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    Movin' on up

    The Amazing Race, week two: Team Houston wants to sell Ghana some sunglasses

    Tarra Gaines
    Oct 3, 2010 | 11:04 pm
    • Mike Wu, left, and Kevin Wu
      Photo by John P. Filo/CBS
    • The participants in this season's "Amazing Race"
      Photo by John P. Filo/CBS

    The Great Wall of China, Stonehenge, Machu Picchu, the Sydney Opera House, the pyramids of Giza, a basketball court behind some nondescript houses in Sugar Land.

    These are the sights of the world shown in the opening credits of this season’s The Amazing Race. We owe that quick view suburban Houston architecture to Michael and Kevin Wu, YouTube celebrities and our home team on The Amazing Race.

    Last week we left Team Houston in a respectable seventh place at Eastnor Castle in England. They began this episode about an hour behind the first place team. Racing out of the castle grounds Kevin urged his dad to keep up and then we see a short clip from an interview that looks like it was shot here before the race. Michael worries that he’s going to slow the team down. The Amazing Editors are great believers in both foreshadowing and irony, so we know that at some point in the episode Michael is indeed going to slow the team down or he is going to succeed in a task so swiftly the team will pull ahead.

    Their seventh place beginning did not matter much because the teams are off to Accra, Ghana and there’s only one flight a day from England. Everyone is on the same flight, and once they land, it’s a free-for-all for the taxis. Their first major task of this leg is at Makola Market for one of Race’s familiar sell-something-to-the-locals challenges, in this case, sunglasses. Many of the other racers appear completely overwhelmed by the chaotic outdoor market, but Michael tells his son that, growing up in Taiwan, he’s not a stranger to this type of market. This is a roadblock task, so only one member of the team can attempt it and it’s Michael’s turn.

    This season gives us lots of pretty blond team members, and most of them are sent in to sell, sell, sell. It’s hard to tell if the Ghanaian market goers sense a genuine niceness about Michael or they simply trust him for quality sunglasses, but somehow he completes the task early. Only a Home Shopping Network host can sell faster. That’s not a metaphor. One team consists of two HSN hosts, and yet Michael sells almost as fast.

    From the market they hop a taxi to the detour, a choice between two tasks. In this episode the choice is “tune in” or “check out.” While the Amazing editors love foreshadowing and irony, The Amazing Race planners love a good bad puns. For “tune in,” the teams have to install television antennas in locals’ homes. In “check out,” they have to transport coffins to a coffin showroom. Team Houston picks “tune in,” which is a bit of a shame because it’s the coffins that are truly amazing. They are carved to reflect the spirit of the deceased and we get to see coffin fish, pianos and cameras.

    Houstonians don’t have to go to Ghana to see these works of coffin art because our own National Museum of Funeral History has a permanent exhibit of them.

    However, “tune in” appears to be the better choice for our team. They locate their client’s small house quickly. Michael goes up the ladder and installs the antenna on the tin roof. They manage to get a clear picture with only a little tinkering. The next time the cable goes out around here, we now all know who to call.

    Team Houston races to a the second market, Kaneshie, which host Phil Keoghan tells us is “one of the largest markets in all of west Africa.” Our guys run through the packed market to the finish mat, and a very nice lady, with a large bowl of fish on her head, welcomes them to Accra. Third!

    Irony also pulled ahead of foreshadowing, as we see how see how invaluable Michael was on this leg, and Kevin tells how he’s coming to see his father as an equal partner.

    From seventh to third, and the Texans won. Go teams Houston!

    unspecified
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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