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    big fat zero

    My Big Fat Greek Wedding 3 leaves enjoyment at the altar with zero comedy or charm

    Alex Bentley
    Sep 12, 2023 | 5:55 am

    Keeping a franchise going in Hollywood is dependent on a lot of factors, but prime among them is a studio’s willingness to pay for it and an audience’s interest in seeing more of it. My Big Fat Greek Wedding was the surprise hit of 2002, earning over $368 million worldwide and even a screenwriting Oscar nomination for writer/star Nia Vardalos.

    Vardalos immediately turned that success into a CBS sitcom, My Big Fat Greek Life, in 2003 … which lasted seven episodes. Thirteen years later, she tried to resurrect the franchise with 2016’s My Big Fat Greek Wedding 2 … and was met with a resounding yawn from both critics and moviegoers. And yet, she’s somehow convinced the right people that an audience exists for My Big Fat Greek Wedding 3.

    For the first time in the franchise, the title doesn’t refer to just the family of Toula (Vardalos), but also the location, as she, her husband Lan (John Corbett), her brother Nick (Louis Mandylor), her daughter Paris (Elena Kampouris), and more have returned to the Greek hometown of the family patriarch for a “reunion.” Except, for most of the film, it’s just them, the town’s mayor, Victory (Melina Kotselou), and a few others.

    There is no real plot to speak of from writer/director Vardalos, as it’s just an excuse to string together a bunch of supposedly humorous gags about the unwelcoming nature of one local woman, the boorish personality of Nick, a will they/won’t they with Paris and ex-boyfriend Aristotle (Elias Kacavas), and more. That would be all well and good if the film had any kind of comic timing or charm. Which it doesn’t. Zero.

    In fact, the first 30 minutes of the film are shocking in how inept the filmmaking is, with it turning into the equivalent of watching dead air on radio. None of the jokes land, shots are held on characters for unknown strange reasons, and the music sometimes drops out altogether, making the scenes very awkward.

    Once they arrive in Greece, there are at least the visuals of the countryside to distract, but Vardalos manages to botch even that. Very few of the scenes take place in objectively picturesque locations, and even those that do don’t take full advantage of the views. Why you would travel all the way to Greece to not make it a love letter to that country is strange indeed.

    You would also think that being in Greece would result in fun performances, but almost none of the actors seem like they’re having a good time. The lone exception is Andrea Martin as Aunt Voula, who absolutely slays with her criminally small amount of screentime. Vardalos has also saddled Toula’s mother, Maria (Lainie Kazan), with dementia, a choice that does neither the actor nor the film any favors.

    Much like Adam Sandler setting many of his movies in exotic locations, it feels like Vardalos only made My Big Fat Greek Wedding 3 as a way to get her and her cast to Greece. The film itself is a hodgepodge of scenes with little humor or emotion, making it a waste of 90 minutes for anyone unlucky enough to sit through it.

    ---

    My Big Fat Greek Wedding 3 is now playing in theaters.

    Elena Kampouris, Elias Kacavas, Andrea Martin, Nia Vardalos, Louis Mandylor, and John Corbett in My Big Fat Greek Wedding 3

    Photo by Yannis Drakoulidis / Focus Features

    Elena Kampouris, Elias Kacavas, Andrea Martin, Nia Vardalos, Louis Mandylor, and John Corbett in My Big Fat Greek Wedding 3.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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