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    On the Road

    The tourism of tragedy: From dead body dots to water marks, Katrina still hauntsin New Orleans

    Olga Campos
    Oct 30, 2011 | 9:48 am
    • A house in the 9th ward overtaken by plant life.
      Photo by Jessica Pages
    • The front of the house was the only thing left standing years after Katrina.
      Photo by Jessica Pages
    • Mark Schleifstein of the Times-Picayune newspaper
      Photo by Olga Campos
    • The Seabrook Floodgate complex
      Photo by Olga Campos
    • Make it Right house.
      Photo by Olga Campos
    • Jason Ragolia from the US Army Corps of Engineers
      Photo by Olga Campos
    • Map of victim recovery locations
      Photo by Olga Campos

    There is so much to see and do in New Orleans, all in a matter of blocks. You can tour the Mississippi Riverfront area, where the Aquarium of the Americas, the Entergy IMAX Theater, the shops at the Riverwalk Marketplace and Harrah’s Casino are all conveniently located within walking distance of each other.

    Or perhaps you’d prefer to ride the city’s famous street cars to see the above-ground cemeteries with their elaborate grave markers.

    Or, it might be your choice to take a street car to the City Park where the Besthoff Sculpture Garden and the New Orleans Museum of Art are located. Naturally, no visit to N'awlins is complete without checking out the many excellent restaurants and art galleries of the French Quarter or the eclectic Voodoo museum, live music venues, strip clubs and bars of Bourbon and Canal Streets.

    So I wasn't surprised when fellow journalists created a waiting list after being invited to tour the aftermath of Hurricane Katrina. Yes, six years later the results of the deadly natural disaster — including the new levees being built — are a huge tourist attraction.

    Reporters, including myself, were curious to see what the US Army Corp of Engineers has been working on since 1.2 million people were evacuated and 1,600 people were killed as a result of Hurricane Katrina’s assault of the Crescent City in September of 2005.

    We were treated to a firsthand view of what was originally referred to as the Greater New Orleans Hurricane and Storm Damage Risk Reduction System. It was originally called the “Hurricane Protection System,” but the name was changed to “Hurricane and Storm Damage Risk Reduction” since it was feared that the phrase “protection system” would provide a false sense of security and prompt residents to ignore future evacuation orders.

    The tour was led by Mark Schleifstein of the Times-Picayune newspaper, who explained how New Orleans is a city completely surrounded by water and wetlands. His handouts illustrated how the city’s geography led to problems after levees were built to protect homes and structures, but in turn, those levees stopped the flow of sediment into adjacent wetlands. That lack of sediment resulted in deterioration and subsidence of wetlands, which. in turn, left New Orleans more vulnerable to the storm surge.

    We toured the Seabrook Floodgate Complex now under construction and witnessed the latest technology and design for this massive steel and concrete barrier system. Overall, members of the US Army Corp of Engineers (initially blamed for constructing a faulty, inadequate levee system) are being hailed as hardworking, dedicated professionals who have completed 98 percent of the congressionally ordered work in less than six years.

    I heard so many details and facts that my brain was spinning, much like it does after sipping an original Pat O’Brien’s Hurricane drink too fast!

    Overall the tour was fact-based and informative, but it’s the real-life revelations from real people that make it such a popular tourist draw.

    Understanding Tragedy

    We heard gruesome details as we drove past the so-called Refuge of Last Resort, aka the Superdome. We were reminded of the tragic and sad images burned into our memories of poor, bedraggled, mostly black storm evacuees who waited for days in the Superdome without adequate care.

    Yet our tour guide says what we didn't see or hear was the hardworking volunteers who rounded up makeshift grills to cook for the hungry masses. Of course, most of the food was looted from nearby storefronts. It would have spoiled otherwise.

    Our handouts included a detailed map of the city covered in red dots. Each dot marks a "Victim Recovery Location," in other words, a site where a dead body was found. The Lower 9th Ward had the most dots after a deluge water filled the area between 6 and 8:30 a.m. on the morning of Sept. 6, while most people were just beginning to start their day. The Uptown Area was also littered with dots after a tragic number of patients died while trapped in hospitals.

    Our tour guide shared with us a popular parlor game played by Katrina survivors called, “How High Did the Water Rise at Your Place?” The comic answer of choice is "We had two feet of water... on the second floor.”

    We drove by many beautiful, stately homes that have been renovated and repaired to their pre-Katrina conditions. These homes are examples of Louisiana’s rich heritage and unique architecture. We also passed by scattered deserted and decaying homes that were completely covered by Katrina’s flood waters. These once sturdy homes still sit abandoned.

    Our tour guide told us many of these vacant, dilapidated homes belonged to older residents who died in the storm or who evacuated and never returned. He also described an “ownership mess” involving generations of occupants with no clear titleholders. Many of these properties remain tangled up in family squabbles that have not yet been resolved in court.

    “There are a thousand sad stories, yet there are also a thousand tales and reasons to rejoice. Heroes came out of nowhere,” says Dr. Robert Thomas, a professor at Loyola University of New Orleans.

    Dr. Thomas is also a Katrina survivor, and he is proud of the city’s rebuilding efforts. As we passed through hard hit St. Bernard Parish, he pointed out the new businesses that are flourishing, many owned by Vietnamese families. He says, “People are frustrated and are tired of being asked why they still live here. It’s because the water is their livelihood. Shrimping and oyster harvesting are big in this community.”

    Here’s a little known fact the professor was happy to share: “Tulane and Loyola Universities had to turn away student applicants, many of whom came as volunteers in high school to help rebuild, and fell in love with the people and the community and were eager to return to attend college.”

    Lesson Ignored?

    The tour ended in the Lower Ninth Ward where we saw houses built by volunteers and architects through “Make it Right,” a non-profit group organized by Brad Pitt. Yes, the Brad Pitt! The homes look like beach homes — sleek, with modern designs and high off the ground for added protection from future floods.

    The post-Katrina tour is so popular because it provides journalists a chance to review what we initially heard and see what new truths have since surfaced. That’s the goal of Sandy Rosenthal, founder of Levees.org, whose mission is to “bust myths,” as she proudly declares. And as then-President Bush said of then-FEMA director Michael Brown — Sandy is doing a “helluva a job.”

    Rosenthal lets Mother Nature off the hook when it comes to Katrina, which is not what the news media’s initial coverage concluded. So when I asked her what she wants journalists to take away from the tour, she quickly responded: “I want the media to stop using harmful, false stories about Katrina.”

    Her handout states that “the catastrophic flooding of metro New Orleans was due to the failure of levees and flood walls which should have performed; and also to the man-made destruction of protective forests and wetlands in south Louisiana which had historically performed as storm surge buffers.”

    I left New Orleans with a nice T-shirt, a Pat O’Brien Hurricane glass and a string of Mardi Gras beads, but the best take away comes in the form of one haunting statement on Levees.org:

    “With 55 percent of the American people (more than 157 million) living in counties protected by levees, it is important that Americans living outside the New Orleans region understand what really happened in south Louisiana during Katrina.”

    Those words have a sobering effect — something this New Orleans tourist is happy to share with others not far from the Texas coastline.

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    Now hear this

    New Texas museum shines spotlight on Tejano music history

    Edmond Ortiz
    Dec 18, 2025 | 11:30 am
    Totally Tejano Hall of Fame and Museum, San Antonio, tejano music
    Photo by Edmond Ortiz
    Roger Hernandez serves as board president of the Totally Tejano Hall of Fame and Museum.

    For a city that proudly calls itself the capital of Tejano music, San Antonio has long been missing a permanent place to honor the genre’s pioneers and preserve its history. That gap officially closed In December with the opening of the Totally Tejano Hall of Fame and Museum at 1414 Fredericksburg Rd.

    The music couldn’t have found a better steward than its founder and board president. Roger Hernandez has had his finger on the pulse of Tejano music for decades. His company, En Caliente Productions, has provided a platform for countless performing artists and songwriters in Tejano, conjunto, and regional Mexican music since 1982.

    Hernandez says his wife, who ran a shop at Market Square years ago, would often get questions from visitors about the location of a physical Tejano music museum, a thing that simply did not exist. In 2022, he banded together with friends, family, and other local Tejano music supporters to make the nonprofit Hall of Fame a reality.

    “I decided I've been in the music scene for over 40 years, it's time to do a museum,” Hernandez recalls.

    Hernandez says a brick-and-mortar Tejano music museum has long been needed to remember musical acts and other individuals who grew the genre across Texas and northern Mexico, especially those who are aging. Recently, the community lost famed Tejano music producer Manny Guerra and Abraham Quintanilla, the renowned Tejano singer/songwriter and father of the late superstar Selena Quintanilla-Perez. Both deaths occurred roughly one week after the Totally Tejano museum opened to the public.

    “They're all dying. They're all getting older, and we need to acknowledge all these people,” Hernandez says.

    The Totally Tejano Museum — named after Hernandez’s Totally Tejano Television Roku streaming — has 5,000 square feet of space packed with plaques, photos, promotional posters, musical instruments, and other memorabilia honoring the pioneers and stars of the beloved genre. Mannequins wear stage outfits from icons like Laura Canales and Flaco Jimenez, and a wall of photos remembers late greats. Totally Tejano Television plays legendary performances on a loop, bringing the exhibits to life.

    Totally Tejano Hall of Fame and Museum, San Antonio, Tejano music The newly opened Totally Tejano Hall of Fame and Museum includes a growing collection of memorabilia. Photo by Edmond Ortiz

    Hernandez says the museum will soon welcome permanent and rotating exhibits, including traveling shows, a Hall of Fame section, and an area paying homage to Chicano music crossovers, such as the late Johnny Rodriguez, the South Texas singer-songwriter who blended country with Tex-Mex music. Plans call for the organization to hold its inaugural Hall of Fame induction in February 2026.

    Eventually, a 2,000 square feet back room will be converted into additional display space and host industry gatherings, community symposiums, and record and video release parties. The museum also plans to add a gift and record shop and a music learning room where visitors can listen to early Tejano music and browse archival photos. Hernandez is already talking with local school districts about educational field trips.

    Much like Tejano itself, the museum is a grassroots production. Hernandez and fellow board members have used their own money to rent, renovate, develop, and maintain the museum space. The board also leads the selection of the Hall of Fame honorees and curates the exhibits.

    Hernandez has been heartened by the museum’s reception, both from media outlets and music fans around Texas and beyond.

    “We had a radio station come in this morning from Houston to interview us,” he says. “People have come in from Lubbock, Texas. We have had people from Midland, Texas. We have another person who emailed us who’s coming in from New York. People are learning all about us.”

    That includes many of the musicians who helped shape the genre. Johnny Hernandez, Sunny Ozuna, Elida Reyna, and Danny Martinez from Danny and The Tejanos are among the luminaries who have already graced the halls.

    The Totally Tejano Hall of Fame and Museum is now open 10 am-6 pm, Tuesday-Sunday, and closed Monday. Admission is free, but donations are encouraged. Fans can call 210-314-1310 for more information.


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