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    Practice Peek

    Behind closed doors: Ballet and Bubbles gives young professionals a rare insidelook at Houston Ballet

    Joel Luks
    Oct 5, 2011 | 1:15 pm
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com

    A slim extension of a dancer's port de bras refashions the movement's narrative quality distinctly. A slight hesitation leading up to a fouetté en tournant affixes a touch of yearning, one that makes audiences sigh with emotional relief. And an imperceptible bend of the cavalier's elbow changes a lift from impressive to magical.

    In ballet — classical and modern — it is the minute, almost inconspicuous details that morphs the beautiful into the sublime.

    At Ballet Barre's "Ballet and Bubbles" Tuesday night, the young professionals who love and support all things cultural gathered at the Houston Ballet Center for Dance to experience what happens behind closed doors during a customary rehearsal. In this rare occasion, Stanton Welch, Houston Ballet's artistic director, welcomed a throng of balletomanes to the Margaret Alkek Williams Dance Lab for a first hand study of how works are refined.

    While perfecting Pyotr Ilyich Tchaikovsky's Swan Lake Act II Pas de deux — scheduled to be performed at Jubilee of Dance on Dec. 2 — Welch added insightful commentary and engaged a house of 120 en vogue and curious guests.

    Ballerina and cavalier couples, Australian-born first soloist Danielle Rowe with Linnar Looris from Estonia and soloist Katharine Precourt with principal Jun Shuang Huang from Shanghai — donning a mixture of casual workout gear and tutus — shared their personal stories, struggles and triumphs.

    The inquisitive audience — which included newlyweds Derith and Dr. Darrell Cass, whose 11-year-old daughter Hannah is enrolled in the Academy — wasn't shy to ask meaty questions.

    When a patron inquired how to best support the arts in Houston, Welch simply suggested coming to and talking about the ballet.

    It is informative events such as "Ballet and Bubbles" that have raised the profile of Ballet Barre into one of the most successful young professionals groups in the Bayou City thanks to co-chairs Lindsey Brown and Kristy J. Bradshaw. It's not just about the social affairs but more appropriately finding connections to develop close ties with the people and dancers of the art form.

    Though we didn't mind the champagne courtesy of Roederer Estate and the Vietnamese shrimp balls on lemongrass sticks, pickled daikon-wrapped Korean-style beef stuffed with Kimchi and local pork pink peppercorn terrine via chef Chris Shepherd's latest venture, Underbelly, which hasn't even opened yet. Shepherd was also present to enjoy it all.

    And no ballet affair is complete without the dapper and soon-to-retire C.C. Conner and his signature whimsical bow tie and suspenders. Conner was joined by the newly appointed executive director James Nelson.

    In the corps were Estefannie de la Garza, sisters Ivette and Julia Mekdessi, Martha Rosas, Tausheli McClure, Josie Morgan, Melissa Lent, Patrick Raney, Karina and Carlos Barbieri, future Ballet Barre chair Christine Transier with her hubby Chris, Peter Franc, Chris Bradshaw, Mary Nichols, principal dancer Amy Fote, Naji Ghorayeb and soloist Jaquel Andrews, who became a part of Ballet Barre's steering committee while recovering from a broken tibia.

    That same day marked Andrews' first dance steps towards returning to the stage. That was another reason to celebrate.

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    Concert News

    Guitar gods Joe Satriani and Steve Vai to rock Houston on 2026 tour

    Alex Bentley
    Dec 10, 2025 | 9:33 am
    Joe Satriani and Steve Vai
    Photo by Jon Luini
    Joe Satriani and Steve Vai will play at the Music Hall at Fair Park on April 17, 2026.

    Legendary guitarists Joe Satriani and Steve Vai will bring their debut SATCHVAI Band tour to the United States for the first time, including a stop at the 713 Music Hall in Houston on April 16, 2026.

    The “Surfing with the Hydra” 2026 tour will travel to 37 cities over the course of two months, starting in Seattle, Washington on April 1.

    In addition to Houston, Satriani and Vai will also play in Dallas on April 17 and Austin on April 18. They'll be joined by special guest Animals As Leaders on all dates.

    The two guitar icons, who have a nearly 50-year friendship and musical partnership, formally joined forces as the SATCHVAI Band in March 2024. They subsequently put out two songs: "The Sea of Emotion, Pt. 1" and "I Wanna Play My Guitar."

    They're getting set to release another song, “Dancing,” which will come out on March 2, 2026.

    Both musicians have solo careers that date back to the 1980s. Satriani has released 18 albums in his career, most recently The Elephants of Mars in 2022. Vai has released 11 albums in his career, most recently Vai/Gash in 2023.

    Tickets for the tour will go on sale starting with the artist presale on Wednesday, December 10 at 10 am local time, which fans can access with the password SATCHVAI2026.

    Local presales follow on Thursday, December 11 prior to the general on-sale date of Friday, December 12. All ticket details are available at satchvaiband.com.

    SATCHVAI Band “Surfing with the Hydra” 2026 U.S. Tour

    • April 1 – Seattle, WA – Paramount Theatre
    • April 2 – Portland, OR – Arlene Schnitzer Concert Hall
    • April 4 – Oakland, CA – Fox Theater
    • April 5 – Reno, NV – Grand Sierra Resort and Casino
    • April 7 – Long Beach, CA – Long Beach Terrace Theater
    • April 8 – San Diego, CA – Cal Coast Credit Union Open Air Theatre
    • April 10 – Mesa, AZ – Mesa Amphitheatre
    • April 11 – Las Vegas, NV – The Theater at Virgin Hotels Las Vegas
    • April 14 – Denver, CO – Mission Ballroom
    • April 16 – Houston, TX – 713 Music Hall
    • April 17 – Dallas, TX – Music Hall at Fair Park
    • April 18 – Austin, TX – ACL Live at the Moody Theater
    • April 20 – Mobile, AL – Saenger Theatre
    • April 22 – Pompano Beach, FL – Pompano Beach Amphitheater
    • April 24 – Clearwater, FL – Baycare Sound
    • April 25 – St. Augustine, FL – St. Augustine Amphitheatre
    • April 26 – Orlando, FL – Hard Rock Live
    • April 27 – Atlanta, GA – Atlanta Symphony Hall
    • April 29 – Charlotte, NC – Ovens Auditorium
    • April 30 – Durham, NC – DPAC
    • May 2 – Minneapolis, MN – State Theatre
    • May 3 – Chicago, IL – Chicago Theatre
    • May 5 – Milwaukee, WI – The Riverside Theater
    • May 8 – Cincinnati, OH – PNC Pavillion at Riverbend Music Center
    • May 9 – Indianapolis, IN – Everwise Amphitheater at White River State Park
    • May 12 – Buffalo, NY – Kleinhans Music Hall
    • May 15 – Northfield, OH – MGM Northfield Park
    • May 16 – Rochester Hills, MI – Meadow Brook Amphitheatre
    • May 17 – Syracuse, NY – Landmark Theatre
    • May 20 – Boston, MA – Leader Bank Pavilion
    • May 21 – Albany, NY – Palace Theatre
    • May 22 – Waterbury, CT – Palace Theater
    • May 23 – Virginia Beach, VA – The Dome
    • May 27 – Reading, PA – Santander Performing Arts Center
    • May 28 – New York, NY – Beacon Theatre
    • May 29 – Atlantic City, NJ – Borgata Hotel Casino & Spa
    • May 30 – Vienna, VA – Wolf Trap
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