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    "As a trial lawyer, you act every day"

    Attorney Mark Lanier goes Hollywood in new filmed-in-Houston movie, Puncture

    Sarah Rufca
    May 2, 2011 | 8:00 am
    • Houston attorney Mark Lanier at the Tribeca Film Festival premiere of "Puncture"
    • A Heights bungalow turned temporary movie location in March 2010 for filming of"Puncture"
      Photo by Sarah Rufca
    • Official movie poster
    • Chris Evans on the set of "Puncture"
    • Chris Evans
    • "Puncture" directors Mark Kassen and Adam Kassen

    It's not every day a Houston legal case gets the Hollywood treatment. But Houston is at the center of Puncture, a legal drama that filmed around town last year and premiered last week at the Tribeca Film Festival.

    In addition to Harris County courtrooms, there's another Houston legal institution pictured in the film — trial lawyer Mark Lanier is not only a character in the narrative, but he plays himself in three scenes.

    "They first came to me to get information about this case," said Lanier. "I've met 80 million people thinking of doing a movie on something who want to come and talk about a case."

    He didn't think much about it until the directors came back and asked if they could use his name for a character in the film.

    "I had them send over the scenes to make sure the character wasn't carrousing or doesn't say or do anything untoward, otherwise I didn't have a problem with it. I'm thinking the movie will never happen anyways. Next they called my assistant and asked 'Would Mark consider playing himself in the movie?,' and I said I would."

    Lanier's previous theater experience is limited to directing a play in college, but according to him, "as a trial lawyer, you act every day."

    Puncture stars Chris Evans (Johnny Storm in The Fantastic Four and soon to be Captain America) as a drug-addled lawyer who who takes on a health supply company in hopes of saving lives by forcing the manufacture of safer needles. Though it's based primarily on a Houston case, Lanier says the plot is actually an amalgam of several similar cases with "a lot of Hollywood" thrown in.

    "What I tried to do in the performance was pretend that this was really happening in life and there just happened to be cameras around, so it would look as natural as possble," says Lanier. "I've held plenty of press conferences on the court steps, so I tried to look at it look at it as holding a press conference; I've gone to many settlement meetings and walked away from settlement offers, so in my brain I was just doing my normal job."

    In addition to Lanier's scenes at the courthouse, his house also makes it onscreen as the home of the opposing lawyer.

    "My wife and I were joking that in one scene you can see a cup towel on the stove. Well, the lawyer that lives in house in the movie is not the most honest, upright, caring, ethical guy. He does whatever it takes to get it done and cares more about winning than the truth. And this towel, you can't make out the writing, but it has a passage from Joshua: 'As for me and my house we will serve the Lord.' We got tickled pink, we kept imagining the pop-up video."

    Lanier says making it to the premiere of the film at the Tribeca Film Festival was "really cool," and that like true celebrities, Lanier and his wife walked the red carpet while taking pictures of the wall of photographers taking pictures of them.

    Puncture has picked up an international distributor, and is hoping positive feedback from Tribeca will attract a domestic distributor. But regardless Lanier says there will be at least one showing in Houston.

    "No matter what, I'm getting a DVD and I'll have a screening in my house," he says.

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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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