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    Unfair Advantage

    The fix is in on Dancing with the Stars: The Hines Ward win proves the ballroomfloor is unlevel

    Sarah Byerley
    May 25, 2011 | 6:17 pm
    • Kym Johnson_Hines Ward
      ABC
    • Mark Ballas and Kristi Yamaguchi in 2008
      ABC
    • Emmitt Smith and Cheryl Burke in 2006
      ABC

    Professional football player Hines Ward took home the much-desired mirror ball (Why don't they just call it a disco ball?) in the latest Dancing with the Starsfinale.

    Not to take away from the happy winner, but it looks like something sketchy is going on with mirror ball champs in general. All but three of the 12 winners are either athletes or have musical performance experience. Doesn't this put them at an unfair advantage going into each season to begin with?

    Let's take a look:

    Drew Lachey, Season Two, Former 98 Degrees Member

    Lachey got his start in a boy band. While he didn't have the sweet dance moves of Justin Timberlake, his obvious knowledge of music and rhythm puts him ahead of of the rest of the pack.

    Let's be honest, was ESPN anchor Kenny Mayne really going to have a chance against someone who had made a career of bouncing around to the beat of pop songs in music videos? Probably not.

    Emmitt Smith, Season Three, Former Professional Football Player

    Being the all-time NFL rushing leader probably takes a little bit of agility. Ballroom dancing? Takes a lot of agility. The same agility that put Smith into the records brought him the mirror ball in 2006.

    The perceived novelty of having a former NFL player win a dancing competition probably didn't hurt his vote accumulation either.

    Apolo Anton Ohno, Season Four, Olympic Speedskater

    He had won a gold medal in Turin at the 2006 Winter Olympics, and based on the fact that he competed (and did very well) in the 2008 World Championships, I'd say he hadn't exactly been sitting on the couch eating potato chips while watching reruns of Sex and the City.

    His intense level of fitness probably contributed to him getting out of the gate well ahead of voice actor John Ratzenberger.

    Kristi Yamaguchi, Season Six, Olympic Figure Skater

    Figure skating is basically dancing in ice skates. Yes, I realize there is a very distinct difference between figure skating and ice dancing, but the premise is basically the same thing.

    Choreography on ice. Not too much different from choreography on wood floors.

    Shawn Johnson, Season Eight, Olympic Gymnast

    DWTS loves those Olympians, don't they? Part of being a well-rounded gymnast is the floor routine, which is suspiciously similar to dancing. Gymnasts are also accustomed to flips and other acrobatic maneuvers, making them more easily adaptable to partnering lifts.

    Much like Ohno, it is reasonable to assume that Johnson was very much already in shape before her championship season on DWTS began.

    Donny Osmond, Season Nine, No Introduction Necessary

    He starred in Joseph and the Amazing Technicolor Dreamcoat and Beauty and the Beast (as Gaston) on Broadway. Did I mention he was a teen idol? He's been performing his entire life and is no stranger to being in front of people.

    It's unlikely that Osmond suffered any type of dance-killing stage fright while on DWTS.

    Nicole Scherzinger, Season 10, Former Pussycat Doll

    Before she was a reality TV judge and a Pussycat Doll, Scherzinger was a member of Eden's Crush. Remember them?

    Didn't think so. They were put together on the WB reality series Popstars in 2001. Based on the video for their song Get Over Yourself (Goodbye), it looks like the gig required some dancing.

    Nothing too strenuous, but still enough to give her an edge on the competition. And she had experience dancing in heels, which definitely gave her an advantage.

    Jennifer Grey, Season 11, Dirty Dancing Star

    I'm pretty sure that lift she did with Patrick Swayze in the Kellerman's talent show wasn't just luck. A lot of training went into that — in the studio, not just the lake.

    Even though Grey was quite a bit older when she began Dancing with the Stars and had suffered a neck injury in the late 1980s, dancing is like riding a bike. And her obvious base of talent put her ahead of the likes of Bristol Palin.

    Hines Ward, Season 12, Professional Football Player

    He was a Super Bowl MVP. He's currently a wide receiver for the Pittsburgh Steelers. Like with Emmitt Smith, it probably takes a fair bit of agility to be a good wide receiver. The difference between Ward and Smith?

    Ward is still an active player. He's clearly in impeccable physical shape since he played in Super Bowl XLV six weeks before the start of the show.

    Is it fair that people who are accustomed to the physical and mental intensity of preparing for a competition like DWTS are included on the show? Shouldn't the ballroom floor be a little more level?

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    Movie Review

    Heartfelt movie The Life of Chuck adapts optimistic Stephen King story

    Alex Bentley
    Jun 13, 2025 | 5:30 pm
    Tom Hiddleston in The Life of Chuck
    Photo courtesy of NEON
    Tom Hiddleston in The Life of Chuck.

    Just like actors, once a filmmaker becomes known for a certain genre, it can be difficult to escape that pigeonholing. Writer/director Mike Flanagan has worked for 20 years in both film and television, and literally every project he’s done has been related to horror. He’s finally breaking out with The Life of Chuck, which is ironically based on a short story of the same name by Stephen King.



    Told in three chapters in reverse order, the film is almost impossible to describe without giving away its magic. The first section centers on Marty (Chiwetel Ejiofor), a teacher grappling, like everyone around him, with what seems to be the world falling apart. He’s comforted to a degree by reuniting with his ex-wife, Felicia (Karen Gillan), but is also baffled by multiple ads touting the retirement of Charles “Chuck” Krantz (Tom Hiddleston) after “39 great years.”

    The second section consists of little more than a slightly younger Chuck happening upon Taylor (The Pocket Queen), a drummer busking on a street corner, giving Chuck and a younger woman, Janice (Annalise Basso), the inspiration to start dancing. The final section goes back to the childhood of Chuck (Benjamin Pajak), where he’s raised by his grandparents (Mark Hamill and Mia Sara), discovers dance as an outlet, and wonders about various small mysteries.

    Flanagan finds a way to deliver a lot of story with relatively little effort. Using a wry narrator (Nick Offerman), a limited number of locations, and a series of great small performances, he creates an intriguing premise with few straightforward answers. The structure of the film is designed to confuse the viewer until just the right moment, and the revelation forces you to reexamine everything that came before.

    The biggest accomplishment by Flanagan is making what are essentially three short films and having each of them resonate equally. The film contains elements of science fiction, although the first section may hit a bit too close to home for some of those watching. All three sections, though, have a heartwarming bent to them that sells their central idea without becoming overly saccharine.

    To do so, each of the characters have to connect in a short amount of time. The casting of the film is crucial, and not only does that department succeed with the main roles, but a series of small roles are filled expertly as well. Carl Lumbly as a funeral home owner, David Dastmalchian and Harvey Guillen as parents of students, Matthew Lillard as Marty’s neighbor, Q’orianka Kilcher as Chuck’s wife, and Jacob Tremblay as a teenage Chuck are just a few of the recognizable actors that do yeoman’s work in their brief time on screen.

    Hiddleston is only prominently featured in the second chapter, but his performance there and in small glimpses throughout makes a big impression. Ejiofor is given the star turn in the first chapter and he absolutely kills, both in moments by himself and in scenes with Gillan, with whom he has great chemistry. Hamill, making a rare non-voiceover appearance outside of the Star Wars universe, and Sara, in her first notable role in 11 years, are also very memorable in the final chapter.

    The Life of Chuck is a film that’s filled with emotion, but the full impact of the story is not felt until the final moments. It has a mysterious journey that is initially frustrating, but the performances keep the film going until it gets to its satisfying payoff.

    ---

    The Life of Chuck is now playing in theaters.

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