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    King of Pop's Headline Hogging

    Forgotten again: Michael Jackson gets his death anniversary remembrance, butwhat about Farrah Fawcett?

    Sarah Rufca
    Jun 25, 2010 | 3:01 pm
    • It's the one-year anniversary of Farrah Fawcett's death too.
    • Michael Jackson is still a showman success in death.

    Posthumous fame is is a bittersweet blessing, at best. What good are centuries of adulation for a Keats or Van Gogh when they died as failures, penniless and alone?

    Nevertheless it's interesting to see what were the same-day deaths of two entertainment icons, Farrah Fawcett and Michael Jackson, leave the public perceptions of the stars a year to the day after their passing.

    In the years immediately before his death, Jackson was more infamous than famous. With his musical successes largely behind him, Jackson's bizarre behavior and child molestation trial dominated headlines. His financial problems forced the closure of his Neverland ranch before he announced a series of 50 comeback concerts to be performed in London.

    Farrah Fawcett, a Texas girl before she shot to on-screen and pinup fame in the 1970s, also had her share of tabloid fodder in later years, from a loopy appearance on Letterman to the drug problems of her long-time partner Ryan O'Neal and their son Redmond O'Neal.

    But with her original cancer diagnosis in 2006, Fawcett's image changed from faded star to an icon in danger. As her condition worsened, the media's focus on her life only intensified, leading to a documentary, Farrah's Story, showing an unfiltered view of her fight with the disease. The original airing in May 2009 attracted nine million viewers.

    But Farrah's death on the morning of June 25, 2009, was quickly overshadowed by reports of the unexpected demise of Jackson the same afternoon. Media outlets aired specials on her life, but many were delayed or shared with Jackson. In the so-called Summer of Death, Fawcett quickly became one loss out of many.

    Fawcett fans were upset when Farrah (along with other television stars like Bea Arthur and Ed McMahon) was excluded from the "In Memoriam" reel at the Academy Awards in March 2010. On the anniversary of her death, Fawcett's friend Alana Stewart had a ribbon cutting ceremony for The Farrah Fawcett Foundation. CBS News covered the event and anniversary with the headline "Farrah Fawcett: Remember Her?"

    By contrast, in death Michael Jackson became more famous and more beloved than he had been in decades. Within a day of his death, Jackson held seven of the top 10 spots on iTunes and dominated radio airplay. Los Angeles essentially shut down for Jackson's musical memorial at the Staples Center. His birthday in August inspired massive tributes around the world — including in Mexico City, where 14,000 people dancing to "Thriller" broke the world record.

    This Is It, the concert film made out of rehearsals for Jackson's planned concert series, grossed $260 million worldwide and the accompanying album sold 378,000 copies in its first week in America and was the third-highest seller globally in 2009.

    Future projects in the works include a Cirque de Soleil show featuring Jackson's songs, a singing and dancing video game and more greatest hits albums. His estate has gone from being $500 million in debt at the time of his death to earning $1 billion in the year since.

    And today, people around the globe are lighting candles for Michael Jackson and his grave outside of Los Angeles is a trendy place to be seen. Farrah Fawcett's friend needed to make sure there was a celebration of her life.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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