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    Porcines & sex tapes

    Aftershocks: Dina departs and Real Housewives of New Jersey might as well bedead

    Joseph Campana
    Theodore Bale
    Jun 15, 2010 | 11:01 am
    • Dina Manzo exited Real Housewives of New Jersey in a huff.
    • It's time for a new cast photo for the ladies of New Jersey.

    “Look at Danielle!” Teresa shouts during an afternoon trip to a nearby farm and petting zoo.

    The camera pans a pumpkin-lined road. But just beyond the haystacks, the real Danielle is nowhere to be found. Instead, the muddy snouts of two pigs sniff at the camera.

    This week’s episode of The Real Housewives of New Jersey had a decidedly porcine theme.

    As Teresa and company laugh it up at the Positano Restaurant and Pizzeria, Danielle entertains her crew of Sex and the City-wannabes with tales of her fight with Dina. “She’s a disgusting pig,” Danielle declares between bites.

    There was more consternation over Ashley’s new boyfriend Derek, who at this point really isn’t new. It’s depressing to watch him strive for acceptance week after week. Please, can’t we all just get along and let Derek fade into the scenery?

    Jacqueline says that her sour-faced husband Chris is being cautious and protective, but we think he’s just plain dull. Does he resent the carefree excitement of the young lovers?

    Derek may not be ready for Chris’s poker night. Gathering supplies at the pork store, Albie asks Chris, “Should we initiate him, or get rid of him?”And the pig metaphors continue when Jacqueline explains in her video diary that sometimes the guys “hogtie” a new initiate.

    The game hardly goes as planned. Jacqueline sets up her video baby monitor to spy on the gents in between serving platters of prosciutto and salami. The men complain that she could have at least cooked something.

    Upstairs, Jacqueline likens her daughter to a fat relative, and Ashley returns to the poker game to pout. In one of the most odious scenes of the season, Chris pulls Ashley’s lower lip with his dirty thumb and tells her to shut her mouth.

    If anyone’s the pig in this episode, it’s Chris, but when Ashley calls mom, a 12-year-old, Jacqueline physically throws her out of the house. “Bitch,” Ashley mutters as she leaves.

    Derek is left in a decidedly awkward situation: Stay with the men and suffer their stupid pranks (they substitute vinegar for an allegedly vintage wine) or stand by his gal. He chooses the former.

    Meanwhile, just as we think poor Derek might be hogtied in Chris’ man-cave, Jacqueline asks Steve to step out for a word. Remember Steve, Danielle’s daily BJ beau from season one? Jacqueline chastises him for secretly taping his lovemaking sessions with Danielle.

    Apparently last June Danielle tried to prevent the tape’s release, but according to recent reports there’s more to see of Danielle than ever.

    Still, Jacqueline isn’t comfortable with Steve in her house. Teresa’s more pragmatic: “That’s what boys do.” Even Jacqueline confesses, “Of course I’ve made one, but I taped over it.” Steve, however, clarifies saying that Danielle made the videos by herself and sent them to his phone.

    We weren’t quite falling for it when the renewed talk of the sex-tape scandal left Danielle feeling less than her sexy usual self. And we laughed when she abandoned her form-fitting dresses for baggy sweatshirts — at least for one take.

    What’s a girl to do in the mean streets of Franklin Lakes but assemble her crew and escape to the “Squeeze Lounge” in Weehawken, where the stripper poles are “higher” than she remembered from her dancing days in the '80s.

    Really, strip-tease is a form of exercise, Danielle reminds us. Better yet, it builds self-esteem. “I’m all about empowering women,” she says. And Danielle needs her power back.

    Don’t get us wrong-we loved it when Sheree from The Real Housewives of Atlanta hired two strippers with portable poles to teach her friends some moves. But we don’t think Danielle represents an intriguing new wave of feminism: “This is what worked on the father of my children,” she asserts.

    After Danielle shows them how to “suggest” then “reveal,” the wives and slimy Danny and his buds throw dollar bills at her feet. She says wistfully that people used to throw “$20s, $50s, and $100s.”

    Perhaps Danielle is empowered. Suffering under the weight of Danielle’s craziness, Dina’s finally decides to leave the show.

    Dina, we’ll miss you. What will we do without New Jersey’s most glamorous and sophisticated housewife?

    With so many pigs around, we’ll even miss your cat, Grandma Wrinkles.

    unspecified
    news/entertainment

    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


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    A post shared by RODEOHOUSTON (@rodeohouston)


    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

    rodeohoustonconcert reviewlizzo
    news/entertainment

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