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Houston Cinema Arts Festival 2012

Iceberg Slim: Portrait of a Pimp takes an honest look at notorious hustler whoinfluenced Ice-T

Joe Leydon
Nov 9, 2012 | 10:26 pm
  • Robert Beck, the real Iceberg Slim and author of Pimp: The Story of My Life
    Hip Hop and Politics
  • Jorge Hinojosa and Ice-T
    Collider.com
  • Iceberg Slim
    Photo courtesy of Iceberg Slim: Portrait of a Pimp
  • Photo courtesy of Iceberg Slim: Portrait of a Pimp

Blame it all on Ice-T. Twenty-eight years ago, at the very start of a professional relationship that has evolved into a beautiful friendship, the prolific rapper/actor/multimedia-multihyphenate made it clear to manager Jorge Hinojosa: If they were going to understand each other, Hinojosa would have to understand Iceberg Slim.

“I started to read Iceberg Slim in high school,” Ice-T said. “His whole persona made up my character – the way I had my hair permed, and my mannerisms. Everybody has an influential person in their life, and I just picked up this cat because he was the coolest in the world.”

So Hinojosa borrowed Ice-T’s well-worn copy of Pimp: The Story of My Life, Iceberg Slim’s breakthrough autobiography. And, as he recalls, his mind was blown.

“I started to read Iceberg Slim in high school,” Ice-T said. “Everybody has an influential person in their life, and I just picked up this cat because he was the coolest in the world.”

“Iceberg's writing was brutal and gritty — and at the same time beautifully poetic and lyrical,” Hinojosa says. “Iceberg bared his soul and exposed himself to be a cross between Mark Twain and Hannibal Lecter —brilliant, captivating and very dangerous.

“The world he exposed me to in his book Pimp was cruel, tragic, oppressive, fascinating. And it was also the reality of the inner cities across America.”

Hinojosa achieves the same level of unvarnished honesty in Iceberg Slim: Portrait of a Pimp, his mutilayered documentary about a multifaceted icon, which the Houston Cinema Arts Festival will screen at 9:15 p.m. Saturday at the Sundance Cinemas. It’s a labor-of-love effort that nonetheless offers a warts-and-all evaluation of its subject.

And, not incidentally, it’s a portrait that earned a thumb’s up from one of Slim’s biggest fans: Ice-T (who just happens to be one of the film’s executive producers).

For the benefit of those, like Hinojosa, who tuned in late: Iceberg Slim (real name: Robert Beck) spent his early days as a petty criminal, drug addict and badass pimp, drifting in and out of prison until hitting rock bottom in the early '60s during a lengthy stint in solitary confinement.

He managed to turn his life around only when he began to draw upon his brutal and brutalizing experiences to author works —including Pimp, Trick Baby, Mama Black Widow and The Naked Soul of Iceberg Slim — that have been favorably compared with the literature of Ralph Ellison, James Baldwin and other chroniclers of the African-American experience.

Slim’s checkered past “gnawed at him,” Hinojosa says. At the same time, however, “it was the fuel and inspiration for his books. It allowed him to expunge or confess who he was and what he saw and felt. His natural talent, which had no formal training, was the key to his transformation. It was also the inspiration for Ice-T and the millions of readers that have been rapt by his books. All of this played into what [my] movie explores and expresses.”

“After finishing the last book, I realized that Iceberg’s writing had taken its toll on my outlook on life. I had become more suspicious and looked for the ‘game’ in everything," Hinojosa says.

Throughout his Portrait, Hinojosa notes how Iceberg Slim was shaped by corrupting influences, including a treacherous mom, who coldly betrayed the one man Slim ever viewed as a father figure. But very much like Slim himself did in his writing, the movie stops well short of making excuses or rationalizations.

Indeed, Portrait repeatedly emphasizes that although Pimp: The Story of My Life has been widely misinterpreted (more often than not, by its most fervent fans) as a celebration of thug life, Slim, who died in 1992, always claimed he wrote his autobiography as a cautionary fable about what he described as “my ghastly life.”

What lessons did Hinojosa take from reading Pimp and Slim’s other books?

“After finishing the last book,” Hinojosa says, “I realized that Iceberg’s writing had taken its toll on my outlook on life. I had become more suspicious and looked for the ‘game’ in everything.

“Ice, being older than me, had not so unwittingly educated me on what I needed to know if I was going to be his manager. And for the last 28 years, I have put [that knowledge] to good use. I have been the guy that has been there since the beginning making sure his rap career was handled correctly, transitioning with him through all of his many creative endeavors -- rock musician, author, actor, public speaker and director.

“This has been a role I have thoroughly enjoyed, and has defined me more than anything else.”

Iceberg Slim: Portrait of Pimp cast Jorge Hinojosa in a different, arguably more demanding role: Documentarian. Hinojosa will be on hand to discuss how he rose to that particular challenge – and to tell the story behind the story of his telling Iceberg Slim’s story – when he appears for an on-stage Q&A following the 9:15 p.m. Saturday screening at Sundance Cinemas.

unspecified
news/entertainment

Movie Review

Despicable Me sequel Minions & Monsters keeps franchise's goofy vibe

Alex Bentley
Jun 30, 2026 | 4:00 pm
Henry and James in Minions & Monsters
Photo courtesy of Illumination & Universal Pictures
Henry and James in Minions & Monsters.

The Despicable Me franchise is one of the most enduring of the 21st century, now reaching its seventh film in the past 16 years with the release of Minions & Monsters. The Minions, which were originally mere sidekicks to the supervillain Gru, have now arguably become the face of the franchise, even more so when they get their own movie.

Minions & Monsters purports to give even more history for the little yellow pill-shaped beings who want nothing more than to serve bad guys. Instead of fan favorites like Kevin, Stuart, and Bob leading the way, this film features James, a Minion who can’t stop causing chaos, and his best friend, Henry (all Minions are voiced by series creator Pierre Coffin).

After a prologue showing the Minions teaming up with various baddies over centuries, the group shows up in early 20th century Hollywood, gaining attention from filmmakers like Max (Christoph Waltz) and producer brothers Frank and Edward (both voiced by Jeff Bridges). They quickly rise up the ranks, with adventures coming to involve actress Debbie (Zoey Deutch), robot Dort (Jesse Eisenberg), and a Cthulhu named Goomi (Trey Parker).

Co-directed by Coffin and Patrick Delage and co-written by Coffin and Brian Lynch, the film is the loosest one of the franchise to date, using a barely-there story as an excuse to have the Minions engage in as much mayhem as possible. The prologue is the most successful part of the film, as they meet a cyclops, wizard, bank robber, and more, with each sequence getting wilder and funnier.

The 90-minute film is just as interested in entertaining kids with its craziness as it is in giving adults references to early film history. Among the films and actors that get shout-outs are the first-ever movie, The Horse in Motion, Georges Méliès’ A Trip to the Moon, Charlie Chaplin, Buster Keaton, and more. Whether including those historical relics will have kids wanting to seek out the real deals is questionable, but at least it shows the filmmakers know they owe a debt to the greats of the past.

The second half of the film becomes less coherent as the Minions split into different factions. James, Henry, and a hard-of-hearing Minion named Ed go in one direction to make a monster movie, while a larger group led by their antagonist named Dick goes in another. There’s no real purpose to either side’s journey other than to serve up laughs through the Minionese language (which seems to lean toward Spanish, as one scene acknowledges) and their antics.

Anyone purposefully going to a Minions movie likely enjoys Coffin’s performance of each character, each of which is subtly different. The rest of the cast, while star-laden, never truly sounds like the actors portraying them, which is strange when you have distinctive voices like Waltz, Bridges, and Eisenberg. The only people who stand out are Allison Janney as the narrator, Bobby Moynihan, and a cameo by George Lucas.

While Minions & Monsters doesn’t offer up an overly compelling reason for existing, it’s also harmless fun that has the side benefit of exposing kids to bits of film history that they might not have known existed. It also tries something different from the tried-and-true format of previous films, and experimentation should be appreciated even if it’s not fully successful.

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Minions & Monsters opens in theaters on July 1.

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