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    He wrote about it in 1992

    Why all the outrage? Michael Caine euthanasia controversy is old news

    Joe Leydon
    Oct 10, 2010 | 4:58 pm

    In recent days, Sir Michael Caine has ignited a firestorm of controversy by telling a British radio interviewer that, back in 1955, as his 56-year-old father lay dying of liver cancer in a London hospital, he asked his dad’s doctor to cut short his suffering.

    “I was in such anguish over the pain he was in,” Caine told radio host Nick Ferrari in a taped interview that aired Saturday night, “that I said to this doctor, I said, 'Isn't there anything else you could... just give him an overdose and end this?’ Because I wanted him to go.

    "And he said, 'Oh, no, no, no, we couldn't do that.’ And then as I was leaving, he said, 'Come back at midnight'. I came back at midnight and my father died at five past twelve. So he'd done it."

    The Telegraph newspaper of Great Britain reported Saturday that, as news of Caine’s comments circulated in the British press prior to the radio broadcast, anti-euthanasia campaigners were quick to criticize the veteran actor. (In an on-line comments section, one angry Telegraph reader demanded that Caine be arrested, and his knighthood revoked.) And as the story continues to gain traction, the firestorm doubtless will spread worldwide as Caine’s words are disseminated through bloggers, newswires and websites.

    But here’s the really odd part: This is, quite literally, old news. Really: Caine wrote about his father’s suffering and death way back in 1992, in his best-selling autobiography titled What’s It All About? If you happen to have a paperback copy of the book on a shelf somewhere, take it down and turn to page 94:

    I visited my father for two days, during which time his condition deteriorated rapidly. He was in excruciating pain. I asked the doctor to increase my father’s drugs and he told me that a larger dose would kill him. I looked at him for a moment and said, ‘If this is living, can death be such a bad thing?’ He thought for a moment, then asked me to go away and come back at eleven o’clock that night. I was back there at eleven on the dot. Dad seemed to be much more comfortable now and I sat there holding his hand for an hour or two. He didn’t seem to know that I was there but occasionally he would squeeze my hand and I would squeeze back. The hospital is right opposite the Houses of Parliament, and I could see Big Ben across the river. Eventually it struck one o’clock, and as it did, my father’s eyes opened slightly and he whispered, ‘Good luck, son,’ and died.

    I told the doctor that he had gone and thanked him for all that he had done, and walked back down the corridor…”

    Even though I have never – thank God – been in a position similar to Caine’s, I was deeply and profoundly affected when I read this. So much so that, 10 years later, I made a special point of complimenting Caine – for his blunt-spoken honesty as well as his expertise as a wordsmith – when we briefly discussed the episode he had written about so movingly.

    We were in Austin at the time, while he was on location filming Second-Hand Lions, and I was interviewing him for the New York Daily News. Mind you, we did not spend a lot of time on this subject. Indeed, I wound up not referencing it at all in the article I eventually wrote, partly because it had nothing to do with the primary focus of the piece — the story was about the upcoming release of The Quiet American, and its possible reception in post-9/11 America —and partly because, well, his autobiography had come out a decade earlier, and I figured the story was, as I said, old news.

    But now Caine, inadvertently or otherwise, has invited closer scrutiny of the incident. And by doing so, he has made himself the target of criticism by those who feel what he did – or at least encouraged – is something on the order of mercy killing. Once again, it seems, the professionally outraged will have their say.

    And, yes, also once again, it seems the media will help fan the flames of the firestorm.

    Joe Leydon covers movies at MovingPictureBlog

    unspecified
    news/entertainment

    weekend event planner

    Here are the top 14 things to do in Houston this weekend

    Craig Lindsey
    Jan 21, 2026 | 6:30 pm
    Phil Rosenthal
    Photo courtesy of Phil Rosenthal/ Facebook
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    There are a lot of lovely events that you can check out this weekend, from a chef-driven dining event to a two-day wellness weekend to an art gallery’s 35th anniversary show to the start of an annual, Iranian film festival.

    The question is, will that arctic blast that’s supposed to happen keep people leaving their houses? Here’s hoping things aren’t cold enough to keep Houstonians from having a good time.

    Phil Rosenthal
    Photo courtesy of Phil Rosenthal/ Facebook

    Phil Rosenthal of Somebody Feed Phil will appear this Saturday at 713 Music Hall.

    Thursday, January 22

    Lucille’s Hospitality Group presents The LHG Experience Dinner
    This one-night, chef-driven dining event offers a five-course tasting menu with curated wine pairings that highlights the collective creativity behind Lucille’s Hospitality Group. The evening brings together chefs Chris Williams (Lucille’s), Sergio Hidalgo (Late August), and Jaden Gaines (Rado Market) for a collaborative menu that weaves together flavors, techniques, and cultural influences from each concept. 7 pm.

    Improv Houston presents Timmy No Brakes
    If there is one reason to watch/listen to that insufferable Kill Tony podcast/comedy show, it’s Timmy No Brakes. This guy is comedy’s most unhinged rising star (think Andrew Dice Clay if his toxic-masculinity shtick was actually self-parody). A Kill Tony viral menace and Golden Ticket winner, Timmy’s live shows are a collision of heterosexual character work, high-octane rants, and pure, uncut stupidity delivered with deranged confidence. 7:30 pm.

    Performing Arts Houston presents Chris Thile
    Four-time Grammy-winning mandolinist and songwriter Chris Thile has released eight albums in his career, most recently Laysongs in 2021. A founding member of the bands Punch Brothers and Nickel Creek, he’s also collaborated with artists ranging from Yo-Yo Ma to Fiona Apple to Brad Mehldau. For four years, he also hosted public radio favorite Live from Here with Chris Thile (formerly known as A Prairie Home Companion). This weekend, he’ll be in town sharing music from his career. 7:30 pm.

    Friday, January 23

    Sandbox VR Grand Opening
    Sandbox VR, the world's premier venue for virtual reality experiences, is set to open its newest location in Houston’s lively CityCentre district. Customers can choose from 10 different VR experiences, including the new Stranger Things experience, created in partnership with Netflix. Stranger Things: Catalyst allows fans to step inside the global phenomenon in an all-new immersive chapter that puts them at the heart of Hawkins’ darkest secrets. 10 am.

    Public Art of the University of Houston System presents Collage for a Cause
    Public Art of the University of Houston System, in partnership with Art for All Homes, will present Collage for a Cause, an evening of artmaking and giving back. Attendees can enjoy refreshments and create their very own collage based on a work in the Public Art collection. The collages will go to a meaningful cause, Art for All Homes, a nonprofit organization that collects donated artwork to distribute to individuals and families to create beauty in their homes. 5:30 pm.

    Houston Symphony presents "Marin Alsop Conducts Brahms 2"
    Conducting legend Marin Alsop unlocks the luminous jewel case that is Brahms’s Symphony No. 2. Overflowing with gorgeous melodies that melt the heart, it ends with a triumphant burst of pure joy. Love is the unifying thread in Bernstein’s Serenade (After Plato’s “Symposium”), performed with virtuosity by Concertmaster Yoonshin Song. An all-American first half opens with Barber’s heartfelt Second Essay for Orchestra. 7:30 pm (2 pm Sunday).

    Alley Theatre presents Real Women Have Curves
    Real Women Have Curves, a vivacious comedy which inspired the hit 2002 film starring a pre-Ugly Betty America Ferrera, follows five Latina women navigating the pressures of body image, immigration, and cultural expectations. As they work to meet an impossible deadline, the women reveal their hopes and struggles. Audiences can experience the warmth and laughter in the beauty of embracing who you are. Through Sunday, February 15. 8 pm (2 and 7 pm Sunday).

    Saturday, January 24

    Hotel Lucine presents Wellness Weekend
    Galveston’s beachside retreat Hotel Lucine is bringing a fresh dose of wellness-focused hospitality to the Gulf Coast with a rejuvenating weekend that invites both locals and hotel guests to unwind, recharge, and reconnect. Over two days, the boutique hotel will offer a series of seven curated sessions featuring yoga, pilates, breathwork, palm readings, and sound baths. With five sessions offered on the first day and two on the second, guests can dive into a single class or enjoy the entire lineup. 10 am.

    The Bridal Extravaganza Show
    Since 1983, the Bridal Extravaganza Show has been bringing brides and bridal businesses together. Catering exclusively to brides, grooms, and their families, the two-day festivities (held at downtown's George R. Brown Convention Center) is a one-stop-shop bringing Houston’s wedding vendors together in one location. Taste cakes, eat food, drink cocktails, shake hands with your photographer, DJ, and caterer. Plus, it’s a great way to find those unique details that steal the show at a reception. 11 am.

    Gallery Sonja Roesch presents 35th Anniversary Show
    Gallery Sonja Roesch will have a special show celebrating its 35th anniversary, showcasing works from various contemporary reductive and concept-based artists. The exhibition highlights the gallery's enduring vision and commitment to showcasing minimalist aesthetics since it was founded in Germany in 1991 and subsequently relocated to Houston in 1996. The show will feature a curated selection of artists whose work embodies the minimalist aesthetic the gallery has championed for over three decades. 6 pm.

    An Evening with Phil Rosenthal of Somebody Feed Phil
    Phil Rosenthal is the creator and executive producer of Netflix’s Somebody Feed Phil and the Emmy-winning Everybody Loves Raymond, as well as a New York Times bestselling author. Rosenthal will be in a moderated conversation, telling all the funny and true stories of his life, his television career, food, travel, friends, and family. The conversation will be followed by an audience Q&A. 7 pm.

    Sunday, January 25

    Nan and Company Properties presents Mats & Micheladas
    Wellness/lifestyle event Mats & Micheladas features a free pilates class led by Gustavo Matta, head coach at the Core Lab (participants should bring their own mats), along with complimentary micheladas for the first 25 attendees from Micheladas El Güero. Treats will also be available for purchase from Strawberry King. The event is open to the public and designed to create a welcoming, community-focused experience — especially for first-time homebuyers and the Latino community, though all are encouraged to attend. 10 am.

    Color Factory presents “New Year, New Hue” Night
    Interactive art experience Color Factory invites visitors to experience the joy of color, welcomes Houstonians to start off the new year with new energy and a fresh new hue. The location will feature a live aura reader immersed in the Factory’s colorful installations. Along with the Color Factory experience, attendees will receive complimentary aura photography to help them discover the unique energy they’re bringing into 2026. 4 pm.

    The Museum of Fine Arts, Houston presents It Was Just an Accident
    The 33rd annual Festival of Films from Iran kicks off with the latest from acclaimed Iranian filmmaker Jafar Panahi (The White Balloon). A mechanic is suddenly reminded of his time in an Iranian prison when he encounters a man he suspects to be his sadistic jailhouse captor. He gathers a few of his fellow ex-prisoners to confirm the man’s identity. Winner of the Palme d’Or at the 2025 Cannes Film Festival. 4 and 7 pm.

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