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    High School Musicals

    TUTS' Tommy Tune Awards sends students on the road to stardom with Oscar-worthycelebration

    Joel Luks
    Apr 16, 2012 | 12:11 pm
    • The 10th annual Tommy Tune Awards for excellence in high school musicals isaround the corner, set for 7:30 p.m. Tuesday.
      Photo by Bruce Bennett
    • Amid performances by nominated troupes and mashups of students hoping to garnertitles, one of the 15 crystal trophies isn't what high schoolers are hoping totake home. Pictured here are the 2011 Best Featured Performer, Leading andSupporting Actors.
      Photo by Bruce Bennett
    • What they want is one of the coveted eight scholarships. The 2011 scholarshipwinners pose with TUTS CEO and president John Breckenridge.
      Photo by Bruce Bennett
    • New this year is a grand opening number and a 10th anniversary lithographsketched by Tune, who will serve also as presenter.
      Photo by Bruce Bennett

    It isn't prom but it feels like it. It isn't a pep rally though the high-decibel cheers may indicate otherwise. It isn't Broadway but there's glam, excitement and plenty of jazz hands.

    Sure, the recent news that Kristin Chenoweth and Jim Parsons are set to co-host Tony nomination announcements in May would encourage any musical theater junkie to break out in an endless kick-ball-change sequence.

    But the electric energy of high schools students on their way to Theatre Under the Stars this week — akin to a massive flash mob dance invading Hobby Center for the Performing Arts — give the professional awards ceremony a run for its money.

    Move over Tonys: The 10th Annual Tommy Tune Awards for excellence in high school musicals is around the corner, set for 7:30 p.m. Tuesday.

    The glossy red carpet affair is everything musical theater should be for the 500 students on stage, the 300 behind the scenes and the 2,000 or so fans cheering in the audience. Amid performances by nominated troupes and mashups of students hoping to garner titles, one of the 15 crystal trophies isn't what high schoolers are hoping to take home.

    "I wanted to make Houston proud. But when I got there, I was surrounded by wonderful, supportive and passionate people so instead, I left with 49 very close friends."

    What they want is one of the coveted eight scholarships — one at $5,000 and seven at $3,000 — to further their education in or outside the arts, plus a chaperoned all-expenses-paid trip to New York City to partake in the national Jimmy Awards, reserved for the first-prize winning leading actors and actresses from 25 cities.

    Winning stories

    Sixteen-year-old Episcopal High School junior Mia Gerachis earned top accolades last year for her role as the Baker's Wife in Stephen Sondheim's Into the Woods.

    "The character of the Baker's Wife doesn't have your normal 11 o'clock numbers," Gerachis explained, referring to the all-out musical number that traditionally closes a Broadway show. "I was initially intimated by the role, wasn't sure how to make her stand out as she's very humble.

    "But once I saw the audience's reaction, I thought maybe I did produce art this time. Maybe it was her character or maybe I found something different to say. The show made me grow as an artist, but more importantly, as a person."

    Gerachis' six days in New York weren't what she initially expected.

    "I went into it thinking of it as a competition," she says. "I wanted to make Houston proud. But when I got there, I was surrounded by wonderful, supportive and passionate people, so instead, I left with 49 very close friends."

    She plans to participate in Carnegie Mellon's School of Drama pre-college summer program, which consists of a daily regiment of classes to prepare her for college and a career in musical theater or film.

    For Stephanie Gibson and Josh Brener, who took top prizes in the first Houston Tommy Tune in 2002, the experience was a step in climbing the show biz ladder. Gibson was in the national tour of A Chorus Line and Happy Days and covered a major role in Spamalot and The Addams Family on Broadway. Brener graduated from Harvard, studied at the American Repertory Theater and appeared on Glory Daze, Glee, The Big Bang Theory and House of Lies.

    "When I am playing a role and when I'm totally going full out, because I am on stage, I change. My confidence has grown tremendously."

    "Whenever we enter into discussions about the program, we remind ourselves that it isn't about the trophy," Bob Lawson, TUTS director of administration and education, explains. "It's about what's best for the kids."

    For some, musical theater and the event helped overcome personal obstacles. Such was the case for Jacob Khalil, who won Best Supporting Actor last year.

    "I used to be kind of shy as I have a few speaking problems and a stutter," Khalil told ABC 13's Don Nelson in a backstage interview. "When I am playing a role and when I'm totally going full out, because I am on stage, I change. My confidence has grown tremendously."

    How it all works

    The event has come a long way since its inception 10 years ago. When TUTS was moving into the Hobby Center in 2002, there was a desire to expand the company's mission to impact the community through education. They looked at programs in other cities and built on them to create somthing unique. Today, companies in Raleigh, Dallas, Atlanta and Charlotte are looking at TUTS' strategy in preparing to launch their own awards.

    Invitations are sent out to more than 150 public and private high schools in nine counties including Austin, Brazoria, Chambers, Fort Bend, Galveston, Harris, Liberty, Montgomery and Waller.

    Qualifying schools are accepted on a first-come, first-served basis, with the only criteria being that they must stage a musical within the judging period, between October and March. Katy, Klein and Clear Creek independent school districts consistently show strong interest.

    We want people to know that they can see great theater in their own communities, whether that is with us or in Katy, The Woodlands or Klein or anywhere in Houston

    This year, 44 schools participated, with 154 nominations in 15 categories and 44 potential scholarship recipients.

    An army of judges made up of working industry professionals and theater educators volunteer their time — give up their lives, Lawson says — to scramble from production to production while keeping a tight lip on the progress. They assess 1) the nominees' natural ability and 2) whether smart production choices were made in relation to allocated budget.

    Final evaluations are tabulated into worksheets, audited and verified by Ernst & Young — it's all serious business. Once it's all said and done, the judges' notes are sent to the schools to provide critical, yet helpful, feedback.

    Final price tag? The complete bash, including administrative costs and scholarships, adds up to $150,000. While a significant amount, TUTS officials believe it's a worthwhile way to engage the community and the response has been overwhelming.

    In the end

    The concluding awards gala, this year hosted by Jim Bernhard and Ayana Mack, is akin to mounting another performance. New to the awards ceremony is a grand opening number and a 10th anniversary lithograph sketched by Tune, who will serve also as the presenter.

    "The event is about musical theater awareness," Geneva Cisneros, TUTS assistant manager of education, says. "We want people to know that they can see great theater in their own communities, whether that is with us or in Katy, The Woodlands or Klein or anywhere in Houston."

    The 10th Annual Tommy Tunes Award is set for 7:30 p.m. Tuesday at Hobby Center for the Performing Arts. Tickets start at $24 and can be purchased online or by calling 713-558-8887.

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    news/entertainment

    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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    news/entertainment

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