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    Music Matters

    Under-the-radar Arctic Monkeys still trying to figure out how to make it inAmerica

    Michael D. Clark
    Aug 3, 2011 | 6:30 am

    How under-the-radar have British indie rock sensations Arctic Monkeys flown since hitting pay dirt with 2005 debut single, "I Bet You Look Good on the Dancefloor," from debut album, Whatever People Say I Am, That's What I'm Not ?

    As I was prepping to write this story I was all prepared to prattle on about how the group had avoided the dreaded sophomore slump. I was going to advise the quartet not to fall into the trap of making songs on new album Suck It And See sound like cut-rate copies of past single successes in effort to re-captialize on that success (in other words, don't pull a Smashmouth).

    Then I started doing some research and realized that Suck It And See was the fourth album by the Arctic Monkeys!

    Huh? How did that happen?

    While the Arctic Monkeys have done a steady business across the pond with quick, jangly hits like "Leave Before the Lights Come On," "Brainstorm" and "Flourescent Adolescent," they have made less of a mark on the American charts than Rebecca Black did with that silly "It's Friday" ditty.

    The last time I heard from lead singer Alex Turner and the rest of the Monkeys they were the toast of SXSW in Austin back in 2006. (Wow, it doesn't seem that long ago.) Since then the band has released a second album, Favourite Worst Nightmare (2007), and a third album Humbug (2009) before the June release of Suck It And See.

    At first I assumed I had fallen down on my journalistic duties. How could these British darlings release two albums without so much as making a blip on the radar of a guy who follows music for a living? Then I started looking at the charts and realized that the key word in that question was British.

    While the Arctic Monkeys have done a steady business across the pond with quick, jangly hits like "Leave Before the Lights Come On," "Brainstorm" and "Flourescent Adolescent," they have made less of a mark on the American charts than Rebecca Black did with that silly "It's Friday" ditty. Of their 10 singles from their first three albums, the best showing on the U.S. Billboard Hot 100 charts is No. 114.

    These same singles were regularly racing to Top 10 position on the British charts which harkens back to a time before the Internet and TV when England would find out about bands like The Kinks and the Rolling Stones a year before the U.S. teenagers had a clue.

    It also means that either the Arctic Monkeys are a great band and that U.S. indie-rock listeners have tin ears, or that the Arctic Monkeys (and their PR handlers) haven't figured out a way to penetrate this market. With that in mind, I would like to propose a new strategy for them: Get heard.

    The only thing worse than plagiarizing your own singles for Smashmouth-like deja vu is not being heard at all. If you have to make another "I Hope You Look Good On The Dancefloor," so be it. And if you have to play that song three times during the show at the House of Blues on Wednesday to keep momentum... do it.

    Suck It And See is a good start. Not only is it the greatest album title of the year so far, but the American entertainment morality police are sticking covers over the title in certain markets to ensure that every kid is drawn to it like its a forbidden cigarette or one of dad's "Don't touch those!" beers in the fridge.

    Now all that's left is to land a hit with new singles "Don't Sit Down 'Cause I've Moved Your Chair" or "The Hellcat Spangled Shalalala."

    Arctic Monkeys, Wednesday 8 p.m. at House of Blues

    Tickets: $22.50-$38.00
    unspecified
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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