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    Unfair Advantage

    The fix is in on Dancing with the Stars: The Hines Ward win proves the ballroomfloor is unlevel

    Sarah Byerley
    May 25, 2011 | 6:17 pm
    • Kym Johnson_Hines Ward
      ABC
    • Mark Ballas and Kristi Yamaguchi in 2008
      ABC
    • Emmitt Smith and Cheryl Burke in 2006
      ABC

    Professional football player Hines Ward took home the much-desired mirror ball (Why don't they just call it a disco ball?) in the latest Dancing with the Stars finale.

    Not to take away from the happy winner, but it looks like something sketchy is going on with mirror ball champs in general. All but three of the 12 winners are either athletes or have musical performance experience. Doesn't this put them at an unfair advantage going into each season to begin with?

    Let's take a look:

    Drew Lachey, Season Two, Former 98 Degrees Member

    Lachey got his start in a boy band. While he didn't have the sweet dance moves of Justin Timberlake, his obvious knowledge of music and rhythm puts him ahead of of the rest of the pack.

    Let's be honest, was ESPN anchor Kenny Mayne really going to have a chance against someone who had made a career of bouncing around to the beat of pop songs in music videos? Probably not.

    Emmitt Smith, Season Three, Former Professional Football Player

    Being the all-time NFL rushing leader probably takes a little bit of agility. Ballroom dancing? Takes a lot of agility. The same agility that put Smith into the records brought him the mirror ball in 2006.

    The perceived novelty of having a former NFL player win a dancing competition probably didn't hurt his vote accumulation either.

    Apolo Anton Ohno, Season Four, Olympic Speedskater

    He had won a gold medal in Turin at the 2006 Winter Olympics, and based on the fact that he competed (and did very well) in the 2008 World Championships, I'd say he hadn't exactly been sitting on the couch eating potato chips while watching reruns of Sex and the City.

    His intense level of fitness probably contributed to him getting out of the gate well ahead of voice actor John Ratzenberger.

    Kristi Yamaguchi, Season Six, Olympic Figure Skater

    Figure skating is basically dancing in ice skates. Yes, I realize there is a very distinct difference between figure skating and ice dancing, but the premise is basically the same thing.

    Choreography on ice. Not too much different from choreography on wood floors.

    Shawn Johnson, Season Eight, Olympic Gymnast

    DWTS loves those Olympians, don't they? Part of being a well-rounded gymnast is the floor routine, which is suspiciously similar to dancing. Gymnasts are also accustomed to flips and other acrobatic maneuvers, making them more easily adaptable to partnering lifts.

    Much like Ohno, it is reasonable to assume that Johnson was very much already in shape before her championship season on DWTS began.

    Donny Osmond, Season Nine, No Introduction Necessary

    He starred in Joseph and the Amazing Technicolor Dreamcoat and Beauty and the Beast (as Gaston) on Broadway. Did I mention he was a teen idol? He's been performing his entire life and is no stranger to being in front of people.

    It's unlikely that Osmond suffered any type of dance-killing stage fright while on DWTS.

    Nicole Scherzinger, Season 10, Former Pussycat Doll

    Before she was a reality TV judge and a Pussycat Doll, Scherzinger was a member of Eden's Crush. Remember them?

    Didn't think so. They were put together on the WB reality series Popstars in 2001. Based on the video for their song Get Over Yourself (Goodbye), it looks like the gig required some dancing.

    Nothing too strenuous, but still enough to give her an edge on the competition. And she had experience dancing in heels, which definitely gave her an advantage.

    Jennifer Grey, Season 11, Dirty Dancing Star

    I'm pretty sure that lift she did with Patrick Swayze in the Kellerman's talent show wasn't just luck. A lot of training went into that — in the studio, not just the lake.

    Even though Grey was quite a bit older when she began Dancing with the Stars and had suffered a neck injury in the late 1980s, dancing is like riding a bike. And her obvious base of talent put her ahead of the likes of Bristol Palin.

    Hines Ward, Season 12, Professional Football Player

    He was a Super Bowl MVP. He's currently a wide receiver for the Pittsburgh Steelers. Like with Emmitt Smith, it probably takes a fair bit of agility to be a good wide receiver. The difference between Ward and Smith?

    Ward is still an active player. He's clearly in impeccable physical shape since he played in Super Bowl XLV six weeks before the start of the show.

    Is it fair that people who are accustomed to the physical and mental intensity of preparing for a competition like DWTS are included on the show? Shouldn't the ballroom floor be a little more level?

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    Movie Review

    Anne Hathaway's busy 2026 continues with meta-thriller Verity

    Alex Bentley
    Oct 2, 2026 | 3:00 pm
    Anne Hathaway in Verity
    Photo by Alisha Wetherill
    Anne Hathaway in Verity.

    Anne Hathaway has been inescapable for movie fans in 2026, starring in no fewer than five different movies across multiple genres, including Mother Mary, The Devil Wears Prada 2, The Odyssey, and The End of Oak Street. The actor (who’s pregnant and about to take a well-earned break) is wrapping up her supremely busy year with the psychological thriller, Verity.

    Hathaway plays the title character, Verity Crawford, a hugely successful author who writes beach read thrillers, often from the perspective of the villain. An unpublicized car accident renders her immobile and mute, and her husband, Jeremy (Josh Hartnett), and agents make the decision to recruit someone to ghostwrite her next book in order to continue her legacy.

    The person hired for the job is Lowen Ashleigh (Dakota Johnson), an aspiring author whose books mostly get ignored. She’s eager to take on the project, but the reality of Verity’s situation throws her for a loop. When she discovers a secret file that seems to be Verity admitting to some very bad things, Lowen starts to spin even more, imagining situations that may not actually be happening.

    Directed by Michael Showalter and adapted by Nick Antosca from the book by Colleen Hoover, the film initially has a nice rhythm to it, setting up the three main characters well and building up tension. Though current day Verity can’t speak or move, the film gets to the heart of her through old interviews Lowen watches to get to know her mind better. Using that footage and other small moments at the house, a type of rivalry develops between the two characters.

    Strangely, though, Showalter and Antosca fail to capitalize on the early momentum. The story stagnates about halfway through the movie and never delivers on what it seems to be promising. Whether they’re too true to Hoover’s original story or change things too much is difficult to tell for those who haven’t read the book, but either way, the result is a big tease with not much in the way of a payoff.

    What’s most disappointing about the film is its inability to decide on a tone. There are some points where it feels like over-the-top, campy fun, and others where it seems like the filmmakers are going for a straight-up horror vibe. The down-the-middle approach that they land on serves neither the story nor the characters well. Moments that should be full of suspense or could get laughs often fall flat because of the indecisiveness of the filmmakers.

    Due to her character’s affliction, Hathaway is reduced to a supporting role in the film, but she gets by on presence alone and still has a few scenes where she demonstrates her star power. Johnson delivers a good performance despite her typical lack of emotion. Like many of her roles, it’s her body that seems to get more attention than her acting. Hartnett is on a roll thanks to recent roles in Oppenheimer and Trap, and he puts in solid work here, as well.

    Verity has the bones of a tense thriller, but it’s filled in with a bunch of questionable story beats that don’t prove as satisfying as the premise. The meta-plot of the authors of thrillers becoming involved in a thriller themselves should have been juicy and full of great twists, but ultimately it’s as catatonic as Verity herself.

    ---

    Verity is now playing in theaters.

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