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    Kendrick Lamar Performs

    Music Festival is sheer madness as Kendrick Lamar draws massive crowd

    Reid Schroder
    Reid Schroder
    Apr 3, 2016 | 6:22 am

    Kendrick Lamar gave Houston just a few days to prepare for his arrival, but that didn’t seem to stop what seemed like just about everyone in town from making their way to Discovery Green on Saturday night for a free concert at the March Madness Music Festival.

    I spoke to a number of fans on the way to the three-day live music attraction that accompanies the NCAA Final Four basketball tournament, and the only thing anyone seemed to care about was the fact that arguably the most popular rapper on the planet was going to be playing live downtown.

    You can imagine the strain this put the scene.

    Embed from Getty Images

    When I heard earlier this week that Lamar would be headlining, I knew that I wanted to go but there was no way I was using my car to get downtown for this, ahem, madness. I decided to take METRO up on its weekend NCAA bus pass option. Good idea in theory, except for one glaring oversight on my part — this is a FREE music festival, downtown and I was at the mercy of the bus.

    The first bus that neared my stop on Westheimer and Hazard passed me up because they were completely full.

    As this happened, a helpful kid employed by a new Montrose apartment complex to spin an advertisement sign near my bus stop told me that the buses have looked like that all day long. While I waited hopefully for the next bus to take me downtown, me and the kid started talking about the music he listens to while he spins those advertisement signs. “Oh you know, good beats. Loud things. Run the Jewels, Kendrick Lamar, that kinda stuff.”

    I asked him if he knew that Lamar was playing for free downtown in a few hours. “Yep,” he replied, “that’s why I’m quitting early today. Going to cash my check and head down there.”

    My bus came shortly afterward, and I was lucky to find standing room on this one.

    Embed from Getty Images

    Discovery Green reached capacity around 4 pm, a full three hours before Lamar was set to take the stage. (Fire marshals reopened the gates later, but closed them again before Lamar's performance.)

    Luckily I was able to make it into the grounds and scope out the scene before Lamar’s set. A crowd near the main stage was already forming during the Jason Derulo and Twenty One Pilots performances, but during the day there was still plenty of room to walk around and check out what the festival had to offer.

    Food trucks such as The Waffle Bus, Koagie Hots, and The Burger Joint were doing a brisk business, alog with such attractions as a promotional area with photo booths, a mechanical bull and free Coca-Cola, and of course the ferris wheel that has become an icon of the annual March Madness Music Festival.

    By the time Lamar and his band took the stage after the end of Villanova's rout of Oklahoma was showing on the big screens, there was no room to move except vertically, and the funky energy Lamar’s band brought to back up these songs made that easy.

    Embed from Getty Images

    Lamar ran through favorites from albums good kid, m.A.A.d. city (sic) and last year’s Grammy-award winning To Pimp A Butterfly, inciting the crowd to keep their hands up and participate. A couple of lucky fans were asked on stage to rap words to “m.A.A.d city,” a trademark of Lamar shows. “He’s doing my job for me!,” Lamar quipped as one of these fans, who proudly announced his name as David, killed it on stage.

    If you were lucky enough to make it down to Discovery Green with me, I hope you enjoyed the experience as much as I did. Kendrick Lamar's performance might just go down in history as one of downtown Houston’s biggest moments.

    If you missed the action today, remember that there is plenty more to come Sunday at Discovery Green as Aloe Blacc, Flo Rida, Pitbull and Maroon 5 are set to perform tomorrow starting at 3 pm.

    You'd better get there early.

    Earlier in the day things were calmer as a face painter worked her magic.

    Kendrick Lamar March Madness Music Festival crowd face painting
    Photo by Killy
    Earlier in the day things were calmer as a face painter worked her magic.
    musicdowntownconcerts
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

    moviesfilm
    news/entertainment

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