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    It's sci-fi for real at the HMNS's new Wiess Hall

    Tarra Gaines
    Dec 8, 2017 | 12:30 pm

    The Houston Museum of Natural Science has always strived to make science fun for young and mature alike, but now with their newly reopened Wiess Energy Hall 3.0, they’ve managed to turn learning about energy science into a thrill ride.

    Yes, the redesigned permanent Hall provides enough educational exhibits and interactive-learning displays to make the sternest high school physics and geology teachers giddy, but the HMNS has also built motion effects simulator rides into the exhibition, allowing visitors to fly, dive and drop directly in the never-ending story of how we discover and harness energy sources to power the world.

    With an expansion from 8,500 square feet to 30,000 in this renovation and redesign of the popular exhibition, the HMNS seems almost modest in calling Wiess Hall “the most contemporary, comprehensive, technologically advanced exhibition on the science and technology of energy anywhere in the world.”

    I recently had the opportunity to take a preview tour of Wiess Hall, where my energy journey began from the moment elevator doors opened on the 4th floor to reveal a wall-sized replica of an offshore drilling platform. But stepping deeper into the Hall, I felt like I had left a 21st-century museum and boarded the engine room of a favorite science fiction spaceship. The main difference from a Hollywood sci-fi movie set and the HMNS is that while some of the Wiess exhibits give peeks into future technology, much of the cutting edge science on display remains firmly grounded in the present–albeit sometimes 8,000 feet under said ground.

    From floating satellites overhead to blinking displays on climate change to an interactive video simulator that allows visitors to feel they’re operating an offshore oil rig, Wiess Hall gives even the most hyperactive museum-goer plenty of hands-on exhibits to explore.

    As a whole, the exhibition chronicles the different forms of energy systems and how we use that oil, gas, solar and wind power to fuel our cities and the very displays delivering all this energy knowledge to museum-goers. And while hydrocarbon fuel remains a large focus, renewable sources like wind and solar also become stars in the continuing energy technology story.

    With much to do, see and learn, there’s enough to keep the most jaded kids and adult engaged, and perhaps awed, for hours by the science and technology, but I’d bet three big features in particular will likely lure Houstonians back again and again for continuing explorations.

    Energy City
    The greatest feast for the eyes comes from this 2,500-square-foot 3-D, 1/150th-scale “white model” of downtown Houston. This little H-Town uses projection mapping technology to create a vibrant constantly changing metropolitan and surrounding energy-harnessing landscape.

    Energy City, which took two years to build and complete, becomes the stage for 30 minutes of animated content. A five minute sequence takes Houston from day to night and then each night brings the coolest science lecture ever, as 32 laser projectors paint a illustrated light story of how we power our lives using the many energy systems, including solar, nuclear, wind, hydroelectric and even geothermal. (Spoiler alert: watch out for volcanos.)

    While Energy City educates on how we can access power from the Earth, sun, wind, and water, it also entertains with brilliant light shows and even fun little animated surprises during the daylight hours. Look closely for car chases and some unexpected space and time travelers.

    EFX 3000 (The Eagle Ford Shale Experience)
    Climb aboard this inner-space ship for a very active lesson on hydraulic fracturing. With curved projection techniques and mechanical motion effects, the simulated ride takes passengers on a bumpy flight–piloted by down-home Texan robot DAR-C–to Karnes County, Texas. Once we reached the gas and oil drilling fields a resident scientist shrinks the EFX 3000 down to miniature size, all the better to navigate through a borehole of an oil well. (Kudos to ride designers and the HMNS for pumping from the Houston’s talented acting well when casting. I recognized our friendly fracking engineer and shrinkologist. as Catastrophic Theatre regular Karina Pal Montaño-Bowers.)

    Geovator
    HMNS members will probably remember an older version of this simulator ride in the previous incarnation of the Hall. The completely revamped Geovator, a geological exploration/time traveling vessel, and its holographic host, Captain Mercaptan, take riders deep into the Earth and then back through time to the Cretaceous Period. After dodging pteranodons and witnessing the meteor strike that killed all the pteranodons, we got down to the business of seeing how hydrocarbons form.

    Wiess Hall 3.0 is now open. Entry to the permanent exhibition is included in a general admission ticket to the Houston Museum of Natural Science.

    Another beautiful day in Energy City, the 2,500-square-foot 3-D, 1/150th-scale “white model” of downtown Houston.

    HMNS Wiess Energy Hall-Energy City day
    Houston Museum of Natural Science Courtesy Photo
    Another beautiful day in Energy City, the 2,500-square-foot 3-D, 1/150th-scale “white model” of downtown Houston.
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    Movie Review

    Rose Byrne and star-laden cast try to beat the system in new movie Tow

    Alex Bentley
    Mar 23, 2026 | 3:00 pm
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast — both Spencer and DeBose are Oscar winners — makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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