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    Mercedes-Benz Star Lounge

    In middle of New York fashion week mayhem, designer Wesley Cadle creates aserene suite

    Lindley Arnoldy
    Annina Stefanelli
    Feb 18, 2012 | 7:36 am
    • Wesley Cadle
      Photo by Michael Buckner/Getty Images North America
    • Outside the entrance to the Mercedes-Benz Star Lounge
      Photo by Michael Buckner/Getty Images North America
    • A hand-beaded "Keep Calm and Carry On" canvas hangs over the fireplace.
      Photo by Michael Buckner/Getty Images North America
    • Inside the entrance to the Mercedes-Benz Star Lounge, cool cucumber-coloredwalls create a calming tone.
      Photo by Michael Buckner/Getty Images North America
    • Wesley Cadle, from left, Lindley Arnoldy and Annina Stefanelli in theMercedes-Benz Star Lounge
    • A cozy sette where people can relax and enjoy and glass of champagne
      Photo by Michael Buckner/Getty Images North America
    • The main lounge area, which hosts a mix of furniture by Baker, Antica Farmacistadiffusers and TVs showing live runway shows
      Photo by Michael Buckner/Getty Images North America
    • Lindley Arnoldy, left, and Tina Craig, creator of the popular website Bag Snob.
      Photo by Annina Stefanelli

    Editor's note: Clifford Pugh wasn't the only CultureMapper at fashion week. Contributors Lindley Arnoldy and Annina Stefanelli filed this report.

    NEW YORK — During Mercedes-Benz Fashion week, the tents at Lincoln Center pulsate on energy high from editors, stylists, photographers and fashionistas. There is even a designated “blogger” area where techies can plug in and clack away on their keyboards, tweeting and posting about the events.

    Beyond all of this mayhem lies the real gem of luxury, the Mercedes Benz Star Lounge, a swanky suite where invited guests can drop in to juice up their iPhones and iPads between shows while nibbling tasty bites and sipping champagne.

    For the last few years, Wesley Cadle has been the creative genius behind the Star Lounge’s chic décor and star filled atmosphere. For this year’s lounge, he created a serene environment of cool cucumber greens and pops of pink with Pucci-inspired patterns flanking the walls and ceiling. The message is written clearly on Stephanie Hirsch’s Keep Calm and Carry On black and gold hand-beaded canvas mounted above the sandstone fireplace, designed by Chesney’s UK. The overall result is a calm, welcoming space that has seen the likes of André Leon Talley to Bag Snob editor Tina Craig.

    CultureMap: Where have you drawn the inspiration to create this year’s Mercedes Benz Fashion Week Star Lounge?

    Wesley Cadle: I was inspired by a silk scarf and wanted to wrap the room in geometric prints with cool mint greens and pops of pink. The walls and ceiling are wrapped with Porter Teleo mural panels custom hand made in ink for the lounge.

    CM: You have said an environment provokes an emotional response. What emotion do you want to provoke with the Star Lounge?

    WC: I want to create a living room experience offering folks a break from the hustle and bustle of the shows.

    CM: When designing a space that hosts such a fashionable crowd, do you draw inspiration from the collections that are debuting at fashion week?

    WC: I’m attaching it to fashion, but I look into the interior design industry for inspiration. I’m one of those designers that doesn’t heavily rely on following trends, but sometimes am open to using one here and there.

    CM: How does the design process begin? How do you approach a project like this, the same as the others?

    WC: I like to start with a neutral, like the carpet, and work up from there adding pops of color within the furniture, pillows, and Porter Teleo wall coverings.

    CM: Is this a departure from what you have done in the past?

    WC: Last year I designed the lounge with a Parisian apartment feel, wrapping the walls with over scaled fashion illustrations by Gladys Perint Palmer. I’ve departed from that this year, wrapping the walls with cool water color palette and fluid nature of the ceilings.

    CM: How do you differentiate the design of the lounge from fall and spring fashion weeks?

    WC: I don’t want to offend the weather, this could have been a lodge but I made it cool and feminine. I try to keep the design feminine for fashion week. I’m not designing a dress, but an ambiance.

    CM: What composes an ambiance? Hosting a serene space for a variant crowd can be complicated. I see snacks, beverages, television, and Antica Farmacista home fragrances. What is the purpose of the extras?

    WC: I’m creating an ambiance as a sort of sense theater. I want senses to be uplifted in all of the ways. I want a space like this to juggle sounds, smell, and sight.

    CM: How are you accommodating the new world of bloggers and social media players?

    WC: The whole lounge offers various hubs for everyone to plug in to recharge, catch up on emails, etc.

    Lindley Arnoldy writes the fashion and style blog The Flip Side and Annina Stefanelli writes the blog Cinched at the Waist

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    series/clifford-on-the-catwalk-htx

    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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