CultureMap readers were duped. When the Houston Festival Foundation released a photo that hinted at the spotlight country for the 44th annual iFest, administrators purposely sent an image that was intended to be a red herring.
The photo showed a shirtless man with longish dark hair banging away at a percussion instrument, which was correctly identified as a mridanga, a two-sided terra cotta drum popular in the Indian regions of West Begal, Assam and Manipur. Commenters surmised that India was the final destination — or Austin, as one prankster proposed.
But the picture, a representative of iFest notes, reflected the native attire of Australia. To which we say: What attire?
The Houston Festival Foundation was surely playing shenanigans.
At a launch event at Booker-Lowe Gallery, executive director Kim Stoilis unveiled the official poster for next year's festival, set for the weekends of April 26 and May 4, 2014. Chairing the festival is arguably one of the most valuable Australian expats to the Bayou City, Houston Ballet artistic director Stanton Welch.
"2014 is the anniversary of Houston's Sister City relationship with Perth," Stoilis said in a statement. "We look forward to highlighting this relationship as well as the arts, culture and history of Australia overall."
Art used in the official poster for iFest, which will feature Australia.
As the rights and acceptance of the LGBTQ+ community have expanded over the past 50 or so years, one part of that group, transgender people, has found it more difficult to be considered a normal part of society. Every new instance of putting the story of a transgender person on screen, whether fictional or real, increases their exposure to those who might never have encountered them before.
That makes a documentary like Will & Harper (a title which seems to take inspiration from the groundbreaking TV series Will & Grace) valuable. The fact that the “Will” in the title is comedian/actor Will Ferrell helps, as he and longtime friend, Harper Steele, embark on a road trip across the United States soon after Harper reveals her transition from a man to a woman.
Harper, who met Will while they were both at Saturday Night Live in the late '90s/early 2000s, decided at the relatively older age of 59 that she could no longer pretend to be someone she wasn’t. The idea of the road trip – and of filming it – came about so that the friends could reconnect, learn more about each other given the momentous change, and do a lot of the things that Harper enjoyed doing by herself prior to her transition.
Director Josh Greenbaum and his crew attach a camera to the hood of Harper’s old Jeep Wagoneer to record her and Will's conversations as they traverse many states, starting in New York and heading west. Their connection to SNL means that many of the show’s current and former stars show up in one form or another along the way, including Tina Fey, Seth Meyers, Tim Meadows, Lorne Michaels, Molly Shannon, Kristen Wiig, and Will Forte, among others.
While their love and respect for Harper is obvious, Harper has trepidation over how strangers in middle America will react to her. The presence of Will (and the cameras) gives her perhaps easier acceptance than someone not traveling with a famous person, but there are still more than a few uncomfortable stops, particularly when they get to the South (Texas does not come off well, but surprisingly Oklahoma does).
Those scenes with everyday Americans are interesting (if occasionally a bit contrived), but the heart of the film is the friendship between Will and Harper. Their conversations range from silly to heartfelt, but there is a genuineness to them that can’t be faked. Harper invites Will to ask her any questions he has about her transition, resulting in insightful – and, often, funny – answers. Their friendship was clearly already strong, but it gets palpably stronger during the 17-day journey.
There are a lot of messages one could get from a film like this, but it’s notable for how apolitical it is. Will and Harper have encounters with Eric Holcomb, the Republican governor of Indiana, as well as a few people wearing MAGA hats, but their positions on transgender people goes unremarked upon. The friends gently correct people who mis-gender Harper, but they never express any animosity towards them. It’s a movie about exploration, with education as a side benefit.
While it might be too strong to say that Will & Harper is a world-changing film, it adds another layer to the story of transgender people as a whole. It also shows the unconditional love between two friends, a lesson that is heartening in divided times.
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Will & Harper is now playing in select theaters; it will debut on Netflix on September 27.