No matter how many times Luther Vandross and Janet Jackson sang "The Best Things in Life are Free," surely they didn't take into consideration that love needs diamonds, romance needs roses and that sex needs wine — and that most of us don't believe sentimental nonsense such as this coming from celebs that are rolling in the dough.
But here's something you can believe in, and it's free.
Free Night Houston is making a comeback. Set for Oct. 5 through 21, the Houston Arts Alliance (HAA) is in the midst of organizing a two-week fest during which anyone can sign up to sample what's artsy around the Houston region — at no cost.
HAA invites any type of performing organization looking to attract new audiences to participate in Free Night Houston. The initiative strives to "ignite interest and create awareness about the variety of performing arts organizations in the Greater Houston area." What started in Austin, Philadelphia and San Francisco in 2005, in partnership with Theatre Communications Group, has now reached 120 metro centers, more than 700 theaters and performing venues, and has introduced 65,000 art consumers to local, national and international talent.
Organizations hoping to participate in Free Night Houston should contact HAA programs & services coordinator Janel Badrina for more info.
Performing art junkies hoping to grab a free ticket need to sit tight just a bit longer while all the details are being sorted out. Though if you do score some tickets, remember that if you enjoy what you see, there's nothing stopping you from donating what you would have spent on that evening back to the groups that keep Houston's creative economy going.
Actor Jimmy Stewart, thanks to movies such as Mr. Smith Goes to Washington, The Shop Around the Corner, and The Philadelphia Story, had the reputation early in his career as the everyman in Hollywood, someone to whom most audiences could relate. That became even more true when Stewart entered the military during World War II, a period that is explored in the new biopic, Jimmy.
The film was co-produced with Fort Worth-based Papaian Studios and received a red-carpet premiere as part of the Lone Star Film Festival on Wednesday, November 4. Stewart had several ties to Fort Worth, which were celebrated at the event.
Stewart (KJ Apa) was riding high in 1941, coming off his first (and only) Oscar win for The Philadelphia Story. As depicted in the film, his life is upended when he receives a military draft notice as the U.S. prepares for war. He’s determined to serve, but people like studio head Louis B. Mayer (Jason Alexander) try to talk him out of it. Already an experienced pilot, he eventually joins the war in Europe, flying the B-24 bomber.
Despite his celebrity status, Stewart requests to be treated the same as any other soldier, which means flying multiple missions over enemy territory. He moves up the ranks, becoming a leader tasked with, among other things, reporting the deaths of service members to their families. He also starts a friendship that develops into a romance with Lady Julia (Kara Killmer), giving him a distraction from the horrors of war.
Directed by Aaron Burns and written by Justin Strawhand, the film has the clear goal of being a hagiography for Stewart, showing all of his good qualities and few of his bad ones. In fact, the character of Stewart is harder on himself than the actual movie is, chastising himself over the deaths of fellow soldiers that he likely could not have prevented. The filmmakers go to great lengths to show how good and well-respected Stewart was, something that may well be true, but doesn’t make for great drama.
The bulk of the film features Stewart at war, following him and others as they fly multiple missions and commiserate over the price of combat. The sequences are fine, but the film’s budget does not appear to be high, and so the CGI needed to recreate the scenes is noticeably subpar. Because Burns and Strawhand usually keep to surface-level storytelling and don’t go deep on any character besides Stewart, his time at war is engaging but slight.
The film is bookended by Stewart and Frank Capra (Max Casella) making It’s a Wonderful Life, Stewart’s first film after coming back from war. It’s here where the movie becomes most interesting as Stewart, still affected by his war experience, struggles to bring the character of George Bailey to life. The behind-the-scenes look at the film-within-the-film and the recreations of its iconic scenes are catnip for anyone who knows/loves the Christmas classic.
Apa, best known for starring as Archie on the TV show Riverdale, does extremely well as Stewart. He nails Stewart’s quavering voice and the way he ambles about plays right into the actor’s established persona. Casella and Killmer get the most play in supporting roles, and each does solid work as characters trying to understand Stewart. Alexander, Sarah Drew as Hedda Hopper, and Rob Riggle as a colonel each go a little too big in their respective parts.
Jimmy is probably best watched as an approximation of the man Stewart was in the 1940s, not as something that’s completely true to life. The film elides or stretches the truth on multiple occasions, which is par for the course in biopics. It could have used some stronger storytelling to make Stewart feel like a real person, not merely a replica of the famous actor.
