Dannielynn Smith-Birkhead with father Larry Birkhead
Photo by Right/Fame Pictures
J. Howard Marshall and Anna Nicole Smith
The Supreme Court case over the estate of late oil tycoon J. Howard Marshall II has finally come to a close.
Playboy playmate Anna Nicole Smith's estate has been locked in litigation with the Marshall estate ever since the billionaire died in 1995 a year after marrying Smith, although she was not included in the will.
Smith fought Marshall's son Pierce Marshall for years before both parties died, he in 2006 and she, tragically, in 2007.
Chief Justice John G. Roberts compared the case to Bleak House, the Charles Dickens' novel about a never-ending lawsuit.
The crux of the case in recent years (Smith was awarded $475 million in damages in 2000 after losing an earlier case in probate court) has been over whether the Texas probate court or the California federal bankruptcy court had authority over the case.
In its second and final trip to the Supreme Court, the court found that Smith's sole heir, her now 4-year-old daughter Dannielynn Birkhead, is not entitled to any of her former husband's $1.6 billion estate. Smith's most recent judgment had reduced the damages, but still awarded her estate more than $89 million.
Although the decision doesn't affect any of the now-deceased original parties, it does carry implications for bankruptcy litigation, whose constitutional limits were curtailed by Roberts' major opinion.
Halle Bailey and Regé-Jean Page in You, Me & Tuscany.
The romantic comedy has become an endangered species in movie theaters, as most of those that are released these days go to streamers like Netflix. While there have been a few recent successful rom-coms in theaters, they are few and far between. All of which is to say that a movie like the new You, Me & Tuscany faces an uphill battle before it’s even released.
Halle Bailey (The Little Mermaid) stars as Anna, a former culinary school student who’s struggling in the wake of her mother's death. When she has a chance meeting with an Italian man named Matteo (Lorenzo de Moor) in New York, her dream of going to the Italian region of Tuscany is reignited. Using her last $500 and a plane ticket her mom bought her, she makes her way to Italy looking for an adventure.
With nowhere to stay and knowing Matteo’s villa is unoccupied, she finds a key and makes herself at home. When she finds an engagement ring soon before she’s discovered by Matteo’s family, she decides to pretend to be his fiancée. The more time she spends with them, the bigger the lie becomes, especially when she starts falling for Matteo’s adopted brother, Michael (Regé-Jean Page).
Directed by Kat Coiro and written by husband-and-wife team Ryan and Kristin Engle, the film at times feels like it’s not even trying to be good. While the set-up of the premise is okay, the story quickly turns into an eye-rolling mess when Anna shows up in Italy. Not one bit of the character’s story is believable, and even though Michael catches her in an early lie, every member of the family accepts her at face value despite the abundant red flags.
Of course, many rom-coms are not based in reality, and the filmmakers lean into the genre’s tropes, almost as if they were saying, “We know this makes no sense - just roll with it!” Surprisingly, the gambit works for the most part, as the odd pairing of an American woman, an English-Italian man, and his fully Italian family is enjoyable despite the many groan-worthy moments they produce. The sweet way in which the family brings in a woman still going through grief almost balances out the shoddy way in which the story is told.
Naturally, there are precisely zero surprises about where the plot is heading, as Anna and Michael grow closer despite knowing they should resist the other. Strangely, though, the filmmakers don’t go all-in on the budding relationship, choosing to slow-roll things save for one notable sexy scene in a vineyard. Coiro and the Engles play up the family aspect as much as the romance aspect, and that choice allows the film to survive for longer than it should have.
Bailey, a singer-turned-actor, has not yet found her stride on the acting side of things. Her line deliveries are often stilted and her timing is off in key moments. This doesn’t help her chemistry with older Page, who seems to be getting by on vibes and looks alone. The most enjoyable actors in the film are all Italian, including Marco Calvani, Isabella Ferrari, and Paolo Sassanelli.
There are glimpses of a fully successful film in You, Me & Tuscany, enough to keep it watchable for its entire 104-minute running time. But then they have the Italian grandmother say a gobsmacking line like “If you wanna tap-a that ass, you should tap-a that ass,” and you remember exactly what type of film you’re watching.