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    Middle-age crazy

    What, no "Layla?" Eric Clapton still plays a mean guitar but concert leaves audience wanting more

    Clifford Pugh
    Jane Howze
    By Clifford Pugh and Jane Howze
    Mar 17, 2013 | 2:28 am

    Midway through Eric Clapton's 50th Anniversary Tour, which touched down at the Toyota Center Saturday night, not many in the decidedly older audience had stood up from their seats, even though warm applause greeted the fabled British singer/guitarist after each song.

    (Looking at the sold-out crowd, a friend remarked this was not their first concert and given the ages of many, it could well be their last.)

    Oblivious to the fracas, Clapton continued his performance in the way he had all night. He was the consummate professional if not much of a showman.

    But when Clapton launched into "Wonderful Tonight," a middle-aged couple two rows down from us couldn't contain themselves. They jumped up and began slow dancing in the middle of their row, they bodies tightly intertwined as if they were reliving their youth when the song was first released in 1977.

    The sight was apparently too much, as one person tossed a beverage at them and another middle-aged rocker complained loudly. A war of words ensued as friends stepped in to prevent a full-fledged brawl. A cop eventually was called to the section, one of the couples left and everything calmed down as Clapton's band, coincidentally, played "How Long (Has This Been Going On?)."

    It was the most exciting thing that happened the entire evening.

    Oblivious to the fracas, which was far away from the stage, Clapton continued his performance in the way he had all night. He was the consummate professional if not much of a showman.

    Other than "Good evening," "Thank you," and mumbling the names of his band members, the 67-year-old singer/guitarist hardly said anything throughout the nearly two-hour performance. Until he played and sang the Cream hit, "Crossroads" (the 17th song in the evening's 21-song set), he didn't move from the center of the stage — and then he only walked briefly to stage right a couple of times without acknowledging the audience.

    After 50 years in the business, Clapton does not appear to feel the need to impress anyone in what might be one of his last large concert tours. (He said he plans to quit touring at age 70.) Unlike a Paul McCartney who winks, grins, and charms the socks off of everyone in an arena, Clapton has always preferred to let his guitar do the talking.

    And, boy, can he still play a mean guitar.

    On a stage in front of a simple black curtain backdrop, Clapton opened with a charmer, "Hello Old Friend," from his 1976 album, No Reason to Cry, and then riffed and jammed through a host of bluesy tunes, including "Little Queen of Spades"(a 1937 song written by bluesman Robert Johnson and recorded by Clapton in 2004) and "Black Cat Bone," from his just released album, Old Sock.

    Throughout the evening, you got the feeling that Clapton would be just as happy jammin' with his music pals in a small, smoky New Orleans joint rather than in a cavernous auditorium — or even in a room with no one else around at all. For him, it really is all about the music.

    And the camera person flashing the images on the Jumbo screens around the vast arena seemed to agree, as close-ups of Clapton's hand performing a particularly intricate riff on the guitar were continuously displayed in larger-than-life fashion.

    In one of evening's highlights, Clapton sat on a chair with an acoustic guitar in an extended set and simply played and sang a series of quiet songs — “Driftin’ Blues, “Nobody Knows You When You’re Down and Out," the achingly beautiful “Tears In Heaven,” “Goodnight, Irene” (a great sing-along tune) and the previously mentioned “Wonderful Tonight."

    Not surprisingly, Clapton got the most applause for his greatest hits, including "I Shot the Sheriff" and "Cocaine," which was the real high of the evening as most of the audience finally jumped up and danced. But many fans were shocked he didn't perform "Layla," considered one of rock music's most definitive love songs. Clapton performed it to wild applause in Phoenix when he kicked off the tour a few days ago, but for some inexplicable reason omitted it from the Houston show.
    Even so, if not overly demonstrative, the audience was appreciative and you could still feel the love for Clapton. It just seemed odd to leave a concert wanting more.

    Eric Clapton has always preferred to let his guitar do the talking.

    Eric Clapton, Toyota Center, March 2013
    Photo by Jane Howze
    Eric Clapton has always preferred to let his guitar do the talking.
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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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