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    CultureMap Video

    Feeding the city through art: Empty Bowls inspires creative types to fight hunger with their hands

    Joel Luks
    May 15, 2014 | 10:12 am
    Feeding the city through art: Empty Bowls inspires creative types to fight hunger with their hands
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    "After what I did, I can't believe my friends are still talking to me," she jokes.

    It's not what Glassell School of Art ceramics student Michelle Matthews did, it's what she asked her friends and colleagues to do. They just couldn't say no. No one with a heart and a sense of social responsibility could turn her down.

    Matthews quickly realized that her request was a massive collective undertaking that required a sizable time commitment. In the past, she had inspirited those close to her to make bowls to be donated to the Empty Bowls Houston project, a grassroots effort in which local smiths of all types donate handmade dishes that are then sold at a fundraising social benefiting the Houston Food Bank. At the 10th anniversary event, set for 11 a.m. Saturday at the Houston Center for Contemporary Craft, attendees may purchase one of these bowls for $25, which includes a simple soup lunch as means to raise awareness for those who experience hunger everyday.

    In previous years, she had encouraged students and faculty to donate 100 bowls.

    Matthews upped the ante. She added a zero.

    "It was a crazy idea I admit," Matthews tells CultureMap. "But after I sent an email about my 1,000-bowl challenge, it didn't take long for people to write back and pledge to participate. That's an incredible community of people that will just give their time."

    "What I love most about working with clay is the ability to make something out of nothing. We start with mud."

    About 35 Glassell ceramicists are involved in the philanthropic endeavor, with six of them promising to deliver 100 bowls each. Among them are students Renee LeBlanc, Lilly Lerner, Rica Miwatani-Minter, Naoko Teruya, Suzanne Sippel, Shoko Kadowaki and Kimberly Watson plus department chair Jeff Forster, who's credited with creating a nurturing environment in which everyone benefits from each other's artistic journey.

    Something From Nothing

    "In other fields, you have to buy materials to create something," Lerner explains. "What I love most about working with clay is the ability to make something out of nothing. We start with mud."

    Lerner, who emigrated to the United States from Colombia to learn English, sees a poetic comparison between growing food and crafting bowls — both emerge from the richness of the earth. While she enjoys shaping sculptural objects of exceptional beauty as she gets her hands dirty, she finds functional pieces such as a bowl to be an ancient symbol that moved society forward. A bowl represents the ability to have or not to have.

    "When I moved to this country I thought everything was perfect," Lerner adds. "But we still have a lot of empty bowls in our society."

    Miwatani-Minter, who's participating in Empty Bowls for the first time, has studied at Glassell for seven years. She loves experimenting with clay's pliable nature and its potential to render different characters. Thinking of the many types of bowls found in her homeland of Japan, she strives to create bowls that enhance the look of their intended contents.

    "I try to think about the person who's going to use my bowl," Miwatani-Minter says. "My wish for my bowl is to bring them happiness."

    For the Houston Food Bank, every dollar donated translates into three meals.

    Filling Empty Bowls

    Matthews and other contributors to Empty Bowls were invited to survey first hand the operations of the Houston Food Bank as a follow up to last year's event. What inspired this 1,000-bowl challenge was observing the systematic approach in sorting and delivering provisions and learning about the organization's Emergency Food Pantry, which accommodates working families who can't access their respective neighborhood food pantries.

    "Families and their kids can go in with shopping carts and pull healthy items off the shelves," Matthews says. "They're made to feel like it's OK for people to go through this and that there are people here to help. People are treated with respect."

    Houston Food Bank CEO Brian Greene believes that Empty Bowls is a perfect example of what can transpire when a community joins forces for a cause.

    "The generosity is amazing," Greene says. "And that each and every bowl is made by hand makes each vessel and its intention very personal and poignant."

    According to the Houston Food Bank, Texas has one of the highest rates of food insecurity among children in the country. Officials note that 66,000 people in Houston suffer from hunger and 43 percent of families in this group are forced to choose between food and medications. Map the Meal Gap, a national hunger relief nonprofit, estimates that a third of children who don't have regular access to food are not eligible for subsidized school lunch programs. Feeding America warns about the effects of poor nutrition in children, an issue that's linked to weakened physical and mental health and inferior academic achievement.

    For the Houston Food Bank, every dollar donated translates into three meals.

    "That's so much more than I, as an individual, can do," Matthews says. "It's a huge impact. Imagine each bowl, at $25, turning into meals for 75 people. Now imagine what 1,000 bowls mean — 75,000 people can be fed. That's tremendous."

    ___

    The 10th Annual Empty Bowls Houston event, presented by Whole Foods Market, is on Saturday, from 11 a.m. to 3 p.m. at the Houston Center for Contemporary Craft. For $25, attendees receive a simple lunch of soup and bread provided by Whole Foods Market and then select a bowl from more than 1,000 hand-crafted bowls donated by Houston area ceramists and craft artists.

    At the event, attendees receive a simple lunch of soup and select from more than 1,000 hand-crafted bowls donated by Houston area ceramists and craft artists.

    Empty Bowls Houston 2014
    Photo by Joel Luks
    At the event, attendees receive a simple lunch of soup and select from more than 1,000 hand-crafted bowls donated by Houston area ceramists and craft artists.
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    best july art

    MFAH celebrates America 250 and 7 more must-see art openings for July

    Tarra Gaines
    Jul 7, 2026 | 2:00 pm
    ​Orkhan Mammadov’s “Visions” at Art Club
    Photo courtesy of Art Club
    Orkhan Mammadov’s “Visions” at Art Club

    The middle of summer is traditionally a time for Houston art galleries, museums, and institutions to take a bit of a breather, allowing art lovers a chance to catch up with spring exhibitions in cool art spaces. But this July keeps the art openings coming as the month brings several celebratory shows and intriguing exhibitions of local artists. Let’s enjoy a sizzling summer of art as the MFAH honors our nation’s big 250; Art Club unveils a new lineup of exhibits; and Avenida Houston expands our art horizons.

    Art Club’s New Season at POST (ongoing)
    When Art Club, the immersive space and DJ venue opened over a year ago, it promised Houston art lovers and club goers this techno art museum would continue to change and evolve over time with new artists and large-scale installations. Now with 12 fresh, radical, and cutting edge, gallery-sized works for the summer, it has certainly delivered on that promise. Created by individual artists, collectives, and international design studios, the new exhibits send visitors into kinetic light space and beguiling soundscapes. Many of the installations merge ancient cultures and practices with some of the most high tech art mediums, taking visitors into a different strange, alien world with each gallery, but ones that always echo with human connection.

    One highlight of the new season is Lina Dib’s “Here and Now,” where beautiful yet eerie flower descend from a darkened sky, blooming to a soundscape of migratory bird sounds made by human immigrants to Houston. Art Club’s mirrored "infinity room" gets a new resident in Orkhan Mammadov’s “Visions,” which merges a thousand years of art history with machine learning.

    Light artist Sasha Kojjio processes large bodies of text through sorting and generating algorithms, spinning the results into light until meaning dissolves and only movement remains. For Sphere³ II, international design studio Radugadesign, explores ancient Greek geometry through light, mirrors, and sound, creating an object that feels as if it could transport humans across space and time.

    “This season, we’ve continued to bring new media art from around the world to Houston with digital art ranging from the Islamic world to the Incan traditions of the Andes,” said Kirby Liu, founder and curator of Art Club Houston and managing director of POST. “The theme is the conviction that the binaries we use to see the world – whether analog versus digital, human versus machine, or tradition versus technology – are no longer doing the work we ask of them.”

    “Horizon” at The Plaza at Avenida Houston (now through September 7)
    Outdoor art gets expansive with these new interactive installations set between George R. Brown Convention Center and Discovery Green. Created by acclaimed multidisciplinary artist and set designer, Olivier Landreville, in collaboration with sound and light designer, Serge Maheu, “Horizon” invites Houstonians to take a seat inside these domed art structures and contemplate the sculpted skies. Gently rocking the chairs within the pieces will trigger a series of light and soundscapes.

    Houston First Corporation has partnered with international public art producers Creos and Init to present Horizon with the hope it gives Houstonians and all the national and international visitors we’ve had this summer to slow down, unwind, and enjoy one of our favorite community spaces.

    “George Washington: America's Enduring Icon” at Bayou Bend (now through November 22)
    The MFAH celebrates America's first president with this fascinating decorative art exhibition at its Bayou Bend house museum. “Enduring Icon” includes objects from the 18th, 19th, and 20th centuries featuring images of George Washington during his lifetime, as well as many that mourned or honored him after his death. The exhibition examines the many ways that Americans have recognized, honored, celebrated, memorialized, and appropriated Washington as both a man and icon.

    “America 250” at the Museum of Fine Arts, Houston (now through January 3)
    The 4th of July might have passed, but Houstonians and visitors from around the world can continue to celebrate the United States’ 250th birthday by taking this special marked journey through the MFAH. Instead of a contained exhibition, museum curators have chosen over 70 artworks from the collection across the campus to tell a uniquely American story through art.

    From golden antiquities to Native American pottery to vast painted landscapes to large-scale installations of futuristic cities, these pieces reflect the complexity and diversity of the American experience, while drawing connections between our nation and the MFAH's history as a collecting institution. As visitors explore the museum, indoors and out, they’ll find guides to the artworks, along with newly created audio stops and labels that discuss each artwork from these historical and cultural perspectives.

    "On the occasion of the nation’s 250th anniversary, we saw a singular opportunity to look at our collections and select objects that reflect the multitudes of individuals who have contributed to the identity of our nation,” describes MFAH director, Gary Tinterow. “The curators’ choices will allow our visitors to experience our collections framed within a series of illuminating and sometimes surprising narratives.”

    "Representation of Form" at MATCH (July 9-12)
    Photography and choreography dance together as Group Accord and photographer Christopher Peddecord collaborate in the creation of this multidisciplinary art event. Peddecord has taken photographs of Group Acorde dance artists and layers the images with one another. Those photographs will then be displayed and projected throughout the MATCH Box 1 space. During live performances, the dancers will move within the images of themselves. Audiences will also be free to move about the space, immersing themselves within the installation.

    “Casa de Cultura: The Living Archive” at the Fresh Arts Gallery in Winter Street Studios (July 9-August 22)
    Fresh Arts’ ongoing Space Taking Artist Residency invites traditionally underrepresented local artists to experiment and “take over” Fresh Arts’ gallery space at Sawyer Yards. The initiative has produced some stunning and surprising artwork and live performance experiences over the past few years.

    For “Casa de Cultura,” Violeta Alvarez, an award-winning local photographer, will present work inspired by her mother’s life and journeys. Alvarez will create a “Living Archive” exploring cultural identity, migration and collective memory. The project will feature two photography exhibitions: one a curated selection of Alvarez’s music photography, including her early work with Justice Records, and the second built entirely from open-call live portrait sessions of individuals with ancestral ties to Mesoamerica. Several live events and performances will take place throughout the residency, including community photo sessions, panel discussions, a podcast recording, Aztec dance performances, Chicanx artist vendors for Second Saturdays, and community drives.

    "World of Color” at Laura Rathe Fine Art (July 16-August 14)
    This exhibition brings together a group of artists working in different mediums and producing very distinct imagery, but all their art explores vivid colors and manifests a sense of wonder and play. "World of Color" explores color as both a meaningful and nostalgic force, brought to life through Miriam Fitzgerald’s intricately folded paper, Gian Garofalo’s flowing stripes of pigmented resin, Pablo Dona’s miniature figures swimming within teacups, and Lynn Sanders' layered colorscapes. Exhibition organizers note that through curious and intuitive explorations of color, each artist engages with combinations that create a childlike sense of discovery.

    "Learning Curve 18” at Houston Center for Photography (July 16-August 16)
    This annual exhibition celebrates the HCP students’ work over a given year, and for the 18th iteration, the exhibition will showcase students from various programs at the Center doing a range of photographic work from digital to alternative processes. Jessi Bowman, the Houston-based photographer, curator, and founder of FLATS, a community darkroom and photo lab, is this year’s juror. Bowman has intentionally selected pieces exploring photography from a multitude of approaches, subjects, and perspectives in order to create an show that reveals artists working in community.

    “As a juror, I was drawn to work that embraced curiosity and possibility. The strongest images often reflected a willingness to take risks,” explains Bowman in a statement about the selections, adding “Many of these photographs show artists pushing beyond technical proficiency toward a more personal visual voice.”

    \u200bOrkhan Mammadov\u2019s \u201cVisions\u201d at Art Club

    Photo courtesy of Art Club

    Orkhan Mammadov’s “Visions” at Art Club

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