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    Chamber Music Schedule

    Houston concert news: New groups are headed to town — and the Chamber groupies will be shocked

    Joel Luks
    Mar 10, 2015 | 9:01 pm

    Chamber Music Houston groupies won't recognize many of the personalities that are scheduled for the presenter's 2015-16 season, which just got revealed Tuesday night during the Vienna Piano Trio performance at Rice University's Shepherd School of Music.

    And that's a good thing as the lineup, themed "New talents, bold sounds and epic journeys," includes many young groups en route to make their Chamber Music Houston debut.

    This strategy is aligned with the volunteer-based nonprofit's developments in recent years, which include a new name (formerly known as Houston Friends of Chamber Music), a new website and a more intimate experience for the audience with opportunities to interact with visiting artists.

    Alongside the fresh faces, the organization's focus on bringing only the world's best to an acoustically vibrant concert hall hasn't changed.

    Young and new

    The Dover Quartet (Nov. 10) cleaned up at the 2013 Banff International Competition. The former quartet-in-residence at the Shepherd School of Music will offer the tuneful scores of Dvorák's Quartet in F Major, Op. 96, "American" and Beethoven's Quartet in F Major, Op. 59, No. 1, "Razumovsky" in addition to the more challenging Berg String Quartet, Op. 3.

    The Chiara String Quartet (Dec. 8), although new to Chamber Music Houston, is no stranger to those with ties to Rice University. Violinist Rebecca Fischer is the daughter of Shepherd cello professor Norman Fischer. Moreover, father and daughter have shared that stage in more than one occasion. The group tore the house down in a casual concert at McGonigels' Mucky Duck a handful of years ago, now returning to a more formal setting to interpret Ravel's String Quartet in F Major, Bartók's String Quartet No. 4 and Brahms' String Quartet in A Minor, Op. 52, No. 2.

    The Escher String Quartet (March 1, 2016) plays with "passionate elegance and deep feeling" (New York Times) and is "one of the top young quartets before the public today" (Washington Post). This playbill includes a standard, Mozart's String Quartet No. 21 in D Major, K. 575, with two works not often heard, Szymanowski's Quartet No. 1 in C Major, Op. 37 and Elgar's Quartet in E Minor, Op. 83.

    The Calder Quartet (March 29, 2016), a group that performs with "pinpoint control and near-flawless execution" (Boston Globe), follows suit with an unusual program that includes Adès' Arcadiana, Janáček's Quartet No. 2 "Intimate Letters" and Beethoven's String Quartet No. 12 in E-flat Major, Op. 127.

    Audience favorites

    As in previous years, the Miró String Quartet (Sept. 15) and the Emerson String Quartet (April 28, 2016) open and close the season, respectively. The former will be joined by clarinetist David Shifrin for Mozart's Clarinet Quintet in A Major and Brahms' Clarinet Quintet in B Minor.

    Filling out the nine-concert series are the Academy of St. Martin in the Fields Chamber Ensemble (Oct. 13) with music by Mozart, Rossini and Schubert; the vocal troupe Chanticleer (Jan. 21, 2016) with music by Monteverdi, Mahler, Barber and others; and The Fauré Quartett (Feb. 9, 2016) with music by Mozart, Brahms and Martinu's Piano Quartet No. 1.

    The Dover Quartet.

    Dover Quartet
    Courtesy photo
    The Dover Quartet.
    unspecified
    news/arts

    welcome to houston

    Musical theater veteran joins prominent Houston company

    Holly Beretto
    Dec 9, 2025 | 1:30 pm
    Stages Theater Valerie Rachelle headshot
    Courtesy of Stages
    Stages has named Valerie Rachelle as its new associate artist director.

    A Houston theater company is adding an accomplished artist to its ranks. Stages announced that Valerie Rachelle will be the company’s new associate artistic director beginning in January 2026.

    For more than a decade, Rachelle has been artistic director of the Oregon Cabaret Theatre in Ashland, Oregon, where she oversaw artistic vision and operations. That theater specializes in musical theater performances offered in a cabaret setting.

    Rachelle comes to Houston with a career spanning nearly 30 years as a director and choreographer. She has extensive experience in developing new musicals and plays for regional theaters and opera companies across the United States, including the Tony Award-winning Oregon Shakespeare Festival, the Utah Shakespeare Festival, and Sierra Repertory Theatre. She was appointed to her position at Stages following a nationwide search.

    “I’m beyond thankful for this opportunity to join this incredible company, and I’m excited to be a part of a creative entity that has a strong mission and vision as Stages,” Rachelle said in a statement.

    In her role with Stages, she will support artistic director Derek Charles Livingston with season planning and casting; liaise with artists, press, and staff; and coordinate day-to-day operations for the artistic department. She will also assist with crafting educational materials, direct and choreograph productions, and serve as the primary liaison with theatrical unions.

    “We are thrilled to welcome Valerie to Stages in this role,” said Livingston. “I have seen her work as a director and director choreographer — she's excellent. Those skills combined with her experience as a theatre artistic director and manager only further fortify Stages' commitment to artistic excellence and community engagement.”

    Born and raised in Eugene, Oregon, Rachelle began her career as a dancer and apprentice ballerina with the Eugene Ballet Company before earning her BFA in acting from California Institute of the Arts. She received her MFA in Directing from the University of California, Irvine. She has held teaching and directing positions at numerous institutions, including the University of Southern California, Southern Oregon University, Pacific Conservatory of the Performing Arts, and others. She has also served as a mentor through Statera Arts, an organization dedicated to gender equity in the arts.

    Rachelle teaches musical theater, auditioning, and singing at Southern Oregon University when she isn’t on the road as a freelance director and choreographer. She’s also a classically trained singer and toured the world with her parents and their illusionist show as a child.

    “Joining the team that has a long-standing reputation of excellence in theater is an honor,” Rachelle added.

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