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    curtain call

    Longtime cult-favorite Houston movie theater permanently shutters

    Craig Lindsey
    Nov 9, 2020 | 4:22 pm
    AMC Studio 30
    The curtain has dropped on AMC Studio 30.
    AMCTheaters

    Sadly, it's time to pour out some concession-stand soda for one Houston's largest multiplexes.

    On November 9, the Houston Chronicle reported that AMC Studio 30 has officially, permanently closed. While the Chronicle notes that the closing has nothing to do with the pandemic shaking up both the movie business and the movie-exhibition business (the chain's lease ran out and the property owner reportedly has other plans), it still hasn't been the rosiest of times for the Kansas-based AMC Entertainment.

    A representative for AMC supplied CultureMap with the following statemtent:

    AMC continues to have constructive discussions with our landlords as we work together to effectively manage through this COVID crisis. This includes reaching a global agreement with EPR Properties, one of our most prominent landlord partners, which was executed on July 1, 2020. In conjunction with that agreement, EPR made certain rent concessions in exchange for other rights, including its ability to terminate up to seven leases. In conjunction with this agreement, AMC has ceased operations at six EPR-owned theatre locations nationwide. AMC Studio 30, which closed at the end of business on Sunday, November 8, is the only AMC in this area impacted as a result of this agreement. Any further questions about the future of this location should be directed to EPR Properties.

    AMC truly appreciates the support from its guests at AMC Studio 30, and we encourage moviegoers to continue enjoying the AMC experience at our other Houston-area AMCs.

    Last week, the Los Angeles Times reported that, even though AMC has reopened 539 locations (which is 90 percent of its movie houses) across the country, it still lost more than $900 million in the third quarter.

    Opened in the summer of 1997, the southwest Houston-based Studio was one of the prime locations for people in the city to not only see the latest, big-budget studio blockbusters, but indie and foreign films. (It was one of the few multiplexes in the city to catch Bollywood films.) For 14 years, it was also home to the WorldFest International Film Festival.

    Over the years, it did begin to get a rep for attracting both headlines and criticism (the place was catnip for Yelp cranks). In 2013, a Heat-style, armored-car heist took place right outside in the parking lot and, in 2017, a couple claimed that they were bitten by bed bugs after attending the theater.

    Nevertheless, local movie fans have been mourning on social media. On his Facebook page, Alamo Drafthouse Houston programming director Robert Saucedo wrote, "AMC 30 on Dunvale represented the best and worst that came with big multiplex cinemas, but I'm sorry to hear of its closing. The days of theaters with 30 screens are probably drawing to an end, but AMC filled a ton of its Dunvale location's screens with foreign and indie cinema."

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    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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