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    Beyoncé and Jay Z mix it up

    Insider's guide to summer's biggest concert: Beyoncé and slimmed-down Jay Z mix it up in tour opener

    Patrick Ryan
    Jun 26, 2014 | 2:24 pm

    MIAMI — Unfortunately my travel schedule meant I will be unable to attend the Beyoncé and Jay-Z "On The Run" tour stop in Houston on July 18. Fortunately, however, my work schedule had me in Florida for the tour's opening night at Sun Life Stadium. Here is what fans can expect when the show comes to Houston:

    Playlist: A delicate balance

    I'll be candid, having seen Jay-Z, my favorite artist, five times already (with three of those shows being from the fourth row or better), I set my expectations for seeing him in a gigantic football stadium very low. Furthermore I was concerned with how the show would flow having to mesh the two different musical styles of him and his wife.

    My attitude greatly improved four songs in when it was apparent that Jay and Bey would be alternating songs.

    The show started to fail my already low expectations by starting late (due to stormy weather), the heat, and the fact security wasn't policing people from filling the aisles and standing on seats that weren't their own. But my attitude greatly improved four songs in when it was apparent that Jay and Bey would be alternating songs.

    I won't spoil the specifics of the order of the songs (Google it if you must) I was very pleased with how they balanced one another's hits by alternating every couple of songs and making cameos when applicable on each other's tracks.

    The highlight for me was "Holy Grail," which Jay-Z originally recorded last summer with touring partner Justin Timberlake. Well, Beyoncé stole his verses and made the song hers. Their interaction all night was great but especially so during this song. I'm glad to know that I was fortunate enough to witness the first time they performed this song for an audience.

    Wardrobe: Dual style icons

    By regularly taking turns on the stage, it enabled both performers to have more wardrobe changes than usual. While I'm not quite the fashionista I will say that Beyoncé's look was impressive and I'm sure will be fodder for the many fashion bloggers. I am guessing almost all of her outfits were created or inspired by high designers such as Versace and Alexander McQueen. (Editor's note: You're right about Versace.)

    Jay Z changed his look multiple times and incorporated a leather jacket, a nylon pullover, a sleeveless hoodie, a football jersey and a few fashion forward T-shirts.

    Regarding Jay Z, I knew he was going to stick to black and white. What was refreshing this time is that he changed his look multiple times and incorporated a leather jacket, a nylon pullover, a sleeveless hoodie, a football jersey and a few fashion-forward T-shirts.

    Jay-Z has always been a trendsetter when it comes to hip hop accessorizing and therefore I'm glad he ditched the played-out Cuban link chain and alternated between wearing multiple (as in six at a time) diamond necklaces and wearing at other times a simple single gold chain.

    He borrowed a play from Pharrell and wore an old school style felt hat at one point. That choice was then countered by a "trapstar" SnapBack, which is obviously much more in line with street culture.

    I was also glad to see him ditch his black Timberlands at one point for a pair of Air Jordan XII's ( aka "taxis").

    Performance: Athletic prowess

    The first thing I noticed about Jay was that he looked trimmer than usual. He clearly slimmed down to be sure he could physical handle the rigors of an outdoor summer tour. He did not disappoint and was not once winded, unlike times during his multi-night residency to open the Barclays Center in Brooklyn two years ago.

    Beyoncé was, as expected, in perfect shape and her dedication to her body paid off as her choreography, despite the heat, was phenomenal. To be honest, her performance was one of the most athletic feats I have witnessed in person.

    Stage design: Basic look, great speakers

    The stage was very basic, so while tour sponsor Live Nation saved money there, they more than made up for it by having very high-quality speakers and video screens. I was impressed by the sound quality considering we were in a football stadium. I therefore imagine the sound in Minute Maid, especially if the roof is closed, will be great.

    I imagine the sound in Minute Maid, especially if the roof is closed, will be great.

    There was a break every few songs, where they would show clips from the faux "On the Run" movie that this tour was based on. At first I thought this was corny, especially when compared to the heavily symbolic visuals Jay Z and Kanye employed during their "Watch The Throne" tour.

    But eventually these vignettes won me over because they did blend together well and provided entertainment while giving the performers ample time to rest and change wardrobe.

    Be sure to do some research beforehand on "symbols of the illuminati" because these clips definitely won't dispel rumors of Beyoncé and Jay's ties to that secret society that allegedly controls our economy, media, and government.

    Merchandise: Creative misses

    This was probably the most disappointing aspect of this concert experience. We all expect the shirts, hats and other various items to be overpriced, but I just didn't see any creative designs or "can't miss" merchandise. I did pick up a tour branded do-rag to help me manage the sweat I was dealing with because of Miami's humidity. It was beyond stifling — and that's saying something coming from a Houstonian.

    Seating recommendation: Join the club

    Due to the number of VIPs the tour needed to accommodate, the floor seating chart was greatly altered. Meaning some fans bought tickets they thought would be closer to the stage or more center than they actually were. That coupled with the fact that the floor became a free-for-all by the second song and people were standing on chairs and not in their assigned seats, it is hard to justify spending a lot of money on floor seats.

    That coupled with the fact that the floor became a free-for-all by the second song and people were standing on chairs and not in their assigned seats, it is hard to justify spending a lot of money on floor seats.

    I recommend getting club level seats so as to ensure you have great access to concessions, restrooms and the bar. This will provide a good angle plus a comfortable setting to enjoy the show at a more reasonable price.

    That being said, there is a "VIP" general admission pit section which was actually on a special platform right in front of the stage and above the floor. If you can score these tickets you have a chance at touching Beyoncé as she interacted with fans in this area a few times.

    Unique to Miami: A nightclub in the stadium

    Sun Life Stadium has a nightclub inside its confines and in my experience these types of premium areas can be really hit or miss. While I'm skeptical of the need for such accommodations during a football game, the club was the perfect place to hang out and people watch both before and after the show. Does this set-up make sense in every venue? No. But in a city like Miami it was perfect.

    Final take

    Beyoncé is definitely the headliner as the screams were always louder for her. However she and Jay balanced one another perfectly and ultimate the concert was a good experience for a fan of either. This show is worth seeing so long as you stay within a reasonable ticket budget and have realistic expectations about your view because the tour is in stadiums and not more intimate arenas.

    As co-owner of The Ticket Experience, Patrick Ryan sees a lot of top concerts and sporting events.

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    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


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    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

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