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    Houston Cinema Arts Festival 2012

    Iceberg Slim: Portrait of a Pimp takes an honest look at notorious hustler whoinfluenced Ice-T

    Joe Leydon
    Nov 9, 2012 | 10:26 pm
    • Robert Beck, the real Iceberg Slim and author of Pimp: The Story of My Life
      Hip Hop and Politics
    • Jorge Hinojosa and Ice-T
      Collider.com
    • Iceberg Slim
      Photo courtesy of Iceberg Slim: Portrait of a Pimp
    • Photo courtesy of Iceberg Slim: Portrait of a Pimp

    Blame it all on Ice-T. Twenty-eight years ago, at the very start of a professional relationship that has evolved into a beautiful friendship, the prolific rapper/actor/multimedia-multihyphenate made it clear to manager Jorge Hinojosa: If they were going to understand each other, Hinojosa would have to understand Iceberg Slim.

    “I started to read Iceberg Slim in high school,” Ice-T said. “His whole persona made up my character – the way I had my hair permed, and my mannerisms. Everybody has an influential person in their life, and I just picked up this cat because he was the coolest in the world.”

    So Hinojosa borrowed Ice-T’s well-worn copy of Pimp: The Story of My Life, Iceberg Slim’s breakthrough autobiography. And, as he recalls, his mind was blown.

    “I started to read Iceberg Slim in high school,” Ice-T said. “Everybody has an influential person in their life, and I just picked up this cat because he was the coolest in the world.”

    “Iceberg's writing was brutal and gritty — and at the same time beautifully poetic and lyrical,” Hinojosa says. “Iceberg bared his soul and exposed himself to be a cross between Mark Twain and Hannibal Lecter —brilliant, captivating and very dangerous.

    “The world he exposed me to in his book Pimp was cruel, tragic, oppressive, fascinating. And it was also the reality of the inner cities across America.”

    Hinojosa achieves the same level of unvarnished honesty in Iceberg Slim: Portrait of a Pimp, his mutilayered documentary about a multifaceted icon, which the Houston Cinema Arts Festival will screen at 9:15 p.m. Saturday at the Sundance Cinemas. It’s a labor-of-love effort that nonetheless offers a warts-and-all evaluation of its subject.

    And, not incidentally, it’s a portrait that earned a thumb’s up from one of Slim’s biggest fans: Ice-T (who just happens to be one of the film’s executive producers).

    For the benefit of those, like Hinojosa, who tuned in late: Iceberg Slim (real name: Robert Beck) spent his early days as a petty criminal, drug addict and badass pimp, drifting in and out of prison until hitting rock bottom in the early '60s during a lengthy stint in solitary confinement.

    He managed to turn his life around only when he began to draw upon his brutal and brutalizing experiences to author works —including Pimp, Trick Baby, Mama Black Widow and The Naked Soul of Iceberg Slim — that have been favorably compared with the literature of Ralph Ellison, James Baldwin and other chroniclers of the African-American experience.

    Slim’s checkered past “gnawed at him,” Hinojosa says. At the same time, however, “it was the fuel and inspiration for his books. It allowed him to expunge or confess who he was and what he saw and felt. His natural talent, which had no formal training, was the key to his transformation. It was also the inspiration for Ice-T and the millions of readers that have been rapt by his books. All of this played into what [my] movie explores and expresses.”

    “After finishing the last book, I realized that Iceberg’s writing had taken its toll on my outlook on life. I had become more suspicious and looked for the ‘game’ in everything," Hinojosa says.

    Throughout his Portrait, Hinojosa notes how Iceberg Slim was shaped by corrupting influences, including a treacherous mom, who coldly betrayed the one man Slim ever viewed as a father figure. But very much like Slim himself did in his writing, the movie stops well short of making excuses or rationalizations.

    Indeed, Portrait repeatedly emphasizes that although Pimp: The Story of My Life has been widely misinterpreted (more often than not, by its most fervent fans) as a celebration of thug life, Slim, who died in 1992, always claimed he wrote his autobiography as a cautionary fable about what he described as “my ghastly life.”

    What lessons did Hinojosa take from reading Pimp and Slim’s other books?

    “After finishing the last book,” Hinojosa says, “I realized that Iceberg’s writing had taken its toll on my outlook on life. I had become more suspicious and looked for the ‘game’ in everything.

    “Ice, being older than me, had not so unwittingly educated me on what I needed to know if I was going to be his manager. And for the last 28 years, I have put [that knowledge] to good use. I have been the guy that has been there since the beginning making sure his rap career was handled correctly, transitioning with him through all of his many creative endeavors -- rock musician, author, actor, public speaker and director.

    “This has been a role I have thoroughly enjoyed, and has defined me more than anything else.”

    Iceberg Slim: Portrait of Pimp cast Jorge Hinojosa in a different, arguably more demanding role: Documentarian. Hinojosa will be on hand to discuss how he rose to that particular challenge – and to tell the story behind the story of his telling Iceberg Slim’s story – when he appears for an on-stage Q&A following the 9:15 p.m. Saturday screening at Sundance Cinemas.

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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