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    Record-breaking

    Attendance, sales & interest in Latin American art increase at Houston Fine ArtFair

    Tyler Rudick
    Sep 23, 2012 | 10:20 am
    • The second annual HFAH drew more than 12,000 visitors, breaking last year'stotal of 10,500.
      Photo by © Dave Rossman 2012
    • Devorah Sperber, After Picasso, 2006, 5024 spools of thread, aluminum ballchain, clear acrylic spheres and steel stand, courtesy of Bentley Gallery,Scottsdale, Ariz.
      Photo by Julie Knutson
    • Susan Grossman, First Day for Coats, 2011, charcoal and pastel on paper,courtesy Jerald Melberg Gallery, Charlotte, N.C.
      Photo by Tyler Rudick
    • Marcus Egli, Groupes, aluminum, courtesy of Woolff Gallery, UK.
      Photo by Julie Knutson
    • Mie Olise, Taubane Centralen, 2012, oil and acrylic on canvas, courtesy ofBarbara Davis Gallery, Houston.
      Photo by Julie Knutson
    • Karin Waskiewicz, Contending Mass, 2012, acrylic on canvas, courtesy SchroederRomero & Shredder, N.Y.
      Photo by Julie Knutson
    • Karin Waskiewicz, Contending Mass (detail), 2012, acrylic on canvas, courtesySchroeder Romero & Shredder, N.Y.
      Photo by Julie Knutson
    • Houston artist Joseph Havel created a wall clothing labels for the Hiram ButlerGallery.
      Photo by Julie Knutson
    • Gabriel Dawe, Plexus C5, 2012, string installation, courtesy of Hempel Design,Houston.
      Photo by © Dave Rossman 2012

    Those who attended the bustling opening night party for the Houston Fine Art Fair won't be surprised to hear that the second annual art show broke last year's attendance numbers, starting with a whopping 3,000 on opening night.

    In its new digs at the Reliant Center, the HFAF for its duration squeezed in more than 12,000 art aficionados — an increase of roughly 2,000 attendees as compared to the fair's 2011 debut at the George R. Brown. This year's move to a slightly larger venue saw higher booth walls and wider interior avenues, easily absorbing the extra guests and improving the overall flow. A recent HFAF press release estimates that sales at Reliant reached well into the millions.

    "One of our major efforts in Houston is to try to expand the art market and I think that definitely happened this year at Reliant," noted fair organizer Rick Friedman.

    "We've received a lot of positive feedback about the new space," fair organizer Rick Friedman told CultureMap.

    "One of our major efforts in Houston is to try to expand the art market and I think that definitely happened this year at Reliant. There were about 25,000 people in the building last weekend for the Metropolitan Cooking Show and the Home and Garden Show. It was a great chance to have people walk by and discover some new art."

    Numberwise, the fair boasted 80 galleries from 12 countries and 34 cities. On display were more than 2,000 pieces of art from 500 nationally and internationally-recognized artists. A few phone calls around the Houston gallery world revealed rave reviews as far as sales were concerned.

    "The show ended up being a great opportunity for us to build our base of local collectors," said Zoya Tommy, who owns PG Contemporary in Midtown. "We're still a rather new gallery, so we were able to get a smaller 12-by-12 booth as part of the fair's Fahrenheit program for young galleries."

    After such a positive run, Tommy said she plans to attend the next Dallas Art Fair and has her sights set on Art Basel Miami Beach in the near future.

    "The show ended up being a great opportunity for us to build our base of local collectors," said Zoya Tommy, who owns PG Contemporary in Midtown.

    "This was our first time showing at the fair and we had a fantastic few days," said David Hardaker of the Avis Frank Gallery, which hosted a booth dedicated to the work of Houston artist Joseph Cohen. "I think every major collector and museum person in Houston came by our booth. We're still getting sales from the show, in fact."

    To coincide with the fair, Hardaker's gallery also mounted a successful show of work by Benito Heurta, the renowned Texas artist whose work was on display in Cheech Marin's HFAH booth of contemporary Latin American art.

    "This is one of the few shows in the country that shows a balance of art from all across the Americas . . . north and south," said Friedman. "Houston is emerging as a premier market for Latin American art and it's only getting stronger."

    unspecified
    news/entertainment

    Movie Review

    New movie Friendship pairs Tim Robinson and Paul Rudd in a bizarre bromance

    Alex Bentley
    May 16, 2025 | 3:30 pm
    Tim Robinson and Paul Rudd in Friendship
    Photo courtesy of A24
    Tim Robinson and Paul Rudd in Friendship.

    Comedian Tim Robinson has gained a cult following thanks to series like Detroiters and I Think You Should Leave, in which his brand of cringe comedy is on full display. The former Saturday Night Live writer/performer has had a few small movie roles over the years, but he’s now getting his first starring role in the off-kilter Friendship.

    Robinson plays Craig, a mild-mannered suburbanite with a wife, Tami (Kate Mara), and son, Steven (Jack Dylan Grazer). Craig has a boring life that involves little more than going to his middle manager job while wearing the same clothes day after day, anticipating the next Marvel movie, and helping Tami out with her at-home floral business.

    He gets a jolt of energy when Austin (Paul Rudd) moves into the neighborhood. The two men seem to hit it off, with Austin — a weatherman at a local TV channel — even taking Craig on a couple of impromptu adventures. But when Craig commits a couple of faux pas at a group gathering at Austin’s house, their bond starts to fracture.

    Even though the film is written and directed by Andrew DeYoung, it’s clear that Robinson had a big influence on the style of comedy it features. There are no big set pieces with a slew of jokes coming one after another. Instead, the film forces the audience to try to vibe with the very particular type of wavelength it’s giving off, one that could almost be called anti-comedy for the way the laughs come out of left field.

    The 100-minute film is full of random comedic moments, like Steven kissing Tami on the lips, Craig being obsessed with his plain brown clothes, a group sing-along, and more. More often than not, it’s the way Craig reacts to both normal and abnormal situations that gets the laughs. The character is needy and oblivious, two traits that combine to make many of his actions cringeworthy.

    Perhaps most importantly for this type of movie, many things in the story go unexplained or don’t make sense. Seemingly crucial elements are brought up only to fade away just as quickly, while other parts that appeared to be throwaway sections get callbacks later in the film. DeYoung and Robinson are determined to keep the audience on their toes the entire time, never knowing what to expect next.

    Robinson has the perfect face for a story like this, one that’s bland enough to blend into the background but memorable enough to sell the jokes. His demeanor is also excellent, never becoming too expressive, even when he gets angry. With long hair, a mustache, and a certain swagger, Rudd is a great complement to Robinson. Only in a film like this would an everyman like Rudd be considered the suave and cool one.

    There will be some that will see Friendship and come away wondering what the hell they just watched. But anyone who goes in knowing that they’re about to witness a comedy that challenges their sensibilities will likely have a great time.

    ---

    Friendship is now playing in select theaters.

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