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    A Bleak House

    Anna Nicole Smith case finally laid to rest: How it affects her 4-year-olddaughter

    Caroline Gallay
    Jun 24, 2011 | 4:17 pm
    • Anna Nicole Smith
    • Dannielynn Smith-Birkhead with father Larry Birkhead
      Photo by Right/Fame Pictures
    • J. Howard Marshall and Anna Nicole Smith

    The Supreme Court case over the estate of late oil tycoon J. Howard Marshall II has finally come to a close.

    Playboy playmate Anna Nicole Smith's estate has been locked in litigation with the Marshall estate ever since the billionaire died in 1995 a year after marrying Smith, although she was not included in the will.

    Smith fought Marshall's son Pierce Marshall for years before both parties died, he in 2006 and she, tragically, in 2007.

    Chief Justice John G. Roberts compared the case to Bleak House, the Charles Dickens' novel about a never-ending lawsuit.

    The crux of the case in recent years (Smith was awarded $475 million in damages in 2000 after losing an earlier case in probate court) has been over whether the Texas probate court or the California federal bankruptcy court had authority over the case.

    In its second and final trip to the Supreme Court, the court found that Smith's sole heir, her now 4-year-old daughter Dannielynn Birkhead, is not entitled to any of her former husband's $1.6 billion estate. Smith's most recent judgment had reduced the damages, but still awarded her estate more than $89 million.

    Although the decision doesn't affect any of the now-deceased original parties, it does carry implications for bankruptcy litigation, whose constitutional limits were curtailed by Roberts' major opinion.

    unspecified
    news/entertainment

    hoop it up

    Houston festival hosts dramatic reading of basketball-inspired TV show

    Craig D. Lindsey
    Nov 6, 2025 | 5:00 pm
    cinema arts festival hoopztown reading
    Photo by Trent Wittenbach
    Hoopzdreams tells the story of a gifted, multiracial athelete.

    This year’s Houston Cinema Arts Festival (HCAF), which starts this Thursday, November 6, offers plenty of film screenings – both feature-length films and shorts – as well as panel discussions, Q&As, workshops, etc. But the fest will also have a staged reading of the TV pilot Hoopztown, this Saturday at 2 pm at Six Foot Studios.

    Hoopztown centers around Maya Hernandez, a gifted, multiracial athlete on track to be considered for the inaugural WNBA in 1996. She moves back to her hometown of Houston, where it’s revealed that her mother, a janitor at Houston Medical Center, is diagnosed with cancer.

    The project is created and written by Fleurette S. Fernando, an educator, director, choreographer, arts administrator, and founding director of the M.A. in Arts Leadership Program at University of Houston, where she serves as an associate professor. “I wrote this story for the women in my life; my mother, my sisters, my teachers, my colleagues, my girlfriends, my students and particularly for my daughter,” says Fernando. “Her journey as a student athlete and the relationships she built with the girls on her various teams through the turbulent and magical years of her youth was an inspiration.”

    hoopztown Fleurette S. Fernando Elizabeth Sosa Bailey Collaborators Elizabeth Sosa Bailey and Fleurette S. Fernando.Courtesy of Elizabeth Sosa Bailey

    Hoopztown has gone through multiple iterations. During the 2015 ATX TV Festival Pitch Competition, Fernando was a finalist for her concept of the project. From there, the pilot (originally titled Hoopz) and loglines for a 10-episode run were put into motion. That first episode, titled “Rebound,” focuses on Maya’s first day at her new job, coaching a girls’ basketball team at a racially and socioeconomically diverse high school.

    “Hoopztown is an ode to a woman’s journey through the lens of many races, ages and circumstances,” she says. “It’s a tribute to the underdog and a homage to a woman’s perilous path through a man’s world. Nowhere is this struggle more acutely demonstrated, mentally, emotionally, physically and economically, than in the arena of competitive sports in America.”

    Since Fernando and her creative partner, Elizabeth Sosa Bailey, are both active members of

    the Houston Cinema Arts Society (HCAS) board, they knew they had to do a reading during this year’s fest.

    “There is so much of myself that I see in this story, as someone who left a career to return home when my father was diagnosed with cancer and as a mixed race Latina understanding the duality of identity,” says Sosa Bailey. “Even the high school that Hoopztown is set in is much like my own. I attended Lamar High School, making me about a decade younger than the characters in the story. There are all of these wonderful little coincidences in Hoopztown.”

    The project is a beneficiary of its second Houston Arts Alliance grant made possible through the

    City of Houston Mayors Office of Cultural Affairs (MOCA). The reading cast includes over 20 actors, with Eva Marie Thomas playing the main role. Open to the public with a Pay What You Can ticket structure, the event invites the audience to experience the first run-through of what is slated to be the first episode, filmed in Houston using local cast and crew. The audience can also provide feedback and contribute to the project’s fundraising initiative to get to the next stage of filming.

    For tickets, go to the Houston Cinema Arts Festival website.

    performing-artstvfestivals
    news/entertainment
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