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    Top Chef episode 4 recap

    Top Chef recap: Behind the scenes of Chris Williams' Quickfire showdown

    Eric Sandler
    Mar 25, 2022 | 9:36 am
    Chris Williams judges the biscuit Quickfire.
    Chris Williams judges the biscuit Quickfire.
    Photo by David Moir Bravo

    In the world of scripted TV, the term “bottle episode” refers to a show that’s primarily set in only one location. Sometimes done out of a desire to conserve a season’s production budget, they also produce drama that makes for memorable television, as in Mad Men’s famous “The Suitcase” or Breaking Bad’s memorable “Fly.”

    It’s impossible to know whether Top Chef’s producers made a similar financial decision when they planned Episode 4, but it certainly felt like a very intimate affair. After last week’s night market-inspired Elimination Challenge that required the cheftestants to feed 100 hungry Houstonians, this week’s show took place entirely in the Top Chef kitchen (save for a trip to the grocery store) with a meal served to only five judges.

    The Elimination Challenge tasked teams of two chefs each to create dishes that looked identical but tasted completely different. Both members of the losing had to pack their knives. While the task had nothing at all to do with Houston — guest judge Wylie Dufresne led New York's legendary modernist restaurant wd-50 — it did knock out two chefs who seemed to be in it for the long haul.

    Let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    The only local to appear in this week’s episode is Lucille’s Hospitality Group chef-owner Chris Williams, who judges this week’s Quickfire Challenge. In introducing him, host Padma Lakshmi hails the charitable work Williams has done throughout the pandemic via the Lucille’s 1913 non-profit that feeds needy Houstonians.

    Inspired by his great-grandmother Lucille B. Smith’s signature chili biscuits, Williams tasks the chefs with creating a dish that utilizes scratch-made biscuits and another component in just 45 minutes.

    CultureMap had the opportunity to witness this challenge and spoke to Williams before he sampled the contestants’ creations. Asked about his judging criteria, Williams knew what to look for.

    “Biscuits is more like a feeling. I’m not that serious about the technique. It’s true comfort food,” he said. “What’s interesting is maybe only 40 percent of the people have made them before. That sucks for you. I know there’s going to be a bunch of overworked biscuits.”

    As Williams predicted, some of the cheftestants displayed very poor technique. Ashleigh Shanti made the bizarre decision to fry her biscuits, and Buddha Lo, already criticized for last week’s poorly executed puff pastry, earned Williams’ ire for a too-crumbly texture. They’re joined in the bottom by chef Jae Jung.

    Williams awarded first place to Jackson Kalb, who continues his winning ways despite not having his full sense of taste or smell. Instead of immunity, he won the right to pick his partner and an extra 30 minutes to complete the Elimination Challenge.

    How did Evelyn Garcia do
    The episode starts off well for the only Houstonian in the competition. Williams tells chef Evelyn her biscuits with poached egg and chorizo gravy were “wonderful.” She finished just behind chef Jackson in the Quickfire.

    Unfortunately, it’s all down hill from there. Teaming up with fellow Texan Jo Chan, the duo struggled in the Elimination Challenge. Evelyn prepared a goat cheese cheesecake with cardamom chocolate sauce, sesame crumble, apples, and matcha that matched the look of Jo’s crispy pork belly with cauliflower puree, crispy garlic, and daikon relish with five spice glaze. Although the two dishes look similar, Evelyn’s cheesecake gets flagged as too sweet, while Colicchio described Jo’s dish as “pork belly leather.” They’re named as one of the two worst teams and face elimination.

    Who wins
    Not surprisingly, chefs with fine dining pedigrees shined. Chefs Luke Kolpin and Ashleigh Shanti earned praise for their duo of king oyster mushroom with pickled cucumber, carrot puree, and mushroom seaweed oil broth matched with scallop with compressed honeydew, kanzuri, toasted walnut and apple cider broth.

    After struggling with biscuits, Buddha Lo bounced back. Working with Jackson, they created a duo of salmon tartare with capers, shallots, cream cheese bavarois, marinated tomato, and buttermilk-scallion dressing paired with white chocolate panna cotta with strawberry jelly, strawberry bon bons, and cream and basil dressing. Not only do the dishes look alike, the judges raved about the creative flavors and complex textures in each dish. They’re the night’s big winners.

    Who goes home
    Typically, the winners of the first Elimination Challenge are chefs to watch, but problematic technique led to two of week one's winners packing their knives. Chef Sarah Welch’s shrimp sausage terrine with brown butter brioche crumble and compressed cucumber and pepper sauce looked similar enough to chef Robert Hernandez’s strawberry panna cotta with creme fraiche and Japanese brown sugar crumble, but the judges found fault with the texture of both dishes. Sarah’s terrine was too tight, and Robert’s panna cotta didn’t set properly. Their technical flaws allow Evenlyn and Jo to remain in the competition.

    Who exceeded expectations
    Outside of the winners, Damarr Brown remains one of this season’s chefs to watch. He already won both the Quickfire and Elimination Challenge in episode two. His dish of chicken liver mousse sandwiched between slices of cornbread with dukkah and tomato chili jam looked to be one of the night’s most intriguing bites.

    Chris Williams judges the biscuit Quickfire.

    Top Chef Houston episode 4 Chris Williams Padma Lakshmi
    Photo by David Moir/Bravo
    Chris Williams judges the biscuit Quickfire.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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