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    Music Matters

    Under-the-radar Arctic Monkeys still trying to figure out how to make it inAmerica

    Michael D. Clark
    Aug 3, 2011 | 6:30 am

    How under-the-radar have British indie rock sensations Arctic Monkeys flown since hitting pay dirt with 2005 debut single, "I Bet You Look Good on the Dancefloor," from debut album, Whatever People Say I Am, That's What I'm Not ?

    As I was prepping to write this story I was all prepared to prattle on about how the group had avoided the dreaded sophomore slump. I was going to advise the quartet not to fall into the trap of making songs on new album Suck It And See sound like cut-rate copies of past single successes in effort to re-captialize on that success (in other words, don't pull a Smashmouth).

    Then I started doing some research and realized that Suck It And See was the fourth album by the Arctic Monkeys!

    Huh? How did that happen?

    While the Arctic Monkeys have done a steady business across the pond with quick, jangly hits like "Leave Before the Lights Come On," "Brainstorm" and "Flourescent Adolescent," they have made less of a mark on the American charts than Rebecca Black did with that silly "It's Friday" ditty.

    The last time I heard from lead singer Alex Turner and the rest of the Monkeys they were the toast of SXSW in Austin back in 2006. (Wow, it doesn't seem that long ago.) Since then the band has released a second album, Favourite Worst Nightmare (2007), and a third album Humbug (2009) before the June release of Suck It And See.

    At first I assumed I had fallen down on my journalistic duties. How could these British darlings release two albums without so much as making a blip on the radar of a guy who follows music for a living? Then I started looking at the charts and realized that the key word in that question was British.

    While the Arctic Monkeys have done a steady business across the pond with quick, jangly hits like "Leave Before the Lights Come On," "Brainstorm" and "Flourescent Adolescent," they have made less of a mark on the American charts than Rebecca Black did with that silly "It's Friday" ditty. Of their 10 singles from their first three albums, the best showing on the U.S. Billboard Hot 100 charts is No. 114.

    These same singles were regularly racing to Top 10 position on the British charts which harkens back to a time before the Internet and TV when England would find out about bands like The Kinks and the Rolling Stones a year before the U.S. teenagers had a clue.

    It also means that either the Arctic Monkeys are a great band and that U.S. indie-rock listeners have tin ears, or that the Arctic Monkeys (and their PR handlers) haven't figured out a way to penetrate this market. With that in mind, I would like to propose a new strategy for them: Get heard.

    The only thing worse than plagiarizing your own singles for Smashmouth-like deja vu is not being heard at all. If you have to make another "I Hope You Look Good On The Dancefloor," so be it. And if you have to play that song three times during the show at the House of Blues on Wednesday to keep momentum... do it.

    Suck It And See is a good start. Not only is it the greatest album title of the year so far, but the American entertainment morality police are sticking covers over the title in certain markets to ensure that every kid is drawn to it like its a forbidden cigarette or one of dad's "Don't touch those!" beers in the fridge.

    Now all that's left is to land a hit with new singles "Don't Sit Down 'Cause I've Moved Your Chair" or "The Hellcat Spangled Shalalala."

    Arctic Monkeys, Wednesday 8 p.m. at House of Blues

    Tickets: $22.50-$38.00
    unspecified
    news/entertainment

    Movie Review

    Star-filled pickleball comedy The Dink aces on Apple TV+

    Alex Bentley
    Jul 27, 2026 | 9:15 am
    Mary Steenburgen and Jake Johnson in The Dink
    Photo courtesy of Apple TV+
    Mary Steenburgen and Jake Johnson in The Dink.

    While the sport of pickleball was invented way back in the 1960s, it has exploded in popularity in the 2020s. It was only a matter of time before someone figured out a way to make a movie about the craze, and a comedy like the new Apple TV film The Dink provides the best way to honor and make fun of the divisive sport at the same time.

    Dusty Boyd (Jake Johnson), aka The Hammer, is a former tennis phenom who’s now working as an instructor at a club owned by his dad, Chuck (Ed Harris). While the two don’t always see eye-to-eye, they have a mutual hatred for pickleball, which they have begrudgingly allowed on the property by giving it the worst court.

    Dusty is hoping to stop all future pickleball expansion by winning a one-on-one grudge match, but when he injures his wrist, he’s given a prescription of pickleball as a form of rehab. Older women like Candace (Mary Steenburgen) are the only people he can find to play with, and despite his disdain for the sport, he soon falls prey to its low-key charms.

    Directed by Josh Greenbaum (Will & Harper) and written by Sean Clements, the film is probably the best advertisement pickleball will ever have. Dusty’s introduction to the sport serves as a lighthearted tutorial for the uninitiated while still getting in some nice digs at its expense. The other players — Candace, Gail (Cleo King), and Judy (Lynn Marie Stewart) — are equally welcoming and critical of Dusty, who initially has trouble adjusting to the game’s different rules.

    The film’s approach to the story is silly but never stupid. Dusty is a blowhard, but he’s also able to admit when he’s wrong, especially when Candace introduces him to multiple things he had never considered before. A long-standing feud between Dusty and Andy Roddick provides more than just a goofy cameo for the real-life tennis star. The film also pushes right to the edge of being over-the-top before pulling back, allowing it to keep a semblance of reality to it.

    Clements’ story follows a tried-and-true formula, making the film very predictable but enjoyably so. Where it earns its comedy credentials is in its finer details, like Dusty’s love for his 1999 Buick LeSabre with under 200,000 miles on it, his trunk full of old VHS tapes, or his interactions with his assistant PJ (Aaron Chen), who manages to be the comic relief in an already funny film.

    Johnson, probably best known for starring in the sitcom New Girl in the 2010s, has the right amount of smarm and niceness to pull off the role, letting viewers laugh at and root for him at the same time. The film is full of comedy all-stars in small roles like Oswalt, Chris Parnell, and Ben Stiller, but Harris steals everyone’s thunder. The line readings by the four-time Oscar nominee give an extra punch to his character’s jokes, especially one that hints at the sordid history of the tennis club.

    It’s a shame that The Dink is only playing on a streaming service as there’s a dearth of good comedies like this in movie theaters. With a solid joke-telling approach, a respect for its subject matter, and a cast who all play off each other well, this is a film that deserves to be seen by more than just those with an Apple TV subscription.

    ---

    The Dink is now streaming on Apple TV.

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