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    live from ???

    The Menil Picasso vandal emerges from hiding to reveal motivation, tells policeto get "real criminals"

    Tyler Rudick
    Aug 27, 2012 | 2:04 pm
    The Menil Picasso vandal emerges from hiding to reveal motivation, tells policeto get "real criminals"
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    After tagging a 1929 Picasso painting at the Menil Collection with spray paint in June, alleged vandal Uriel Landeros disappeared and remained totally silent . . . until this weekend, when the 22-year-old artist published a series of brief YouTube videos in English and Spanish that detail his motivations.

    Landeros contacted CultureMap via social media Saturday to announce his new formal explanation, describing the motivations behind a surprise act of vandalism during which he spray painted the stencil of a bullfighter — and the words "conquista la bestia" ("conquer the beast") — on Picasso's cubist work Woman in a Red Armchair.

    The video itself offers an apo logy to the Menil as well as a claim that the material he used could be removed with only "a little bit of Windex."

    As authorities unsuccessfully combed the city for the suspected tagger in the wake of the stencil attack, rumors circulated through the Houston art scene that he'd fled to Mexico. John Lewis, the assistant Harris County district attorney leading the case against Landeros, tells CultureMap that the U.S. Marshals continue to follow leads to locate the vandal's whereabouts.

    The video itself offers an apology to the Menil as well as a claim that the material he used to paint the stencil could be removed with only "a little bit of Windex."

    After reciting a letter he wrote after the initial incident, Landeros explains his actions with a mixture of political, social and artistic motivations and a dash of Occupy rhetoric. While we'll never truly know whether the vandalism was fueled by ego or sociopolitical rage, the video argues that the attack was no empty gesture, but rather a commentary on the corruption of large institutions and governmental bodies in the U.S. and Mexico.

    "Don't look for me," Landeros says. "Look for the real criminals."

    Landeros appears to have little intention of following the footsteps of Tony Shafrazi, who spray-painted "KILL ALL LIES" on Picasso's Guernica in 1974 only to become an art advisor to the Shah of Iran and a major blue chip art dealer by the start of the 1980s.

    Here's a transcript of Landeros' English-language video (watch it above):

    I dedicate this to everybody out there who has suffered any kind of injustice, whether from your family, your religion or from your government. And to Pablo Picasso, the intellectual artist who loved bullfighting and understood that, at the end of the dance, somebody had to die. And on this day, it was his turn — June 13, 2012.

    I did this to turn heads, to raise awareness to the world, to make this a better place for everyone to live in. My intention was never to destroy Pablo's painting or to insult the Menil. If I would have wanted to destroy the painting, I would have ripped it with a knife or burnt it. But that was never my intention. I'm sorry for insulting anyone who has misunderstood my message, but I'm a good enough alchemist to know that the professionals in the Menil could easily restore the piece with a little bit of Windex.

    "Don't look for me. Look for the real criminals."

    My intentions are to give a voice to the public, to all those who go unheard of. Unfortunately, our society has become nothing but a corrupt, war-making, murdering, raping society. And all the religious and political leaders who will not fight against this problem are to blame. In fact, everybody who doesn't fight against this problem is only feeding this chaotic fire.

    We can all do something to be better. And all those who are part of the problem should truly be persecuted and punished.

    Why don't we begin to create a better society, a better world, a healthier one? Why is this government wasting society's money in a never-ending religious drug war, war that only kills our brothers and sisters, war that leaves families without their loved ones? Instead, focus on the real problem, the murders, the rapists, the thieves, the corrupt politicians in this war.

    These are the real issues. That's why the world is so fucked up. Don't look for me. Look for the real criminals.

    In the end, we all want the same thing — a safe society, a society where all the kids can run around and play safely in the street. But in order for this to work, everyone needs to stop being scared and to stand up for what is right. We cannot let fear control our society.

    Why does the one percent control the 99 percent? It is time for some real change, ladies and gentlemen, some real change. This is the true symbolism behind my activist movement.

    A rough take of the same speech has been posted on YouTube as well.

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    Ride the Wave

    Houston Grand Opera's new album spotlights groundbreaking production

    Holly Beretto
    Jul 23, 2026 | 12:00 pm
    Ryan McKinny holding Lauren Snouffer in a scene from HGO's Breaking the Waves
    Photo by Lynn Lane
    Lauren Snouffer and Ryan McKinney lead a star-studded cast in Breaking the Waves, the latest album release from Houston Grand Opera, available August 7.

    A groundbreaking opera is finally getting a recording, and Houston Grand Opera is behind it. Breaking the Waves, by composer Missy Massoli and librettist Royce Vavrek, originally premiered in 2016. The opera’s regional premiere at HGO during the 2024 - 2025 season was captured for the album release. It will be available starting August 7 in both physical and digital formats, with streaming offered on major platforms including Apple Music, Amazon Music, and Spotify.

    This album is the third release from the Houston Grand Opera label, created in partnership with the London Symphony Orchestra’s LSO Live. The label’s first album — for company-commissioned world-premiere opera Intelligence — won the 2026 GRAMMY Award for Best Opera Recording.

    It features a star-studded cast led by soprano Lauren Snouffer and bass-baritone Ryan McKinny, accompanied by the HGO Orchestra and Chorus under the baton of HGO Music Director Emeritus Patrick Summers.

    Breaking the Waves is set in Calvinist 1970s Scotland, and tells the story of the impressionable young Bess (Snouffer) and offshore oil rigger Jan (McKinny). After they marry, Bess embarks on a journey of sexual exploration that, following a series of shocking events, ends in tragedy. Based on the art film of the same name by Lars von Trier, it won the inaugural Best New Opera Award from the Music Critics Association of North America and was shortlisted for Best World Premiere at the International Opera Awards.

    “Breaking the Waves is a fearless, devastating, and utterly singular landmark of contemporary American opera from one of the most compelling compositional voices of this generation,” HGO General Director and CEO Khori Dastoor said in a statement. “Alongside Missy Mazzoli and Royce Vavrek, our company’s incredible cast, orchestra, and chorus have brought their own fearlessness to this piece, rising to meet its challenges with passionate artistry. This album brilliantly captures the electricity of these sublime live performances, preserving their energy in every measure. HGO launched this label to bring bold American works to the world, and there is no better testament to that mission than what you will hear here.”

    In addition to Snouffer and McKinny, the cast features soprano Michelle Bradley as Mother, mezzo-soprano Maire Therese Carmack as Dodo McNeill, tenor David Portillo as Dr. Richardson, baritone Michael Mayes as Councilman, bass-baritone Sam Dhobhany as Terry, bass Johnny Salvesen as Sadistic Sailor, tenor Andrew Surrena as Young Sailor, and Jon Janacek as Tenor Solo.

    “Breaking the Waves is one of the most important operas of the 21st century, a work of incredible beauty, dramatic power, and profound lessons,” said Summers. “I am deeply honored to conduct its first recording.”

    The recording was made possible by Aaron Copland Fund for Music, Inc., Juan Moreno, Kristine Vikmanis and Denny Creighton, Alexander Sanger, and David Gindler.

    “I’m so grateful that Houston Grand Opera has captured this extraordinary cast and creative team in this recording of Breaking the Waves. Opera is an art form that not only takes a village, but a small city, and this performance is filled with artists who gave themselves completely to this emotional, dramatic whirlwind,” said Mazzoli.

    Ryan McKinny holding Lauren Snouffer in a scene from HGO's Breaking the Waves

    Photo by Lynn Lane

    Lauren Snouffer and Ryan McKinney lead a star-studded cast in Breaking the Waves, the latest album release from Houston Grand Opera, available August 7.

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    series/state-of-the-arts-2012

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