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    Mercedes-Benz Star Lounge

    In middle of New York fashion week mayhem, designer Wesley Cadle creates aserene suite

    Lindley Arnoldy
    Annina Stefanelli
    Feb 18, 2012 | 7:36 am
    • Wesley Cadle
      Photo by Michael Buckner/Getty Images North America
    • Outside the entrance to the Mercedes-Benz Star Lounge
      Photo by Michael Buckner/Getty Images North America
    • A hand-beaded "Keep Calm and Carry On" canvas hangs over the fireplace.
      Photo by Michael Buckner/Getty Images North America
    • Inside the entrance to the Mercedes-Benz Star Lounge, cool cucumber-coloredwalls create a calming tone.
      Photo by Michael Buckner/Getty Images North America
    • Wesley Cadle, from left, Lindley Arnoldy and Annina Stefanelli in theMercedes-Benz Star Lounge
    • A cozy sette where people can relax and enjoy and glass of champagne
      Photo by Michael Buckner/Getty Images North America
    • The main lounge area, which hosts a mix of furniture by Baker, Antica Farmacistadiffusers and TVs showing live runway shows
      Photo by Michael Buckner/Getty Images North America
    • Lindley Arnoldy, left, and Tina Craig, creator of the popular website Bag Snob.
      Photo by Annina Stefanelli

    Editor's note: Clifford Pugh wasn't the only CultureMapper at fashion week. Contributors Lindley Arnoldy and Annina Stefanelli filed this report.

    NEW YORK — During Mercedes-Benz Fashion week, the tents at Lincoln Center pulsate on energy high from editors, stylists, photographers and fashionistas. There is even a designated “blogger” area where techies can plug in and clack away on their keyboards, tweeting and posting about the events.

    Beyond all of this mayhem lies the real gem of luxury, the Mercedes Benz Star Lounge, a swanky suite where invited guests can drop in to juice up their iPhones and iPads between shows while nibbling tasty bites and sipping champagne.

    For the last few years, Wesley Cadle has been the creative genius behind the Star Lounge’s chic décor and star filled atmosphere. For this year’s lounge, he created a serene environment of cool cucumber greens and pops of pink with Pucci-inspired patterns flanking the walls and ceiling. The message is written clearly on Stephanie Hirsch’s Keep Calm and Carry On black and gold hand-beaded canvas mounted above the sandstone fireplace, designed by Chesney’s UK. The overall result is a calm, welcoming space that has seen the likes of André Leon Talley to Bag Snob editor Tina Craig.

    CultureMap: Where have you drawn the inspiration to create this year’s Mercedes Benz Fashion Week Star Lounge?

    Wesley Cadle: I was inspired by a silk scarf and wanted to wrap the room in geometric prints with cool mint greens and pops of pink. The walls and ceiling are wrapped with Porter Teleo mural panels custom hand made in ink for the lounge.

    CM: You have said an environment provokes an emotional response. What emotion do you want to provoke with the Star Lounge?

    WC: I want to create a living room experience offering folks a break from the hustle and bustle of the shows.

    CM: When designing a space that hosts such a fashionable crowd, do you draw inspiration from the collections that are debuting at fashion week?

    WC: I’m attaching it to fashion, but I look into the interior design industry for inspiration. I’m one of those designers that doesn’t heavily rely on following trends, but sometimes am open to using one here and there.

    CM: How does the design process begin? How do you approach a project like this, the same as the others?

    WC: I like to start with a neutral, like the carpet, and work up from there adding pops of color within the furniture, pillows, and Porter Teleo wall coverings.

    CM: Is this a departure from what you have done in the past?

    WC: Last year I designed the lounge with a Parisian apartment feel, wrapping the walls with over scaled fashion illustrations by Gladys Perint Palmer. I’ve departed from that this year, wrapping the walls with cool water color palette and fluid nature of the ceilings.

    CM: How do you differentiate the design of the lounge from fall and spring fashion weeks?

    WC: I don’t want to offend the weather, this could have been a lodge but I made it cool and feminine. I try to keep the design feminine for fashion week. I’m not designing a dress, but an ambiance.

    CM: What composes an ambiance? Hosting a serene space for a variant crowd can be complicated. I see snacks, beverages, television, and Antica Farmacista home fragrances. What is the purpose of the extras?

    WC: I’m creating an ambiance as a sort of sense theater. I want senses to be uplifted in all of the ways. I want a space like this to juggle sounds, smell, and sight.

    CM: How are you accommodating the new world of bloggers and social media players?

    WC: The whole lounge offers various hubs for everyone to plug in to recharge, catch up on emails, etc.

    Lindley Arnoldy writes the fashion and style blog The Flip Side and Annina Stefanelli writes the blog Cinched at the Waist

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    dive in

    Houston designer dishes on Tulum-inspired look of chic Montrose cocktail lounge

    Emily Cotton
    Jun 12, 2026 | 12:00 pm
    1111 cocktail lounge interior
    Photo by Par Bengtsson
    Tulum's cenotes inspired the monolithic central bar.

    Globally-recognized luxury design firm Nina Magon Studio’s continued foray into the realm of hospitality has wowed Houstonians once again. The Architectural Digest, Elle Decor, and Forbes favorite introduces an immersive experience unlike anything else in the city. Unlike Magon’s previous, ultra-glamorous hospitality projects 5115 Saks Fifth Avenue and Cocody, her latest concept is unlike anything yet seen from the designer. Organic in nature, pared down, and entirely unpretentious, the new 1111 cocktail lounge in Montrose is a masterpiece of escapism.

    1111 (read as “eleven-eleven”) is the latest concept by nightlife impresarios Army Sadeghi and Brandon Duliakas (Clarkwood and Melrose). Featuring cocktails created by bartenders who worked at Mexico City’s world-renowned Handshake Speakeasy and cuisine by chef Emmanuel Chavez of Houston’s Michelin-starred Tatemó, it’s only fitting for the interior spaces to be helmed by an elite designer as well. The result is a brilliant trifecta of offerings poised to satiate the most sophisticated tastes.

    While food and cocktail menus look squarely to Mexico City for their source material, Magon chose to venture the path less traveled. Stepping away from her signature polished and glamorous aesthetic, the interiors of 1111 are decidedly earthy, naturalistic, and even primal. Inspired by the cavernous sunken swimming holes, known as cenotes, outside of Tulum, earthy greens, warm taupes, terracotta hues, oxidized tones, and muted stone textures evoke the raw beauty of Mexico’s landscapes.

    “It was very fun, because we were able to get to be very creative and create something that is different from our portfolio to show the extent of where design can go and how we can bring authenticity from other cities into our hometown of Houston,” explains Magon. “You feel like you’re in a space that doesn’t necessarily feel like you’re in the glamour of Houston; we wanted something more authentic to Mexico.”

    Anchored by a monolithic central bar, the open-concept space utilizes seating and tables of various materials and scale to accommodate any of the lounge’s many functions. Textural Venetian plaster in shades of the deepest greens drench the walls and ceilings, lending a cavernous quality to the overall atmosphere. Along one wall, a dramatically-curved overhang draws the eye back to the central bar, where a recessed ceiling gives way to a cascade of backlit flora and fauna, harkening to the idea that guests are gazing up through a void in the earth.

    “When you’re in a cenote, you have rays of sunlight coming through from the foliage, and so that’s what we’re emulating. Everything is done with that thought in mind,” says Magon. “It feels like this underground — not in Houston — feel that we were going for. The design is unexpected, and with the unique, big play on lighting, it’s very unlike Houston.”

    The heavy use of drapery, extensive architectural curvature, and cinematic lighting throughout continue the idea that the space is deep underground, with light merely sneaking in through cracks and voids. To soften the space, warm wooden panels are strategically positioned to provide both form and function. Laser-cut patterns were inspired by a design Magon admired in Mexico City. Though originally cast in stone, Magon’s backlit interpretation is equally striking.

    In residential settings, the use of decor and accessories helps define a space and set the desired tone. Restricted by the realities of 1111, where a DJ starts spinning at 9 pm, and patrons move more freely, Magon parlayed this limitation into a grand opportunity. Along the eastern wall, 18 custom, backlit niches create an illuminated gallery of vintage Mexican pottery — each piece chosen by Magon and her team.

    “It’s all vintage pieces, and the pots really bring in that originality of Mexico,” explains Magon. “We only used natural materials. Anything that’s glamorous, you’re not going to see here.” This naturalistic theme continues with the organic yarn wall hangings, and eagle-eyed patrons will notice the subtle mountain landscape — and other clever shadow-play — dyed into the wall-hung works.

    To keep the low lit, earthy vibes from becoming too monotonous, Magon chose a bright terracotta and bone color palette for the restrooms. All too aware that mirror selfies are highly de rigueur, the hallway is a colonnade of recessed full length mirrors leading up to the burst of color waiting beyond the doors. Bright terracotta plaster, oversized mirrors in organic, fluid shapes, stone vessel sinks, draped foliage, and fire-baked floor tiles in playful patterns beckon patrons to take advantage of the flattering rosy lighting.

    “We always want, in everything we do, a photo moment, a place where everyone takes photos,” explains Magon. “I didn’t want green everywhere. I wanted it to be a different experience, because everything in this space is an experience. From the moment you walk in, to when you’re seated, to the cave portion of the cenote, it’s all a different experience and different view point of this lounge. So, in the bathrooms, we wanted to make sure we weren’t missing any moments. Terracotta is very prevalent in Mexico City, and that’s why we wanted to bring in that terracotta color to the hallways and bathrooms — everything is fresh.”

    The entire interior concept was conceived of the instinctive desire to escape the everyday. From its sculptural architecture to its richly layered materiality, 1111 stands as one of Nina Magon Studio’s most immersive hospitality projects to date, an environment where bold design vision and cultural authenticity converge in a deeply sensory experience.

    “I’ve been wanting to do something like this for the last three years, just based off of my travels,” 1111 co-owner Army Sadeghi tells CultureMap. “I felt that Nina, with her strong residential portfolio, would be a unique opportunity for everybody to collaborate on a big stage — being hospitality — and I think she delivered. We worked very closely with her team, and they did a great job throughout the process — I think they nailed it. They created a space that’s a unique, sculptural, architectural sort of luxe space that hasn’t been seen in the country.

    1111 cocktail lounge interior

    Photo by Par Bengtsson

    Tulum's cenotes inspired the monolithic central bar.

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