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    View From Inside

    FotoFest battles stereotypes and ignorance with an unprecedented look at the Arab world

    Tyler Rudick
    Mar 14, 2014 | 1:51 pm

    Following its acclaimed 2012 exploration of Russian photography, the FotoFest Biennial returns Saturday with some of the biggest names in contemporary art from the Arab world.

    In a massive four-location exhibition titled View from Inside, FotoFest presents nearly 50 photo-based artists from the Middle East and North Africa, many of whom will be displaying work to American audiences for the first time.

    The show — on view at FotoFest's new headquarters in the Silver Street Studios complex as well as at Williams Tower, Winter Street Studios and Spring Street Studios — offers a fresh perspective on recent art from a region rarely represented in Western galleries and museums.

    This year's biennial marks a major turning point for Fotofest as founders Fred Baldwin and Wendy Watriss begin to hand the reigns to executive director Steven Evans. Appointed in late January, Evans is expected to continue the organization's ever-evolving approach to photography as both documentary medium and artform.

    Co-curated by Watriss and noted Arab art scholar Karin Adrian von Roques, the biennial exhibit purposely avoids imposing a sweeping artistic themes onto a truly diverse range of work.

    "We hope to move people away from the stereotypes they may have about the Arab world."

    "Artists are a sort of mirror of what's happen in a certain time and place," von Roques tells CultureMap. "We wanted to make sure their voices were heard, not the curators."

    As such, works are arranged in smaller groupings that touch upon issues like identity, conflict, family, religion and displacement.

    To find the strongest examples of contemporary Arab art and photography, the curators culled through thousands of works by hundreds of artists, choosing pieces based on an artist's ideas and execution rather than preconceived curatorial categories. In the end, their selections defied any single, unified theme.

    "The danger in creating a theme for a show is that you have to fit the work into a particular topic," von Roques says. "Instead, this exhibition is about the artists and the issues important to them, which is why we titled the show View from Inside . . . We hope to move people away from the stereotypes they may have about the Arab world."

    Taking center stage at this year's biennial show is Edge of Arabia (EOA), a London-based gallery and arts initiative aimed at introducing Middle Eastern artists to a broader international public.

    Work by two of the group's prominent artist-founders — Abdulnasser Gharem and Ahmed Mater, both of Saudi Arabia — remains high on von Roques' must-see list for anyone new to contemporary Arab art. (Side note: One of Gharem's pieces sold at Christie's Dubai for more than $800,000. The artist couldn't attend the 2011 auction due to his prior commitments as a lieutenant colonel in the Saudi Arabian army.)

    The curator also recommends work by EOA-affiliated installationists Shadia Alem and Mounir Fatmi, from Saudi Arabia and Moracco respectively, as well as new pieces from acclaimed Palestinian photo artist Steve Sabella.

    The 15th FotoFest International Biennial kicks off Saturday with an opening night party at 7 p.m. inside Spring Street Studios (not at the organization's former Vine Street location). Click here for more information and a list of the biennial's 100-plus participating gallery spaces.

    Jowahara Al Saud (Saudi Arabia), New Year, 2010; from the series Out of Line.

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    MFAH expands

    Houston museum acquires historic Masonic lodge property for new greenspace

    Eric Sandler
    Dec 23, 2025 | 2:16 pm
    Holland Lodge masonic building
    Holland Lodge No. 1, A.F. & A.M./Facebook
    The building at 4911 will be torn down for the new greenspace.

    The Museum of Fine Arts, Houston has acquired a prime parcel to expand its campus in the Museum District. On Tuesday, December 23, the museum announced it has purchased a two-acre parcel of land at 4911 Montrose Blvd that will bring its total footprint to 16 acres.

    Located just north of the Glassel School of Art, the property will be developed as a greenspace that will serve as a community lawn as well as be utilized for future museum events and parking. MFAH has retained landscape architects Nelson Byrd Woltz — the firm responsible for work at Memorial Park and the recently-opened Ismaili Center — to create the design for the new greenspace.

    Museum of Fine Arts, Houston greenspace rendering A rendering offers a bird's-eye preview of the new greenspace.Image by by Cong Nie/Courtesy of Museum of Fine Arts, Houston

    At this time, the museum does not have plans to build anything on the property, according to a press release.

    To make way for the greenspace, the property’s existing building, Holland Lodge No. 1, will be torn down. Built in 1954 as a home for the oldest Masonic lodge chapter in Texas, the building features a sandstone mural facade. It has been for sale since at least 2005, according to a report in the Houston Chronicle.

    Demolition on the site is expected to begin in spring 2026 with the greenspace opening in approximately two years, according to press materials. In addition to the Glassell School, the museum’s campus includes the Audrey Jones Beck Building, the Caroline Wiess Law Building, the Lillie and Hugh Roy Cullen Sculpture Garden, and the Nancy and Rich Kinder Building.

    “We are delighted to contribute to Houston’s greenspace access with this new initiative, which will expand the museum’s 14-acre campus to a thoroughly walkable 16 acres,” Gary Tinterow, director and Margaret Alkek Williams chair of the MFAH, said in a statement. “While the primary objective for the purchase of this property is to secure land for any potential future expansion of the museum, our priority now is to create a welcoming community lawn. Thoughtfully designed by Nelson Byrd Woltz, one of the leading firms in sustainable landscape practice, the site will serve as public greenspace and provide additional parking for museum visitors.”

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