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    Special webpage for the show

    Symphony plays The Ring, showcases Wagner's greatness without the commitment

    Sarah Rufca
    Sep 24, 2010 | 8:17 am
    • The Ring is an epic Lord of the Ring/Star War-style epic opera that the HoustonSymphony is turning into a 70-minute show.
    • The Houston Symphony is taking on The Ring.

    It took two men 30 years each to create their versions of The Ring, but it will take Houston Symphony fans only 70 minutes to experience it. The Symphony takes on the monumental work in Wagner's "Ring" Without Words, which has Jones Hall performances Friday at 8 p.m., Saturday at 8 p.m. and Sunday at 2:30 p.m.

    In the nineteenth century, Richard Wagner spent the better part of three decades writing music and libretto for the four-part opera saga, with an epic story born out of Norse mythology and the medieval German epic poem "Nibelungenlied," culminating in a work that can swell to 19 hours over four nights.

    A century later, conductor Lorin Maazel was conducting a rehearsal for the orchestral accompaniment to Wagner’s Lohengrin at Bayreuth in 1960 Berlin when he was inspired by a discussion with Wagner's grandson Wieland, who argued that all the orchestral leitmotifs and thematic swells formed a plot in and of themselves.

    "The Orchestra — that's where it all is — the text behind the text, the universal subconscious that binds Wagner's personae one to the other and to the proto-ego of legend..." was how Maazel described his words.

    Maazel (a mentor of Houston Symphony conductor Hans Graf) began to fully understand the meaning of those words five years later, while conducting a full production of The Ring Cycle in Berlin. Over the next 22 years, he put together an orchestral concert suite of themes from the Ring Cycle that tell the story by presenting the events of the opera chronologically while working with the leitmotifs and adding in brief orchstral and vocal pieces to tie together some of Wagner's most enduring music in a symphonic poem — Entry of the Gods into Valhalla, the Ride of the Valkyries, Forest Murmurs, Siegfried's Death and Funeral March and Siegfried's Rhine Journey.

    This became what audiences now know as "The Ring Without Words."

    "It's so gloriously written for orchestra, a wonderful workout, it's great for the musicians to play such a wonderful piece in a slightly different way, not sitting in pit," says Aurelie Desmarais, Houston Symphony senior director of artistic planning. "You don't get to hear Ring music very often, so this is a fabulous way to become introduced to this great music, kind of a manageable sampler in one chunk.

    "There are lots of orchestral excerpts you can do from The Ring, but Maazel took not only the orchestral moments but made it possible for orchestras to play some of those well-known sections, hear some of those melodic lines and leitmotifs that are usually sung here put into orchestra, in a symphonic imagining, if you will."

    To enhance The Ring experience, the side screens will include cues on the action, plus the programs will have extensive notes and there's a special landing page on the symphony website with information on characters and videos.

    "You can just experience it as a piece of music and have the drama explained in synopsis form without bringing anything to it," Desmarais says. "Or frankly you can just experience it as a piece of music and not look, it works with all different levels of engagement."

    unspecified
    news/entertainment

    hoop it up

    Houston festival hosts dramatic reading of basketball-inspired TV show

    Craig D. Lindsey
    Nov 6, 2025 | 5:00 pm
    cinema arts festival hoopztown reading
    Photo by Trent Wittenbach
    Hoopzdreams tells the story of a gifted, multiracial athelete.

    This year’s Houston Cinema Arts Festival (HCAF), which starts this Thursday, November 6, offers plenty of film screenings – both feature-length films and shorts – as well as panel discussions, Q&As, workshops, etc. But the fest will also have a staged reading of the TV pilot Hoopztown, this Saturday at 2 pm at Six Foot Studios.

    Hoopztown centers around Maya Hernandez, a gifted, multiracial athlete on track to be considered for the inaugural WNBA in 1996. She moves back to her hometown of Houston, where it’s revealed that her mother, a janitor at Houston Medical Center, is diagnosed with cancer.

    The project is created and written by Fleurette S. Fernando, an educator, director, choreographer, arts administrator, and founding director of the M.A. in Arts Leadership Program at University of Houston, where she serves as an associate professor. “I wrote this story for the women in my life; my mother, my sisters, my teachers, my colleagues, my girlfriends, my students and particularly for my daughter,” says Fernando. “Her journey as a student athlete and the relationships she built with the girls on her various teams through the turbulent and magical years of her youth was an inspiration.”

    hoopztown Fleurette S. Fernando Elizabeth Sosa Bailey Collaborators Elizabeth Sosa Bailey and Fleurette S. Fernando.Courtesy of Elizabeth Sosa Bailey

    Hoopztown has gone through multiple iterations. During the 2015 ATX TV Festival Pitch Competition, Fernando was a finalist for her concept of the project. From there, the pilot (originally titled Hoopz) and loglines for a 10-episode run were put into motion. That first episode, titled “Rebound,” focuses on Maya’s first day at her new job, coaching a girls’ basketball team at a racially and socioeconomically diverse high school.

    “Hoopztown is an ode to a woman’s journey through the lens of many races, ages and circumstances,” she says. “It’s a tribute to the underdog and a homage to a woman’s perilous path through a man’s world. Nowhere is this struggle more acutely demonstrated, mentally, emotionally, physically and economically, than in the arena of competitive sports in America.”

    Since Fernando and her creative partner, Elizabeth Sosa Bailey, are both active members of

    the Houston Cinema Arts Society (HCAS) board, they knew they had to do a reading during this year’s fest.

    “There is so much of myself that I see in this story, as someone who left a career to return home when my father was diagnosed with cancer and as a mixed race Latina understanding the duality of identity,” says Sosa Bailey. “Even the high school that Hoopztown is set in is much like my own. I attended Lamar High School, making me about a decade younger than the characters in the story. There are all of these wonderful little coincidences in Hoopztown.”

    The project is a beneficiary of its second Houston Arts Alliance grant made possible through the

    City of Houston Mayors Office of Cultural Affairs (MOCA). The reading cast includes over 20 actors, with Eva Marie Thomas playing the main role. Open to the public with a Pay What You Can ticket structure, the event invites the audience to experience the first run-through of what is slated to be the first episode, filmed in Houston using local cast and crew. The audience can also provide feedback and contribute to the project’s fundraising initiative to get to the next stage of filming.

    For tickets, go to the Houston Cinema Arts Festival website.

    performing-artstvfestivals
    news/entertainment

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