Marian Luntz, longtime head of the film and video program at the Museum of Fine Arts Houston and probably the most knowledgeable person in town about cinema history, was surprised by her mother the other day.
Helen Luntz, 87, noticed that a movie with Orson Welles’ name in its title (Me and Orson Welles) was playing at the museum as the opening night selection for the Cinema Arts Festival Houston. That jogged a memory for her, and, for the first time ever, she told her cinephile daughter that she had actually met the great man.
Marian was shocked, mostly because this was the first time she’d heard about it. Then she asked Helen how she’d come to meet him.
“My English teacher (in New York) took our class to see his play. What was the name of it? Oh yeah, Julius Caesar."
The teacher had taken her to see the very production that is the subject of Me and Orson Welles.
“Afterward he came over to talk to us,” Helen Luntz went on. “He was very nice, and very handsome.”
Just like Christian McCay, who portrays him so uncannily in the film.
Well, the handsome part, anyway.
Christian McCay, left, does an uncanny impression of the cinematic legend in "Me and Orson Welles."
Photo by Andrea Resmini / courtesy of Sony Pictures Classics
Steve Coogan in The Penguin Lessons.
The beauty of movies is that they can often expose a mass audience to stories that would otherwise be forgotten. The tale told in The Penguin Lessons is not that remarkable on the surface, but it holds a deeper meaning to it that the film demonstrates through its relaxed but insightful storytelling.
Set in Argentina just as President Isabel Martínez de Perón is being overthrown in 1976, it centers on Tom Michell (Steve Coogan), who arrives as the new English teacher at St. George’s, a school in Buenos Aires. His initial teaching style is, shall we say, lacking, as he shows little interest in making the boys in his class behave or learning the proper way to coach them in rugby.
When unrest related to the military coup forces the school to go on break, Tom travels to Uruguay for an unplanned vacation. An attempt at picking up a woman there instead leads to a discovery of an oil-covered penguin on a beach, which immediately bonds with him. Essentially forced to bring it back with him, the presence of the penguin at the school changes his teaching and much more.
Directed by Peter Cattaneo and adapted by Jeff Pope from the book by the real-life Michell, the film is a crowd-pleaser with political undertones. The character of Tom is a misanthrope, so it’s easy to predict early on that the penguin will not only thaw his somewhat frozen heart, but also open up his eyes to how he could be living his life in more meaningful ways.
But the inherent politics of the story changes the dynamics of the film. Tom strikes up a friendship with Maria (Vivian El Jaber) and Sofia (Alfonsina Carrocio), a grandmother and granddaughter who are housekeepers at the school, and when Sofia is kidnapped off the street for protesting against the new government, it alters the tone of the film considerably. The lighthearted nature that comes with the presence of the penguin is juxtaposed with much more serious situations, providing an interesting balance to the movie.
Of course, most of the charm of the film comes from how they use the penguin, and that aspect never gets old. There’s just something about seeing the (well-trained) penguin following Tom around, gobbling up fish fed to it by the students and others, or just standing benignly as multiple people pour out their feelings to it that brings a smile to your face. The filmmakers succeed in avoiding sappiness, proving genuinely heartfelt sentimentality instead.
Coogan’s career has featured a number of zany characters, but he plays this role with a good amount of subtlety. Even when Tom softens over time, Coogan keeps him stoic, which works well for both the character and the film. Jonathan Pryce gets a few good scenes as the school’s headmaster, but El Jaber winds up as the heart of the film as the bond between Maria and Tom evolves.
The Penguin Lessons is an easy watch with lots of superficial pleasurable elements. It’s not designed to be an ultra-dramatic story, but when it chooses to go down that road, it’s equally effective in those moments as it is when it just wants to show viewers a cute penguin.
