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    Final Dress

    Texas theater actors release killer horror movie set on Lone Star State stages

    Lindsey Wilson
    Jul 26, 2023 | 9:45 am
    The Finale movie

    Madison Calhoun in The Finale.

    Courtesy photo

    Some of Dallas-Fort Worth's most notable theater practitioners recently turned their talents toward a different medium: film.

    The Finale, a theater-themed horror film, is being released on Friday, July 28, to stream on Amazon Prime, Apple, VUDU, and YouTube VOD.

    It's penned by Michael Federico and directed by Christie Vela (associate artistic director at Theatre Three), who also co-host a horror movie podcast called Terror and Tacos.

    The film is from Octane Multimedia and produced by Max Hartman and Brandon Potter, with Desiree Fultz acting as production manager and first assistant director.

    It stars Gabrielle Reyes as Sagan Riley, a triple-threat who has her sights set on Broadway. When she’s accepted to the legendary Stage Left Theater Camp, she thinks her dreams are within reach.

    Sagan spends her days singing, dancing, acting, and dreaming of love. But soon the Stage Left instructors and Sagan’s fellow campers start dying off one by one. Now, Sagan will have to survive rehearsal and discover the killer, if she’s ever gonna make it.

    Eagle-eyed viewers will spot local actors Kenneisha Thompson, Madison Calhoun, Parker Gray, Paul Taylor (Pinhead from the Hellraiser franchise), Liza Marie Gonzalez, Katy Tye, Drew Wall, Lydia Mackay, Danielle Georgiou, Jason Villareal, Theatre Three artistic director Jeffrey Schmidt, and noted DFW director and choreographer Joel Ferrell.

    Patrons will also recognize Dallas' Frank Lloyd Wright-designed Kalita Humphreys Theater and Uptown's Theatre Three, where most of the film takes place.

    Boasting an all-DFW film crew and post-production team, The Finale is a true Texas film through and through.

    "I acted as executive producer and funded the project because when I heard my hilarious and uber-talented old friends Christie and Michael talk about making their own horror film and who they had already cast in it, I immediately asked to meet with them," says Hartman. "I read the first 30 pages of the script on the way to meet them at a coffee shop and loved it. I proposed right then that I help fund the project and help find and hire a film crew that was down to work with a bunch of theater folks on their first feature."

    "Apart from this being a life-long goal for me, the best part about this was that two amazing groups of artists, from two seemingly related but separate disciplines, theater and film, all local (we're super proud of this), came together to make this film happen," Vela tells CultureMap. "We all learned from each other every day. The toughest days are still some of the best days of my life, and there were days. I will forever be grateful to all of my Dallas theater colleagues who took this leap of faith with Mike and I."

    "There was a night we were shooting in the woods. It was our second overnight shoot in a row, so everybody was tired. And it was July, and so hot, and the cicadas were actively trying to destroy us. It could have been miserable," shares Federico. "But I remember watching Christie, the cast, and crew shooting a scene. And they were all so good at their jobs, and so much fun to be around all the time, that I remember thinking, there’s really no place I’d rather be than in the Texas heat, in the middle of the woods, working with these people."

    "My driving mission besides helping my friends make a movie was to dispel the oft-heard notion that 'theater actors' can’t act in film," says Hartman. "It was also always bizarre to me that the film and theater communities in town were so segregated. Very rare to see them mix. Every actor in the film is a 'theater actor' and they’re all amazing. It was hilarious to hear the crew go, 'Where did you get these actors? They all know all of their lines.'"

    Watch the trailer below, and follow The Finale on Facebook and Instagram for updates:

    , The Finale,moviestheater
    news/entertainment

    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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