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    Just grainy film clips & that wonder music

    Losing sight of John Lennon, the man: Reflections on his 70th birthday

    Jim Beviglia
    Oct 9, 2010 | 1:57 pm
    • John Lennon has been dead for 30 years and the memory of the man (butthankfully, not the music) is being lost.
    • We know how the other Beatles like Paul McCartney turned out. The wonder willalways be around John.
    • My older brother bought The Beatles Greatest Hits 1962-1966 the day after JohnLennon was killed.

    I didn’t become aware of John Lennon until after he died. You see, I was just an 8-year-old kid in 1980, and The Beatles were just a vague presence flittering across my Dad’s AM radio in the car.

    The day after Lennon was killed, my older brother bought The Beatles Greatest Hits 1962-1966. By the next morning, I had memorized the lyrics to every song on the record, and my love for John’s music was born.

    It’s important to note that I only know of Lennon in retrospect, because that’s probably the case for most of the people within my generation. I can’t ever know what Lennon was like within the context of his times, and that always presents a barrier for truly understanding what he was all about.

    That’s not the case for the other three Beatles, because I have watched them closely ever since that day when I played that record over and over. I could form my own opinion of what made them tick, even as that view was ultimately filtered by whatever media was presenting them to me. There’s Paul, eager-to-please and perpetually chugging ahead in the face of tragedy and turmoil, even as his nostalgia for the past and his faith in rock ‘n’ roll never wavers; Ringo, the quick wit and amiability belying the soulful sadness for lost friends and his interrupted band that’s undeniable even behind the sunglasses; and George, wary and bruised by fame, yet clear-eyed about his legacy and, ultimately, the picture of dignity in his final moments.

    John Lennon, as a person, will always be to me just grainy film clips and fuzzy sound bites and other people’s words. I’ve read more than a few biographies on John and the band, and I can draw as many conclusions as I want from those, but it’s ultimately like the telephone game you play as a kid. It’s impossible to fully trust even the worthiest of sources more than genuine experience.

    Although John’s 70th birthday is upon us, rife as it is with celebrations and reissues of his music, it’s the fact that 30 years have passed since his death that looms large over how he is viewed today. It becomes increasingly more difficult to separate the man from his achievements as time churns forward. Most of those who know are facing their own twilights, while we, the ones now in charge of teaching his legacy to an even younger generation (as I try to teach it to my own daughter) are largely ignorant of the full truth.

    Luckily, John Lennon left us with the consolation of his music, which allows us to fill in the gaps as we see fit. Lennon wasn’t the most artful or elegant songwriter, but he was, without a doubt, the most resonant.

    Even though what he wrote was intensely personal and, especially in his solo years, extremely autobiographical, his words reside in the deepest hearts of multitudes of people. His messages were fearless in their directness and simplicity, unfettered by any agenda or concerns of how they might be perceived by the cynical. As trite as it may sound, he really was trying to make the world a better place with the tools he had at his disposal, and his battles with his own frailties as he made that attempt kept him always at the level of his fans.

    People are fond of guessing about how his life might have progressed had tragedy not intervened, what kind of music he might have made, etc. But, as John himself was fond of bluntly reminding the Beatlemaniacs who couldn’t let go, we do have all the old records. And those records are not only brilliant, but they are also infinitely malleable, capable of filling in the gaps of our own lives.

    For example, when my Dad died suddenly in 1982, “Watching The Wheels”, Lennon’s ode to his hard-earned domestic bliss that was, of course, interrupted by his own death, held an almost unbearable poignancy for me. As I struggled through my teenage years with the loneliness of feeling that no one else really understood me, I clung hard to the lines “No one I think is in my tree/I mean it must be high or low”.

    When I unexpectedly became a father to an amazing little girl seven years ago, “Life is what happens to you/While your busy making other plans” hit home with an almost comical accuracy.

    A few years later, I stumbled upon the girl who provided the romantic happy ending that I never thought was in the cards, and “In my life, I’ll love you more” suddenly made perfect sense. And now, surrounded by more love that I could ever have fathomed, my lifelong faith in “All You Need Is Love” has been rewarded.

    I think it’s safe to say that most John Lennon fans have this kind of circumstance-specific attachment to his songs. Even though he is not around to bemuse, bewilder, challenge, and, yes, maybe even frustrate us with his deeds and words in the current time, even though he cannot add anything more to his musical legacy, we shouldn’t really feel robbed in any way.

    His music, with all the guidance, solace, inspiration, and joy it provides, is always right there for us to access as we go riding on the merry-go-rounds of our own lives. We can’t bring him back, so it’s all we’ve got.

    It’s enough.

    unspecified
    news/entertainment

    HOWDY, DOCTORS

    Grey's Anatomy spins off new medical drama led by Houston-born showrunner

    Kimberly Reeves
    May 22, 2026 | 1:00 pm
    Grey's Anatomy
    Photo via Meg Marinis/Instagram
    Showrunner Meg Marinis poses with actor Kevin McKidd, who recently exited Grey's Anatomy after more than a decade playing Dr. Owen Hunt.

    ABC is bringing the Grey's Anatomy universe to Texas with a new one-hour rural medical drama co-created by longtime showrunner Meg Marinis. Marinis was born in Houston and is an alum of both the Kinkaid School and the University of Texas at Austin.

    According to an exclusive report from Deadline, which production company Shondaland shared on social media, the untitled series has received a straight-to-series order from ABC and will follow a team at a rural West Texas medical center described as “the last chance for care before miles of nowhere.”

    The series marks the first Grey’s Anatomy franchise show set outside the West Coast, and it's the first that's not centered around an existing main character from the original series.

    The new drama will be co-created by Shonda Rhimes and Marinis, who has spent nearly two decades working on Grey’s Anatomy. She joined the series during its third season as a production assistant before rising through the ranks to become a researcher, writer, executive producer, and now showrunner.

    "This opportunity will bring new characters and stories to life that will embody the same heart, emotion, and connection audiences have loved from Grey’s for more than two decades, all set in my home state of Texas,” Marinis said in a statement announcing the series. "I am so grateful to Shonda Rhimes for creating this dynamic world and feel so fortunate that I get to be a part of it.”

    Marinis’ path to running one of television’s biggest franchises started in Austin. In an interview with Shondaland last year, she recounted moving to Los Angeles during her final semester at UT through the university’s UTLA entertainment program, which allows students to complete coursework while interning in the industry. While finishing school, she interned at Universal before landing a production assistant role on Grey’s Anatomy in 2006.

    Marinis has also woven Texas experiences into the flagship series itself in recent years. According to Deadline, she personally knew families affected by the Camp Mystic tragedy and rewrote part of a recent Grey’s Anatomy episode after becoming emotional while working on the script.

    The West Texas setting is particularly timely, as rural healthcare access remains a growing issue across the state. According to the Texas Hospital Association, more than 20 rural Texas hospitals have closed since 2010, while roughly a quarter of the state’s remaining rural hospitals are considered at risk of closure.

    By centering the new series on what ABC describes as “the last chance for care before miles of nowhere,” the franchise could bring national attention to healthcare access challenges facing communities across West Texas and other rural parts of the state.

    The new series joins a long lineage of Texas-set television dramas, though not all were actually filmed in the state. Grey’s Anatomy itself is famously set in Seattle while primarily filmed in the Los Angeles area. Friday Night Lights became closely associated with Austin through extensive local filming, while series like Dallas often recreated Texas from California sound stages, with exteriors of Southfork Ranch serving as the Ewings' fictitious home. Walker, Texas Ranger, meanwhile, became one of the best-known examples of a network drama heavily filmed across Texas itself.

    Even after more than 20 years on the air, Grey’s Anatomy remains one of television’s most durable franchises. According to ABC, the drama is now the longest-running primetime medical drama in television history and continues to rank among the network’s strongest scripted performers.

    Ellen Pompeo, who stars as Dr. Meredith Grey in the original series, is attached as an executive producer, and the new drama is expected to premiere in 2027.

    tv showshealthhospitals
    news/entertainment
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