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    View From Inside

    FotoFest battles stereotypes and ignorance with an unprecedented look at the Arab world

    Tyler Rudick
    Mar 14, 2014 | 1:51 pm

    Following its acclaimed 2012 exploration of Russian photography, the FotoFest Biennial returns Saturday with some of the biggest names in contemporary art from the Arab world.

    In a massive four-location exhibition titled View from Inside, FotoFest presents nearly 50 photo-based artists from the Middle East and North Africa, many of whom will be displaying work to American audiences for the first time.

    The show — on view at FotoFest's new headquarters in the Silver Street Studios complex as well as at Williams Tower, Winter Street Studios and Spring Street Studios — offers a fresh perspective on recent art from a region rarely represented in Western galleries and museums.

    This year's biennial marks a major turning point for Fotofest as founders Fred Baldwin and Wendy Watriss begin to hand the reigns to executive director Steven Evans. Appointed in late January, Evans is expected to continue the organization's ever-evolving approach to photography as both documentary medium and artform.

    Co-curated by Watriss and noted Arab art scholar Karin Adrian von Roques, the biennial exhibit purposely avoids imposing a sweeping artistic themes onto a truly diverse range of work.

    "We hope to move people away from the stereotypes they may have about the Arab world."

    "Artists are a sort of mirror of what's happen in a certain time and place," von Roques tells CultureMap. "We wanted to make sure their voices were heard, not the curators."

    As such, works are arranged in smaller groupings that touch upon issues like identity, conflict, family, religion and displacement.

    To find the strongest examples of contemporary Arab art and photography, the curators culled through thousands of works by hundreds of artists, choosing pieces based on an artist's ideas and execution rather than preconceived curatorial categories. In the end, their selections defied any single, unified theme.

    "The danger in creating a theme for a show is that you have to fit the work into a particular topic," von Roques says. "Instead, this exhibition is about the artists and the issues important to them, which is why we titled the show View from Inside . . . We hope to move people away from the stereotypes they may have about the Arab world."

    Taking center stage at this year's biennial show is Edge of Arabia (EOA), a London-based gallery and arts initiative aimed at introducing Middle Eastern artists to a broader international public.

    Work by two of the group's prominent artist-founders — Abdulnasser Gharem and Ahmed Mater, both of Saudi Arabia — remains high on von Roques' must-see list for anyone new to contemporary Arab art. (Side note: One of Gharem's pieces sold at Christie's Dubai for more than $800,000. The artist couldn't attend the 2011 auction due to his prior commitments as a lieutenant colonel in the Saudi Arabian army.)

    The curator also recommends work by EOA-affiliated installationists Shadia Alem and Mounir Fatmi, from Saudi Arabia and Moracco respectively, as well as new pieces from acclaimed Palestinian photo artist Steve Sabella.

    The 15th FotoFest International Biennial kicks off Saturday with an opening night party at 7 p.m. inside Spring Street Studios (not at the organization's former Vine Street location). Click here for more information and a list of the biennial's 100-plus participating gallery spaces.

    Jowahara Al Saud (Saudi Arabia), New Year, 2010; from the series Out of Line.

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    Mags Move In

    Shuttered Houston magazine stand finds new home at Austin coffee shop

    Brianna Caleri
    Jan 19, 2026 | 4:00 pm
    Tomo Mags bus outside of brick-and-mortar Austin store
    Photo courtesy of the Downtown Austin Alliance
    Tomo Mags is driving into a new era.

    Austin's roaming newsstand Tomo Mags — which sells books out of a signature blue bus — is moving up in the world. Its new brick-and-mortar bookstore and partner coffee shop, Cielito Lindo, are celebrating their grand opening Thursday, January 22, at 411 Brazos Street, #101. A ribbon-cutting ceremony from 10-11 am with the Downtown Austin Alliance and the Austin Chamber of Commerce will mark the occasion.

    Tomo Mags started in 2015 in Houston, on a decommissioned school bus. Founder Vico Puentes hit the ground running — or driving — visiting shopping centers, galleries, universities, cafés, and more. It toted artsy independent magazines about fashion, photography, design, erotica, and even some comparatively normie selections like The Economist and New York Magazine.

    The journey so far has included an earlier stationary space that later closed (and another one that reopened), a pause for several years, and a "bittersweet" move to Austin in 2025.

    Tomo Mags Austin interior The collection has a lot more room to expand in this new space.Photo courtesy of the Downtown Austin Alliance

    The new shop offers more of the same: a wide selection of magazines and art books alongside studio tools like pens and notebooks, merch, and fashionable accessories. It's been in a soft-opening phase since mid-December. Cielito Lindo, which opened in a coffee pot-shaped trailer in Manor in spring 2025, also kicked off its soft opening in the space a few days. Both the Tomo bus and Cielito's trailer will continue operating.

    Even though both businesses are relatively new to Austin, Puentes has deep personal connections with the city.

    “Before opening TOMO mags, I worked in downtown Austin for the last six years, and I’ve seen such an incredible evolution in what it feels like for the people who work and live here, as well as the visitors passing through,” said Puentes in a press release.

    Tomo Mags Austin interior Cafe tables are great for flipping through new finds with Cielito Lindo's signature horchata latte.Photo courtesy of the Downtown Austin Alliance

    Driving around town to make sales may sound like a fast-paced existence, but Puentes hopes visitors to Tomo can slow down when they visit, enjoying the physical experience and maybe even creating a personal art archive over time. Part of that includes getting to know the artists filling the shelves.

    "With TOMO mags, our goal is to create a place people can come back to regularly to slow down, find inspiration, and leave with something special, or a gift that actually feels thoughtful," he said. "We’re already meeting people from all over the world, and we’re proud to host them and share recommendations that help them experience Austin beyond just downtown, while also spotlighting the creative community and local businesses that make this city so special.”

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