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    Those kids today

    Aftershocks: Ashley turning into Real Housewives of New Jersey's fearlessFacebook enforcer

    Joseph Campana
    Theodore Bale
    Jun 8, 2010 | 9:27 am
    • Not surprisingly, Caroline is a big fan of Ashley's bold moves.
    • The drama between the ladies is going surprisingly low volume.

    Ding-dong, the witch is displaced.

    After all her histrionics last week at The Brownstone baby benefit, we thought it might be time for the notorious Danielle to be crowned queen of the vast ocean of Real Housewives drama.

    And while previews of her eagerly anticipated face-off with spiritual shopper Dina suggested another battle of epic proportions on The Real Housewives of New Jersey, this week it was instead Jacqueline’s 18-year-old daughter Ashley who seized the sword from the stone.

    Recklessly texting and social networking like a champion, she was the one who figuratively kicked ass and took names. And laughed it off when the even the Manzo clan thought she might have gone too far.

    Ashley, we applaud you while standing in ovation. We admit we were a little hard on you in past weeks. We apologize for joking that you couldn't remember whether or not you are going to college (you're not).

    Your boyfriend Derek provoked a few jibes as well, but now we notice his respectful demeanor toward you and your family, and even his cautionary wisdom. He's turned out to be cute and nice. Forgive us: We knew not what we did.

    We worried that maybe you were just another rebel without a cause, but the most recent episode teaches us otherwise. "Go ahead, get a restraining order!" Ashley exclaims at a sudden meeting with her Mom and Teresa at the Bottagra. "That would be great! I’d like to get one first!" she adds with a smirk.

    But the women want her to cool it online, even if Ashley boasts later to Derek that she's got 3,000 people interested in her "I hate Danielle Staub" web page. The women are no longer enjoying their soup when Ashley chuckles about her Internet crusade.

    In her video diary, Caroline is happy. “Ashley can drive you crazy, but she tells the truth,” Caroline admits with a warm smile. Later Ashley expresses her frustration, saying, “None of my family is saying anything to her, but my temper makes me feel like somebody should.”

    The slings and arrows of outrageous fortune flew with hurricane-force on this fast-paced episode. Maybe Franklin Lakes needs its own anti-defamation league?

    Jacqueline dubbed Danielle a rageaholic: “She turns into the Exorcist!” she says in amazement. Jacqueline, have you been reading CultureMap? Did you bookmark “Aftershocks”? We dubbed Danielle a Linda Blair-wannabe weeks ago!

    Kim “G” joins the chorus of housewives who object to Danielle’s new bodyguard and ex-con Danny having called Caroline’s son Christopher a “gay slur.” Danielle, a self-described “gay advocate” won’t condemn Danny, however. What’s the big deal anyway? “He wasn’t calling a gay man a faggot,” she explains. Oh, we feel so much better!

    Ashley’s defense of the Manzo clan elicits a harsh response from Danielle, who also threatens the call the police. Danielle, always the keen historian, calls this behavior “terroristic …nothing short of the KKK.”

    Gia, in a black beret and pounding the pavement to another audition, gets called on the carpet by both her agent and her new dialect coach for sounding "too Jersey." If she doesn't want to lose another chance to be in a film with Christian Slater, it’s no more “dawgs” and “cawfee.”

    Albie says his father used to be a “fat ass” while the camera pans his mom and dad browsing at the butcher shop.

    There may be no way to clean up the language in Franklin Lake, but at least Danielle can clean up a couple ex-cons. Despite her constant claims of poverty, she still has plenty to buy a new suit for bodyguard Danny. She requests pinstripes at the store, explaining to the clerk that they are “Italian.”

    Danielle has to remind Danny to use the dressing room to try on the shirt. She reminisces about their shared penal history but beams with pride at his new image: “He looks so different!” Sure, now the bars are on his clothes.

    This happy shopping spree is interrupted by a call from Dina, who invites Danielle out to Chakra for a drink. A mysterious piano rift, not unlike “Theme from The Exorcist” plays as both Dina and Danielle prepare for the rendezvous.

    Alas, this fight began with more spiritual mumbo jumbo before descending into shushing. What we’re left with is the visuals--Dina composed, Danielle haggard — and a lame Bravo cliffhanger.

    Fortunately, the best words were not saved for last. Ashley may not have actually threatened to kill anyone, but when Danielle told her she was fat, she had had enough.

    “She should fix her square tit… she looks like The Grinch.”

    You tell her, Ashley.

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    Movie Review

    New horror movie Faces of Death puts a modern twist on cult classic

    Alex Bentley
    Apr 10, 2026 | 4:00 pm
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy — in which content creators go to increasing lengths for clicks — is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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