Iranian filmmaker Jafar Panahi (The White Balloon). A mechanic is suddenly reminded of his time in an Iranian prison when he encounters a man he suspects to be his sadistic jailhouse captor. He gathers a few of his fellow ex-prisoners to confirm the man’s identity. Winner of the Palme d’Or at the 2025 Cannes Film Festival. 4 and 7 pm.

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