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The First Rainbow Coalition

Texas filmmaker spotlights gritty struggle for equality in new PBS documentary

Craig Lindsey
Jan 27, 2020 | 12:52 pm
The First Rainbow Coalition PBS documentary
Black Panther Bobby Lee speaks at a community meeting in The First Rainbow Coalition.
Photo by Paul Sequiera/Courtesy of PBS

This week, Channel 8, Houston's PBS station, will air The First Rainbow Coalition, an hour-length documentary on the young activists who came together to crack down on the tyranny, oppression, and corruption in Chicago during the late 1960s.

The film chronicles the different groups — African-American militants the Black Panthers; Confederate flag-wearing, white lefties the Young Patriots; Puerto-Rican civil-rights fighters the Young Lords — who put aside their differences and joined forces for a greater good. The unification spooked the political figures and law enforcement who kept finding ways — from creating bureaucratic setbacks to assassinating charismatic Black Panther leader Fred Hampton in his home — to kill the movement before it spread.

The movie has several ties to the Lone Star State. For starters, the film is directed by San Antonio-based filmmaker Ray Santisteban, who spent 14 years working on the project. He gets several people to talk on-camera about their experiences during that turbulent time. One of those was Bobby Lee, the Houston-bred Black Panther (and brother of the late Harris County Precinct 1 Commissioner El Franco Lee) who co-founded the Rainbow Coalition with Hampton and others.

Before he passed away in 2017 at the age of 74, Lee, the social worker known as "the Mayor of Fifth Ward," talked about how he was one of the chief people responsible for rounding up other groups and getting them to join this one collective. One black-and-white clip Santisteban found shows Lee and other Panthers going in the Uptown neighborhood and speaking with a room full of white people, trying to convince them that they need their assistance. ("Do you want us to take the berets off or what?" he asked at one point.)

During a recent screening by the Southwest Alternate Media Project (SWAMP), Santisteban discussed how he culled the material for the doc. "A lot of the stories weren't written, so I had to go travel to hear the stories," he said in a post-screening panel. "I was always searching for the unusual. I knew what the big archives already had. It was like, okay, I don't want that — I mean, I'm gonna use it. I'm looking for the other stuff."

Santisteban said he had to go deep-diving when it came to finding out more about the Latino people who were part of the movement. "A lot of the footage is not in archives because the Latino market is not a big market for archives. So, they don't have the material, because no one is buying it. So, I started buying any kinds of films about Latinos on eBay. So, I have a whole storage unit filled with them... Some of the key material in here came from my own archive."

He also hoped that not only will this movie spark a discussion, but will get more people to start searching for another activist groups who fought the power during this time. "I've been working on films like this since I was in college, almost 30 years ago," said Santisteban. "It was an ongoing effort, and I'm hoping that maybe some young person -- or maybe an older person -- will take this and then keep dissecting it, keep arguing about it, you know. The history's always in flux and it always changes and it always resets and, I think, this is the beginning of that discussion, hopefully."

---

The First Rainbow Coalition airs on Tuesday, 10 pm, on PBS Channel 8. For more information, visit the official film site.

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best july art

MFAH celebrates America 250 and 7 more must-see art openings for July

Tarra Gaines
Jul 7, 2026 | 2:00 pm
​Orkhan Mammadov’s “Visions” at Art Club
Photo courtesy of Art Club
Orkhan Mammadov’s “Visions” at Art Club

The middle of summer is traditionally a time for Houston art galleries, museums, and institutions to take a bit of a breather, allowing art lovers a chance to catch up with spring exhibitions in cool art spaces. But this July keeps the art openings coming as the month brings several celebratory shows and intriguing exhibitions of local artists. Let’s enjoy a sizzling summer of art as the MFAH honors our nation’s big 250; Art Club unveils a new lineup of exhibits; and Avenida Houston expands our art horizons.

Art Club’s New Season at POST (ongoing)
When Art Club, the immersive space and DJ venue opened over a year ago, it promised Houston art lovers and club goers this techno art museum would continue to change and evolve over time with new artists and large-scale installations. Now with 12 fresh, radical, and cutting edge, gallery-sized works for the summer, it has certainly delivered on that promise. Created by individual artists, collectives, and international design studios, the new exhibits send visitors into kinetic light space and beguiling soundscapes. Many of the installations merge ancient cultures and practices with some of the most high tech art mediums, taking visitors into a different strange, alien world with each gallery, but ones that always echo with human connection.

One highlight of the new season is Lina Dib’s “Here and Now,” where beautiful yet eerie flower descend from a darkened sky, blooming to a soundscape of migratory bird sounds made by human immigrants to Houston. Art Club’s mirrored "infinity room" gets a new resident in Orkhan Mammadov’s “Visions,” which merges a thousand years of art history with machine learning.

Light artist Sasha Kojjio processes large bodies of text through sorting and generating algorithms, spinning the results into light until meaning dissolves and only movement remains. For Sphere³ II, international design studio Radugadesign, explores ancient Greek geometry through light, mirrors, and sound, creating an object that feels as if it could transport humans across space and time.

“This season, we’ve continued to bring new media art from around the world to Houston with digital art ranging from the Islamic world to the Incan traditions of the Andes,” said Kirby Liu, founder and curator of Art Club Houston and managing director of POST. “The theme is the conviction that the binaries we use to see the world – whether analog versus digital, human versus machine, or tradition versus technology – are no longer doing the work we ask of them.”

“Horizon” at The Plaza at Avenida Houston (now through September 7)
Outdoor art gets expansive with these new interactive installations set between George R. Brown Convention Center and Discovery Green. Created by acclaimed multidisciplinary artist and set designer, Olivier Landreville, in collaboration with sound and light designer, Serge Maheu, “Horizon” invites Houstonians to take a seat inside these domed art structures and contemplate the sculpted skies. Gently rocking the chairs within the pieces will trigger a series of light and soundscapes.

Houston First Corporation has partnered with international public art producers Creos and Init to present Horizon with the hope it gives Houstonians and all the national and international visitors we’ve had this summer to slow down, unwind, and enjoy one of our favorite community spaces.

“George Washington: America's Enduring Icon” at Bayou Bend (now through November 22)
The MFAH celebrates America's first president with this fascinating decorative art exhibition at its Bayou Bend house museum. “Enduring Icon” includes objects from the 18th, 19th, and 20th centuries featuring images of George Washington during his lifetime, as well as many that mourned or honored him after his death. The exhibition examines the many ways that Americans have recognized, honored, celebrated, memorialized, and appropriated Washington as both a man and icon.

“America 250” at the Museum of Fine Arts, Houston (now through January 3)
The 4th of July might have passed, but Houstonians and visitors from around the world can continue to celebrate the United States’ 250th birthday by taking this special marked journey through the MFAH. Instead of a contained exhibition, museum curators have chosen over 70 artworks from the collection across the campus to tell a uniquely American story through art.

From golden antiquities to Native American pottery to vast painted landscapes to large-scale installations of futuristic cities, these pieces reflect the complexity and diversity of the American experience, while drawing connections between our nation and the MFAH's history as a collecting institution. As visitors explore the museum, indoors and out, they’ll find guides to the artworks, along with newly created audio stops and labels that discuss each artwork from these historical and cultural perspectives.

"On the occasion of the nation’s 250th anniversary, we saw a singular opportunity to look at our collections and select objects that reflect the multitudes of individuals who have contributed to the identity of our nation,” describes MFAH director, Gary Tinterow. “The curators’ choices will allow our visitors to experience our collections framed within a series of illuminating and sometimes surprising narratives.”

"Representation of Form" at MATCH (July 9-12)
Photography and choreography dance together as Group Accord and photographer Christopher Peddecord collaborate in the creation of this multidisciplinary art event. Peddecord has taken photographs of Group Acorde dance artists and layers the images with one another. Those photographs will then be displayed and projected throughout the MATCH Box 1 space. During live performances, the dancers will move within the images of themselves. Audiences will also be free to move about the space, immersing themselves within the installation.

“Casa de Cultura: The Living Archive” at the Fresh Arts Gallery in Winter Street Studios (July 9-August 22)
Fresh Arts’ ongoing Space Taking Artist Residency invites traditionally underrepresented local artists to experiment and “take over” Fresh Arts’ gallery space at Sawyer Yards. The initiative has produced some stunning and surprising artwork and live performance experiences over the past few years.

For “Casa de Cultura,” Violeta Alvarez, an award-winning local photographer, will present work inspired by her mother’s life and journeys. Alvarez will create a “Living Archive” exploring cultural identity, migration and collective memory. The project will feature two photography exhibitions: one a curated selection of Alvarez’s music photography, including her early work with Justice Records, and the second built entirely from open-call live portrait sessions of individuals with ancestral ties to Mesoamerica. Several live events and performances will take place throughout the residency, including community photo sessions, panel discussions, a podcast recording, Aztec dance performances, Chicanx artist vendors for Second Saturdays, and community drives.

"World of Color” at Laura Rathe Fine Art (July 16-August 14)
This exhibition brings together a group of artists working in different mediums and producing very distinct imagery, but all their art explores vivid colors and manifests a sense of wonder and play. "World of Color" explores color as both a meaningful and nostalgic force, brought to life through Miriam Fitzgerald’s intricately folded paper, Gian Garofalo’s flowing stripes of pigmented resin, Pablo Dona’s miniature figures swimming within teacups, and Lynn Sanders' layered colorscapes. Exhibition organizers note that through curious and intuitive explorations of color, each artist engages with combinations that create a childlike sense of discovery.

"Learning Curve 18” at Houston Center for Photography (July 16-August 16)
This annual exhibition celebrates the HCP students’ work over a given year, and for the 18th iteration, the exhibition will showcase students from various programs at the Center doing a range of photographic work from digital to alternative processes. Jessi Bowman, the Houston-based photographer, curator, and founder of FLATS, a community darkroom and photo lab, is this year’s juror. Bowman has intentionally selected pieces exploring photography from a multitude of approaches, subjects, and perspectives in order to create an show that reveals artists working in community.

“As a juror, I was drawn to work that embraced curiosity and possibility. The strongest images often reflected a willingness to take risks,” explains Bowman in a statement about the selections, adding “Many of these photographs show artists pushing beyond technical proficiency toward a more personal visual voice.”

\u200bOrkhan Mammadov\u2019s \u201cVisions\u201d at Art Club

Photo courtesy of Art Club

Orkhan Mammadov’s “Visions” at Art Club

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