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    live from ???

    The Menil Picasso vandal emerges from hiding to reveal motivation, tells policeto get "real criminals"

    Tyler Rudick
    Aug 27, 2012 | 2:04 pm
    The Menil Picasso vandal emerges from hiding to reveal motivation, tells policeto get "real criminals"
    play icon

    After tagging a 1929 Picasso painting at the Menil Collection with spray paint in June, alleged vandal Uriel Landeros disappeared and remained totally silent . . . until this weekend, when the 22-year-old artist published a series of brief YouTube videos in English and Spanish that detail his motivations.

    Landeros contacted CultureMap via social media Saturday to announce his new formal explanation, describing the motivations behind a surprise act of vandalism during which he spray painted the stencil of a bullfighter — and the words "conquista la bestia" ("conquer the beast") — on Picasso's cubist work Woman in a Red Armchair.

    The video itself offers an apo logy to the Menil as well as a claim that the material he used could be removed with only "a little bit of Windex."

    As authorities unsuccessfully combed the city for the suspected tagger in the wake of the stencil attack, rumors circulated through the Houston art scene that he'd fled to Mexico. John Lewis, the assistant Harris County district attorney leading the case against Landeros, tells CultureMap that the U.S. Marshals continue to follow leads to locate the vandal's whereabouts.

    The video itself offers an apology to the Menil as well as a claim that the material he used to paint the stencil could be removed with only "a little bit of Windex."

    After reciting a letter he wrote after the initial incident, Landeros explains his actions with a mixture of political, social and artistic motivations and a dash of Occupy rhetoric. While we'll never truly know whether the vandalism was fueled by ego or sociopolitical rage, the video argues that the attack was no empty gesture, but rather a commentary on the corruption of large institutions and governmental bodies in the U.S. and Mexico.

    "Don't look for me," Landeros says. "Look for the real criminals."

    Landeros appears to have little intention of following the footsteps of Tony Shafrazi, who spray-painted "KILL ALL LIES" on Picasso's Guernica in 1974 only to become an art advisor to the Shah of Iran and a major blue chip art dealer by the start of the 1980s.

    Here's a transcript of Landeros' English-language video (watch it above):

    I dedicate this to everybody out there who has suffered any kind of injustice, whether from your family, your religion or from your government. And to Pablo Picasso, the intellectual artist who loved bullfighting and understood that, at the end of the dance, somebody had to die. And on this day, it was his turn — June 13, 2012.

    I did this to turn heads, to raise awareness to the world, to make this a better place for everyone to live in. My intention was never to destroy Pablo's painting or to insult the Menil. If I would have wanted to destroy the painting, I would have ripped it with a knife or burnt it. But that was never my intention. I'm sorry for insulting anyone who has misunderstood my message, but I'm a good enough alchemist to know that the professionals in the Menil could easily restore the piece with a little bit of Windex.

    "Don't look for me. Look for the real criminals."

    My intentions are to give a voice to the public, to all those who go unheard of. Unfortunately, our society has become nothing but a corrupt, war-making, murdering, raping society. And all the religious and political leaders who will not fight against this problem are to blame. In fact, everybody who doesn't fight against this problem is only feeding this chaotic fire.

    We can all do something to be better. And all those who are part of the problem should truly be persecuted and punished.

    Why don't we begin to create a better society, a better world, a healthier one? Why is this government wasting society's money in a never-ending religious drug war, war that only kills our brothers and sisters, war that leaves families without their loved ones? Instead, focus on the real problem, the murders, the rapists, the thieves, the corrupt politicians in this war.

    These are the real issues. That's why the world is so fucked up. Don't look for me. Look for the real criminals.

    In the end, we all want the same thing — a safe society, a society where all the kids can run around and play safely in the street. But in order for this to work, everyone needs to stop being scared and to stand up for what is right. We cannot let fear control our society.

    Why does the one percent control the 99 percent? It is time for some real change, ladies and gentlemen, some real change. This is the true symbolism behind my activist movement.

    A rough take of the same speech has been posted on YouTube as well.

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    untitled art 2026

    Prestigious contemporary art fair returns to Houston for 2026

    Holly Beretto
    Apr 9, 2026 | 12:30 pm
    Untitled Art entry way
    Courtesy of World Red Eye
    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

    A prestigious contemporary art fair is coming back to the Bayou City. Untitled Art, Houston returns this October for its second edition. To mark the occasion and kick off plans, the show commissioned two artist projects that will be unveiled this weekend at the 39th annual Art Car Parade on Saturday, April 11 in downtown Houston.

    The art show will be held at the George R. Brown Convention Center October 2 to 4. An invitation-only VIP and Press Preview will take place on Thursday, October 1.

    Houston was the organization’s first expansion from its home base in Miami. When the show arrived in the city last fall, it showcased the works of contemporary artists from Houston, other parts of Texas, and around the world.

    Houstonians showed lots of enthusiasm for last year’s inaugural fair. The organization reported that several galleries reported six-figure sales and sold-out booths, and leaders from the Museum of Fine Arts, Houston, The Menil Collection, and Contemporary Arts Museum Houston were in attendance all weekend.

    This year, the show promises to be even more dynamic, with programming that includes live podcast recordings, panel discussions, culinary activations, and artist-led projects with an emphasis on embedding the fair within Houston’s civic and cultural fabric. Show attendees can expect an international roster of galleries alongside collectors, curators, and artists increasingly attuned to Houston’s evolving position as both a cultural gateway to Latin America and a substantial force in the international art scene.

    “Houston has proven to be a vital artery for the contemporary art market, blending a deep institutional history with a bold, global future,” Jeffrey Lawson, founder of Untitled Art, said in a statement. “We are thrilled to return and deepen our commitment to the city’s creative community.”

    Beyond the exhibits at the show, Untitled Art has made a commitment to helping ensure art and art collecting is accessible to the larger community. Last year, programming events took place all over the the city, with private collection visits, studio tours with artists, and guided engagements at institutions such as the Museum of Fine Arts, Houston, The Menil Collection, Contemporary Arts Museum Houston, and Asia Society Texas Center, in collaboration with more than two dozen cultural partners.

    This year’s Art Car entry marks the first of its kind for the organization. Untitled Art commissioned collaborations with ascendant emerging Los Angeles-based artists Aryo Toh Djojo and Mario Ayala. Ayala's exhibition Seven Vans is currently on view at the Contemporary Arts Museum Houston.

    “Houston continues to assert itself as a cultural capital of the South, and the inaugural edition confirmed that there is a serious and attentive audience invested in contemporary art from local, national, and international dealers alike," said Michael Slenske, director of Untitled Art, Houston.

    Information about ticket sales will be available closer to the opening.

    Untitled Art entry way
    Courtesy of World Red Eye

    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

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    series/state-of-the-arts-2012

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