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    View From Inside

    FotoFest battles stereotypes and ignorance with an unprecedented look at the Arab world

    Tyler Rudick
    Mar 14, 2014 | 1:51 pm

    Following its acclaimed 2012 exploration of Russian photography, the FotoFest Biennial returns Saturday with some of the biggest names in contemporary art from the Arab world.

    In a massive four-location exhibition titled View from Inside, FotoFest presents nearly 50 photo-based artists from the Middle East and North Africa, many of whom will be displaying work to American audiences for the first time.

    The show — on view at FotoFest's new headquarters in the Silver Street Studios complex as well as at Williams Tower, Winter Street Studios and Spring Street Studios — offers a fresh perspective on recent art from a region rarely represented in Western galleries and museums.

    This year's biennial marks a major turning point for Fotofest as founders Fred Baldwin and Wendy Watriss begin to hand the reigns to executive director Steven Evans. Appointed in late January, Evans is expected to continue the organization's ever-evolving approach to photography as both documentary medium and artform.

    Co-curated by Watriss and noted Arab art scholar Karin Adrian von Roques, the biennial exhibit purposely avoids imposing a sweeping artistic themes onto a truly diverse range of work.

    "We hope to move people away from the stereotypes they may have about the Arab world."

    "Artists are a sort of mirror of what's happen in a certain time and place," von Roques tells CultureMap. "We wanted to make sure their voices were heard, not the curators."

    As such, works are arranged in smaller groupings that touch upon issues like identity, conflict, family, religion and displacement.

    To find the strongest examples of contemporary Arab art and photography, the curators culled through thousands of works by hundreds of artists, choosing pieces based on an artist's ideas and execution rather than preconceived curatorial categories. In the end, their selections defied any single, unified theme.

    "The danger in creating a theme for a show is that you have to fit the work into a particular topic," von Roques says. "Instead, this exhibition is about the artists and the issues important to them, which is why we titled the show View from Inside . . . We hope to move people away from the stereotypes they may have about the Arab world."

    Taking center stage at this year's biennial show is Edge of Arabia (EOA), a London-based gallery and arts initiative aimed at introducing Middle Eastern artists to a broader international public.

    Work by two of the group's prominent artist-founders — Abdulnasser Gharem and Ahmed Mater, both of Saudi Arabia — remains high on von Roques' must-see list for anyone new to contemporary Arab art. (Side note: One of Gharem's pieces sold at Christie's Dubai for more than $800,000. The artist couldn't attend the 2011 auction due to his prior commitments as a lieutenant colonel in the Saudi Arabian army.)

    The curator also recommends work by EOA-affiliated installationists Shadia Alem and Mounir Fatmi, from Saudi Arabia and Moracco respectively, as well as new pieces from acclaimed Palestinian photo artist Steve Sabella.

    The 15th FotoFest International Biennial kicks off Saturday with an opening night party at 7 p.m. inside Spring Street Studios (not at the organization's former Vine Street location). Click here for more information and a list of the biennial's 100-plus participating gallery spaces.

    Jowahara Al Saud (Saudi Arabia), New Year, 2010; from the series Out of Line.

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    on the bright side

    'First-of-its kind' Houston park reveals 6 murals by local artists

    Jef Rouner
    Apr 22, 2026 | 10:00 am
    Houston artist Ade Odunfa stands in front of his mural "Salt Marsh" at the Hill at Sims.
    Photo by Scott Julian, courtesy of Houston Parks Board
    "Birth From the Sea" by Ade Odunfa

    One of Houston's most innovative green spaces, the Hill at Sims, is edging toward completion as artists put the finishing touches on a series of six beautiful murals. They should be ready when the park has its grand opening on Saturday, May 23.

    The project is being led by Harris County Precinct One Commissioner Rodney Ellis and the Houston Parks Board. Located in Sunnyside along Sims Bayou, it combines a flooding retention pond with walkways and other infrastructure to create a unique multi-use community space. Adding a series of environmentally-themed murals highlights the project's dedication to empowering nature around Sunnyside.

    “When we bring art, resilience, and opportunity together in one place, we create something that can serve and inspire future generations for decades to come," said Ellis in an emailed statement. "The Hill at Sims is a community-oriented, first-of-its-kind green space in the neighborhood I grew up in. These murals honor Sunnyside, celebrate the natural world, and help turn public space into something people feel proud to protect.”

    The murals include “Impression of Nature” by Emily Ding, “Step Into the Wild” by Carlos Alberto, “Birth from the Sea," a reproduction of a John Biggers’ mural by Ade Odunfa, "The Heron and the Fish” by Ana Marietta, “Rêverie” by Amy Sol inspired by Claude Debussy’s 1890 solo piano piece, and “Salt Marsh”, another Biggers reproduction by Bimbo Adenugba.

    Houston is a major mural and street art city, with an increasing number of spaces using murals to showcase local talent as well as bring a sense of identity to locations like the Hill at Sims. The green space offers both a massive natural setting in a neighborhood that has traditionally been underserved in park acreage with an elevated point to view the whole city, a rare treat in a place as flat as Houston. Thanks to the Bayou Greenways Project, a 150-mile series of trails that connects parks across Houston, people can walk or bike to the Hills at Sims if they choose to.

    "Our goal is for every person who visits this park to feel that Hill at Sims truly represents the Sunnyside community. Public art is a powerful and joyful way to evoke feelings of connection and stewardship in public settings,” said Justin Schultz, President and CEO, Houston Parks Board, in an emailed statement. “Houston Parks Board is proud to support Commissioner Ellis to bring Sunnyside residents a transformative, multi-benefit greenspace that captures the spirit of Houston: turning our climate challenges into vibrant community assets.”

    The total cost of Hill at Sims is $28.3 million. Funding comes from Precinct One ($18.8 million), The Brown Foundation ($7.5 million), with an additional $2 million from public federal and state funds secured by State Representative Alma Allen and Congressman Al Green. When complete, it will feature a 1.6 mile basin loop trail, water access pier, a parking lot, a 2,000-square-foot open air pavilion with restrooms, flexible lawn space for active programming, and picnic pavilions.

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