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    High School Musicals

    TUTS' Tommy Tune Awards sends students on the road to stardom with Oscar-worthycelebration

    Joel Luks
    Apr 16, 2012 | 12:11 pm
    • The 10th annual Tommy Tune Awards for excellence in high school musicals isaround the corner, set for 7:30 p.m. Tuesday.
      Photo by Bruce Bennett
    • Amid performances by nominated troupes and mashups of students hoping to garnertitles, one of the 15 crystal trophies isn't what high schoolers are hoping totake home. Pictured here are the 2011 Best Featured Performer, Leading andSupporting Actors.
      Photo by Bruce Bennett
    • What they want is one of the coveted eight scholarships. The 2011 scholarshipwinners pose with TUTS CEO and president John Breckenridge.
      Photo by Bruce Bennett
    • New this year is a grand opening number and a 10th anniversary lithographsketched by Tune, who will serve also as presenter.
      Photo by Bruce Bennett

    It isn't prom but it feels like it. It isn't a pep rally though the high-decibel cheers may indicate otherwise. It isn't Broadway but there's glam, excitement and plenty of jazz hands.

    Sure, the recent news that Kristin Chenoweth and Jim Parsons are set to co-host Tony nomination announcements in May would encourage any musical theater junkie to break out in an endless kick-ball-change sequence.

    But the electric energy of high schools students on their way to Theatre Under the Stars this week — akin to a massive flash mob dance invading Hobby Center for the Performing Arts — give the professional awards ceremony a run for its money.

    Move over Tonys: The 10th Annual Tommy Tune Awards for excellence in high school musicals is around the corner, set for 7:30 p.m. Tuesday.

    The glossy red carpet affair is everything musical theater should be for the 500 students on stage, the 300 behind the scenes and the 2,000 or so fans cheering in the audience. Amid performances by nominated troupes and mashups of students hoping to garner titles, one of the 15 crystal trophies isn't what high schoolers are hoping to take home.

    "I wanted to make Houston proud. But when I got there, I was surrounded by wonderful, supportive and passionate people so instead, I left with 49 very close friends."

    What they want is one of the coveted eight scholarships — one at $5,000 and seven at $3,000 — to further their education in or outside the arts, plus a chaperoned all-expenses-paid trip to New York City to partake in the national Jimmy Awards, reserved for the first-prize winning leading actors and actresses from 25 cities.

    Winning stories

    Sixteen-year-old Episcopal High School junior Mia Gerachis earned top accolades last year for her role as the Baker's Wife in Stephen Sondheim's Into the Woods.

    "The character of the Baker's Wife doesn't have your normal 11 o'clock numbers," Gerachis explained, referring to the all-out musical number that traditionally closes a Broadway show. "I was initially intimated by the role, wasn't sure how to make her stand out as she's very humble.

    "But once I saw the audience's reaction, I thought maybe I did produce art this time. Maybe it was her character or maybe I found something different to say. The show made me grow as an artist, but more importantly, as a person."

    Gerachis' six days in New York weren't what she initially expected.

    "I went into it thinking of it as a competition," she says. "I wanted to make Houston proud. But when I got there, I was surrounded by wonderful, supportive and passionate people, so instead, I left with 49 very close friends."

    She plans to participate in Carnegie Mellon's School of Drama pre-college summer program, which consists of a daily regiment of classes to prepare her for college and a career in musical theater or film.

    For Stephanie Gibson and Josh Brener, who took top prizes in the first Houston Tommy Tune in 2002, the experience was a step in climbing the show biz ladder. Gibson was in the national tour of A Chorus Line and Happy Days and covered a major role in Spamalot and The Addams Family on Broadway. Brener graduated from Harvard, studied at the American Repertory Theater and appeared on Glory Daze, Glee, The Big Bang Theory and House of Lies.

    "When I am playing a role and when I'm totally going full out, because I am on stage, I change. My confidence has grown tremendously."

    "Whenever we enter into discussions about the program, we remind ourselves that it isn't about the trophy," Bob Lawson, TUTS director of administration and education, explains. "It's about what's best for the kids."

    For some, musical theater and the event helped overcome personal obstacles. Such was the case for Jacob Khalil, who won Best Supporting Actor last year.

    "I used to be kind of shy as I have a few speaking problems and a stutter," Khalil told ABC 13's Don Nelson in a backstage interview. "When I am playing a role and when I'm totally going full out, because I am on stage, I change. My confidence has grown tremendously."

    How it all works

    The event has come a long way since its inception 10 years ago. When TUTS was moving into the Hobby Center in 2002, there was a desire to expand the company's mission to impact the community through education. They looked at programs in other cities and built on them to create somthing unique. Today, companies in Raleigh, Dallas, Atlanta and Charlotte are looking at TUTS' strategy in preparing to launch their own awards.

    Invitations are sent out to more than 150 public and private high schools in nine counties including Austin, Brazoria, Chambers, Fort Bend, Galveston, Harris, Liberty, Montgomery and Waller.

    Qualifying schools are accepted on a first-come, first-served basis, with the only criteria being that they must stage a musical within the judging period, between October and March. Katy, Klein and Clear Creek independent school districts consistently show strong interest.

    We want people to know that they can see great theater in their own communities, whether that is with us or in Katy, The Woodlands or Klein or anywhere in Houston

    This year, 44 schools participated, with 154 nominations in 15 categories and 44 potential scholarship recipients.

    An army of judges made up of working industry professionals and theater educators volunteer their time — give up their lives, Lawson says — to scramble from production to production while keeping a tight lip on the progress. They assess 1) the nominees' natural ability and 2) whether smart production choices were made in relation to allocated budget.

    Final evaluations are tabulated into worksheets, audited and verified by Ernst & Young — it's all serious business. Once it's all said and done, the judges' notes are sent to the schools to provide critical, yet helpful, feedback.

    Final price tag? The complete bash, including administrative costs and scholarships, adds up to $150,000. While a significant amount, TUTS officials believe it's a worthwhile way to engage the community and the response has been overwhelming.

    In the end

    The concluding awards gala, this year hosted by Jim Bernhard and Ayana Mack, is akin to mounting another performance. New to the awards ceremony is a grand opening number and a 10th anniversary lithograph sketched by Tune, who will serve also as the presenter.

    "The event is about musical theater awareness," Geneva Cisneros, TUTS assistant manager of education, says. "We want people to know that they can see great theater in their own communities, whether that is with us or in Katy, The Woodlands or Klein or anywhere in Houston."

    The 10th Annual Tommy Tunes Award is set for 7:30 p.m. Tuesday at Hobby Center for the Performing Arts. Tickets start at $24 and can be purchased online or by calling 713-558-8887.

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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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